The epic story of a man a hero and a nation. An infant escapes the edict calling for the death of all male Hebrew babies and is raised in the Egyptian Court by a princess who gives him the name Moses. After her death Moses (Burt Lancaster) returns to his poverty sticken people including his sister Miriam (Ingrid Thulin) and brother Aaron (Anthony Quayle). He flees into the desert to marry Ziporah the Chief of the Midianites. There he encounters the voice of God in the burning bush. Moses goes back to Egypt confronts the Pharoah predicts the ten plagues leads the Exodus recieves the Ten Commandments takes the Israelites from exile and finally before his death sees the Promised Land.
Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts, like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2) and the Castel Sant'Angelo (Act 3). The evocative settings, however, would be mere window-dressing if the cast wasn't just right; fortunately here Placido Domingo is at his virile peak in the heroic tenor role of Cavaradossi; Raina Kabaivanska is a sultry, vocally beautiful Tosca; while a more infamous and domineering Scarpia than that of Sherrill Milnes can hardly be imagined. Bruno Bartoletti and the New Philharmonia Orchestra give lustily dramatic support. Here the music and vocals are pre-recorded and the singers mime to the playback. Occasionally the result is a little unnatural, but overall the cast are good enough actors to bring off the conceit even in the close-ups. It all pays off triumphantly with the gripping realism of the rooftop finale, the one place where film can improve on stage. With the authenticity of the settings assured and such distinguished leads singing so well, this is an almost ideal filmed Tosca. On the DVD: Tosca on disc is presented in 4:3 ratio with a choice of Dolby 5.1 or LPCM Stereo. The picture is adequate but a little flat (possibly because the format is NTSC not PAL) and the same can be said for the sound, which does what it should but is never revelatory. Subtitles are provided in the main European languages and Chinese. --Mark Walker
The epic story of a man a hero and a nation. An infant escapes the edict calling for the death of all male Hebrew babies and is raised in the Egyptian Court by a princess who gives him the name Moses. After her death Moses (Burt Lancaster) returns to his poverty sticken people including his sister Miriam (Ingrid Thulin) and brother Aaron (Anthony Quayle). He flees into the desert to marry Ziporah the Chief of the Midianites. There he encounters the voice of God in the burning bush. Moses goes back to Egypt confronts the Pharoah predicts the ten plagues leads the Exodus recieves the Ten Commandments takes the Israelites from exile and finally before his death sees the Promised Land.
Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts, like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2) and the Castel Sant'Angelo (Act 3). The evocative settings, however, would be mere window-dressing if the cast wasn't just right; fortunately here Placido Domingo is at his virile peak in the heroic tenor role of Cavaradossi; Raina Kabaivanska is a sultry, vocally beautiful Tosca; while a more infamous and domineering Scarpia than that of Sherrill Milnes can hardly be imagined. Bruno Bartoletti and the New Philharmonia Orchestra give lustily dramatic support. Here the music and vocals are pre-recorded and the singers mime to the playback. Occasionally the result is a little unnatural, but overall the cast are good enough actors to bring off the conceit even in the close-ups. It all pays off triumphantly with the gripping realism of the rooftop finale, the one place where film can improve on stage. With the authenticity of the settings assured and such distinguished leads singing so well, this is an almost ideal filmed Tosca. On the DVD: Tosca on disc is presented in 4:3 ratio with a choice of Dolby 5.1 or LPCM Stereo. The picture is adequate but a little flat (possibly because the format is NTSC not PAL) and the same can be said for the sound, which does what it should but is never revelatory. Subtitles are provided in the main European languages and Chinese. --Mark Walker
These three legendary outstanding operas from the Arena di Verona Festival feature star conductors such as Nello Santi and Daniel Oren. Zeffirelli's interpretation of 'Madama Butterfly' shows us a masterpiece of traditional Italian opera. The 'Aida' staging by Gianfranco De Bosio was seen and loved by thousands of opera lovers throughout the world. Star singers as the Italian soprano Fiorenza Cedolins, Marcelo �lvarez, Ruggero Raimondi or Maria Chiara show us the highest performance quality o...
Rossini - Elisabetta Regina D'Inghilterra (Ferro)
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