When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the bestselling movie soundtrack of all time and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story and, although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and, like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
James Cameron heads back into the depths for this underwater IMAX extravaganza.
Almost ten years have passed since Sarah Connor's ordeal began, and her son John, the future leader of the resistance, is now a healthy young boy.
Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. On the DVD: Oh, if only every DVD could be like this. Here is a DVD package worthy of this monumental movie, with so many extra features the viewer will spend hours simply trying to find them all (the animated menus alone are worth watching over and over again.) On the second disc there are three extensive documentaries (all good, all relatively straightforward), but things get more complicated as you burrow down through the menu layers of Cyberdyne Systems into the "Data Hub": the entire screenplay, storyboards, text features, dozens and dozens of video clips, deleted scenes, and thousands of stills. The movie disc itself will cause even hardened surround-sound enthusiasts to gasp with joy as these explosive soundscapes come alive in Dolby 5.1 or DTS (hear that Harley roar!), while the anamorphic widescreen picture of the original theatrical 2.35:1 ratio is jaw-droppingly impressive. The exhaustive commentary is a patchwork of interviews with various key cast and crew members. The only disappointment here is that, unlike the almost identical Region 1 version, this Region 2 package does not include the DVD-ROM features nor the option to play the original theatrical release and the hidden "Ultimate Edition"--the only version here is the Director's Cut Special Edition, although the few extra scenes that make up the "Ultimate" edit can still be found in the "Data Core" section of the second disc. --Mark Walker
After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton
Before the Salvation comes revisit James Cameron's classic Judgement Day!
The Fifth Element In the year 2257 a planet-sized sphere of supreme evil is approaching the earth at relentless speed threatening to exterminate every living organism unless four ancient stones representing the elements of earth wind fire and water are united with the mysterious 'Fifth Element'... The Abyss: In this thrilling underwater action-adventure from writer-director James Cameron a civilian oil-rig crew is recruited to conduct a search-and-rescue effort when a nuclear submarine mysteriously sinks. One diver (Ed Harris) soon finds himself on a spectacular odyssey over 25 000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it. Aliens: Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate...
The terror continues as Ripley (Sigourney Weaver) returns to Earth after drifting through space in hypersleep for 57 years. Although her story about the Alien encounter is met with skepticism, she agrees to accompany a team of high-tech marines back to LV-246...and this time it’s war! Special Features: Feature - 1986 theatrical Version Feature - 1990 Special Edition Introduction by James Cameron(Special Edition Only) Audio Commentary by Director James Cameron, Cast and Crew Final Theatrical Isolated Score by James Horner Composer’s Original Isolated Score by James Horner Deleted and Extended Scenes
Twins: An ambitious genetic experiment takes the wrong turn when two twins (Danny De Vito and Arnold Schwarzenegger) - who look nothing alike - are born and then separated. Years later the unlikely siblings meet: Julius a highly educated but sheltered giant with a big heart and Vincent a pint-sized hustler with an insatiable lust for women and money. With girl friends in tow and a hitman on their tail the new-found brothers set off on a wild cross-country misadventure to find their mother but end up finding out more about themselves and each other... (Dir. Ivan Reitman 1988) Kindergarten Cop: Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges as well as the affections of a beautiful teacher (Penelope Ann Miller) he prepares for a final showdown with his intended prey in this ""Totally Enjoyable"" (People Magazine) action-comedy from director Ivan Reitman! (Dir. Ivan Reitman 1990) True Lies: Arnold Schwarzenegger is special agent Harry Tasker a top spy in the ultra-secret Omega Sector although to his wife Helen he's just a boring computer salesman. When Harry's two lives unexpectedly collide both he and Helen find themselves in the clutches of international terrorists fighting to save not only their marriage but their lives. Jammed with incredible special effects 'True Lies' is an exhilarating mix of non-stop action and romantic comedy. (Dir. James Cameron 1994)
All seven films together for the first time! Films Comprise: 1. Alien (Dir. Ridley Scott 1979) 2. Aliens (Dir. James Cameron 1986) 3. Alien 3 (Dir. David Fincher 1992) 4. Alien Resurrection (Dir. Jean-Pierre Jeunet 1997) 5. Predator (Dir. John McTiernan 1987) 6. Predator 2 (Dir. Stephen Hopkins 1990) 7. Alien vs Predator (Dir. Paul W.S. Anderson 2004)
After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton
AvatarThe widely-acclaimed film that ushered in a new generation of 3D filmmaking, it's unsurprising that, come its Blu-ray release, Avatar remains one of the finest proponents of the technology. Whilst the 3D obviously doesn't have quite the impact it had on a massive cinema screen, it nonetheless still works strikingly well on Blu-ray. It's surprising, considering the number of films that have attempted to surpass Avatar's visual feats since it was released just how few have come close. Such is the standard of director James Cameron's visual work. Parts remain as jaw-dropping as they always were. The film itself smashed records on its release, and it's easy to see why. It's perhaps not the masterpiece it was initially proclaimed at, but this is intense, exhilarating blockbuster entertainment nonetheless. Ambitious, too. It's hard to think of too many other films that have so convincingly put across a fictional alien world as Avatar manages, and particularly in the intense final half hour, it looks simply glorious. James Cameron is a notorious perfectionaist too when it comes to the presentation of his work, and this disc release is a real testament to that. The Blu-ray presentation is exquisite, and Avatar stands up as a reference disc. Not just on the visual side, either. The audio quality the Blu-ray offers is quite brilliant. It all adds up to a strong film, on one of the best discs on the market for a home cinema workout. --Jon Foster TitanicWith eleven Oscars on its mantelpiece, star-making turns from Kate Winslet and Leonardo DiCaprio, and a soundtrack that continues to sell, Titanic's place in movie history has long since been assured. However, director James Cameron, one of the biggest advocates of 3D technology, invested a heavy amount of time, resources and hard cash in adapting his hugely popular film. And this 3D release is the end result. The film itself needs little introduction. Epic in ambition and scale, Titanic tells the story of the sole voyage of the infamous ship, focusing its story on a young couple from different walks of life. It's a feature whose merits have been vigorously debated since its release, but the consensus remains hugely positive. The spectacle alone, especially in this crystal-clear, effective 3D Blu-ray transfer, is something to behold. But there's both a compelling drama and a modern day disaster movie classic also mixed in. The 3D Blu-ray Titanic is an example of how to present a film superbly well. --Jon Foster
Titanic: Leonardo DiCaprio and Oscar nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the unsinkable R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival. Man In The Iron Mask: Its 'all for one and one for all' as the Three Musketeers along with D'Artagnan reunite in this swashbuckling tale of action and adventure. Leonardo DiCaprico stars in the dual role of the cruel King Louis XIV and the mysterious prisoner encased in the iron mask. Paris is starving but the King of France is more interested in the debauched affairs of court. The Musketeers devise a daring plot to save France from the tyranny of this King only D'Artgnan stands in their way. The Man in the Iron Mask is a stunning film of intrigue danger action and romance. Romeo + Juliet: Baz Luhrmann's dazzling and unconventional adaptation of William Shakespeare's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet the youthful star-crossed lovers of the past. But the setting has been moved from its Elizabethan origins to the futuristic urban backdrop of Verona beach. This brilliant and contemporary retelling of the world's most tragic love affair makes this wildly inventive Romeo & Juliet unforgettable.
James Cameron's 1989 aquatic epic The Abyss was, quite literally, a watershed in the annals of filmmaking: not only was it the first (and only) movie to be shot almost entirely underwater, in the largest tank ever used for a movie set, and to use live dialogue from specially designed headsets, it also pushed forward the boundaries of computer animation in one gigantic leap. The famous water tentacle sequence is now regarded as the defining moment when CGI came of age; ironically perhaps, its very success has ensured that the punishing realism of the setting, which is the best thing about the movie, is likely never to be attempted again. But the impressive technical aspects aside, is the movie any good? Granted it contains any number of striking moments, from forcing a rat to breathe liquid (it really works, apparently) to resurrecting a drowned Mary Elizabeth Mastrantonio. But the story is a slim one for the running time, especially in the extended Special Edition version which plays almost half an hour longer than the theatrical cut and contains a completely excised subplot featuring much too much heavy-handed moralising: "How all the world can stop fighting and learn to get along with each other", by James Cameron esq. All you need is love, apparently. Here is one rare example of the theatrical cut being preferable to the director's. Now, if only he had cut the love story from Titanic too On the DVD: The Abyss Special Edition two-disc set has plenty of neat extra features, but is let down a little by the non-anamorphic 2.35:1 letterboxed picture. Sound, on the other hand, is vivid THX mastered Dolby 5.1. Happily, the first disc contains both the original theatrical cut and the extended special-edition version. There's a reasonably informative though inevitably rather dry text-only commentary. The principal extra on Disc 2 is a 60-minute documentary, "Under Pressure", with retrospective interviews in which cast and crew detail the extraordinary challenges involved in making the film, and more than one near-death experience. In addition there's the complete screenplay, various different pieces on the effects sequences, storyboards, artwork, DVD-ROM features--in short, plenty to keep even jaded DVD enthusiasts amused for hours. The menu interfaces for both discs are a treat and the set comes with a good 12-page booklet. --Mark Walker
Take the ultimate journey with the Prometheus to Alien Blu-ray collection. It all begins with Prometheus as Charlize Theron Michael Fassbender and Noomi Rapace search for the origins of mankind and encounter the mysterious 'Engineers ' capable of destroying all life on Earth. Then Sigourney Weaver battles the most terrifying creatures in cinematic history in all four action-packed Alien films - Alien Aliens Alien3 and Alien Resurrection. Bursting with more than 65 hours of thrilling extras this definitive sci-fi collection lets you explore the darkest corners of the universe...and the deepest recesses of your imagination! The Evolution Box Set Includes: Alien Blu-Ray Aliens Blu-Ray Alien 3 Blu-Ray Alien Resurrection Blu-Ray Alien 2 VAM Blu-Ray Prometheus 2D Blu-Ray Prometheus VAM Blu-Ray Special Features: The Furious Gods: Making Prometheus In-Depth Documentary with Enhancement Pods Unprecedented Access to the Weyland Corp Archives MU-TH-UR Mode Interactive Experience with Datastreams and Enhancement Pods Full-Length Audio Commentaries for All Movies Revealing Featurettes Storyboard and Image Galleries
PredatorDeep in the jungle several bodies have been discovered skinned and hanging from trees - although who or what could have done this is a mystery. Military covert specialist Dutch (Arnold Schwarzenegger) and his team are called in to eliminate the threat but once in the heart of the menacing jungle they discover something far worse than they could ever have imagined-the Predator-an alien which has come to Earth with cloaking technology extensive combat skills and a desire to hunt humans for sport. CommandoIn this powerful action classic Arnold Schwarzenegger stars as retired commando John Matrix who is forced back into action when his daughter (Alyssa Milano) is kidnapped. With the help of a feisty stewardess (Rae Dawn Chong) Matrix has only a few hours to find his daughter before she gets killed. The TerminatorArnold Schwarzenegger stars as the most fi erce and relentless killing machine ever to threaten the survival of mankind! An indestructible cyborg - a Terminator (Schwarzenegger) - is sent back in time to kill Sarah Connor (Linda Hamilton) the woman whose unborn son will become humanity's only hope in a future war against machines. This legendary sci-fi thriller from pioneering writer/director James Cameron and co-written by Gale Anne Hurd fi res an arsenal of action and heart-stopping suspense that never lets up! Conan The BarbarianArnold Schwarzenegger stars as the legendary warrior and hero Conan the Barbarian. When his parents are killed by a band of brutal marauders and the gang's cold-blooded cult leader (James Earl Jones) the orphaned Conan endures a childhood of merciless slavery only to become a gladiator for the amusement of his captors. Eventually set free Conan begins a dangerous full-blooded quest to avenge his parents' massacre. Now the sword-wielding warrior must vanquish his bloodthirsty enemies in this death-defying action-adventure about courage strength character and the triumph of good over evil.
Almost ten years have passed since Sarah Connor's ordeal began, and her son John, the future leader of the resistance, is now a healthy young boy.
When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the bestselling movie soundtrack of all time and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story and, although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and, like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
Discover the Secrets of Evolution on DVD! Take the ultimate journey with the Prometheus to Alien: The Evolution DVD collection. It all begins in Prometheus, as Charlize Theron, Michael Fassbender and Noomi Rapace search for the origins of mankind and encounter the mysterious Engineers, capable of destroying all life on Earth. Then Sigourney Weaver battles the most terrifying creatures in cinematic history in all 4 thrilling Alien films — Alien, Aliens, Alien3 and Alien Resurrection. Packed with nonstop action and excitement, this stellar sci-fi collection lets you explore the darkest corners of the universe...and the deepest recesses of your imagination!
James Cameron's epic action, sci-fi masterpiece starring Arnold Schwarzenegger in his most iconic role, first hit cinema screens in 1991, 30 years later Terminator 2 is still considered one of the greatest action blockbusters of all time. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, T1000 sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: T2: Reprogramming The Terminator documentary (including exclusive interviews with James Cameron, Arnold Schwarzenegger, Edward Furlong and many more) 55 mins ¢ 2 Feature Commentaries; 23 Members of Cast & Crew (1993)/Director James & Co-Author William Wisher The Making of T2 (1993) Seamless Branching Of The Theatrical Version (137 mins approx.) Special Edition Version (154 mins approx.) Extended Special Edition Version (156 mins approx.) 2 Deleted Scenes With Audio Commentary Trailers T2:3D (2017) T2 Theatrical Trailer This Time There Are Two'/'Same Make New Mission'/'Building The Perfect Arnold
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