Two Raymond Briggs' animated classics, The Snowman and Father Christmas are here sensibly paired for maximum yuletide delight. Based on Briggs's classic children's book and crafted in a coloured-pencils-on-paper look, like fluffy, hand-drawn illustrations, The Snowman is a gentle fable of friendship and the power of imagination. It's the story of a small boy whose lovingly constructed snowman comes to life and takes him flying over the white-blanketed landscapes, in a beautiful rotoscoped (traced) sequence based on live-action flying footage. Part of the charm of the film is the gentle, everyday quality of its fantasy adventures: the snowman is invited in to try on clothes and play with the Christmas decorations, then plays host to the boy at a party in the woods, at which his snowy relatives do country dances. --David Chute In Father Christmas, an irreverent Santa breaks from tradition in many ways. He has no Mrs, owns only four reindeer and decides to convert his sleigh into an airborne motor home for a pre-Christmas holiday. He finds France too snooty, Scotland too cold and Las Vegas just right. Tanned and rested, he returns to the North Pole in time to sort through the mail, pack up the toys and hit the skies. He also narrates his own story (splendidly voiced by Los Angeles stage actor William Dennis Hunt), but fans of the 1973 book will find the animated version far less cranky than the original. Although the book was aimed at children between the ages of 4-8, this may have a wider appeal, depending on how you feel about the children seeing Santa gambling at the casino tables, dreaming of bikini-clad babes and suffering a bout of diarrhoea. --Kimberly Heinrichs
A new animated version of Charles Dickens' classic tale of Scrooge and the three ghosts that visit him one Christmas Eve.
Jim and Hilda Bloggs (Sir John Mills and Dame Peggy Ashcroft) are a middle-aged couple, who believe that the British government is in control as they prepare for Nuclear War. When the countdown begins they roll up their shirtsleeves and follow government guidelines that were actually distributed to households around Britain in the 1970s. They paint their windows white, build a fortress of doors and pillows, take the washing in and put away two packets of ginger nuts, one tin of pineapple chunks and a good supply of tea. This cautionary tale is both humorous and macabre in its consideration of one of the most horrific possibilities of modern life. When the Wind Blows is a story about love, tenderness, humanity and hope. Adapted by Raymond Briggs (The Snowman) from his best-selling book, When the Wind Blows features an original soundtrack by Roger Waters, and a title song by David Bowie. Extras: Presented in High Definition and Standard Definition Audio commentary with first assistant editor Joe Fordham and film historian Nick Redman Jimmy Murakami: Non-Alien (2010, 73 mins): feature-length documentary about the film's director Interview with Raymond Briggs (2005, 14 mins) The Wind and the Bomb (1986, 20 mins): the making-of When the Wind Blows Protect and Survive (1975, 51 mins): public information film about how to survive in the event of a nuclear attack Isolated music and effects track Fully illustrated booklet with a new introduction by Raymond Briggs, essays by Jez Stewart, Clare Kitson and Bella Todd and full film credits
The Snowman film, adapted form Raymond Briggs' classic picture book, is a family favourite. A beautiful story of a boy whose snowman comes to life at midnight, it has captured the imagination of generations - an continues to enchant.
Jim and Hilda Bloggs are the typical retired couple in rural England. They drink endless cups of tea and have an unwavering faith in the wisdom of their government. They understand that a Third World War is imminent between the US and the Soviets. However they fail to grasp the concept that war will be fought by nuclear means and what consequences this will have. With the help of government issued pamphlets Jim builds a shelter to protect the couple and although they survive a n
The Snowman film, adapted form Raymond Briggs' classic picture book, is a family favourite. A beautiful story of a boy whose snowman comes to life at midnight, it has captured the imagination of generations - an continues to enchant.
As long as there is a need for adolescent male sexual fantasy, there will be an audience for Heavy Metal. Released in 1981 and based on stories from the graphic magazine of the same name, this silly and senseless the movie is an aimless, juvenile amalgam of disjointed stories and clashing visual styles. Hundreds of animators from around the world were employed, resulting in a near-total absence of creative cohesion in the finished product. It remains, for better and worse, a midnight-movie favourite for the stoner crowd--a movie best enjoyed by randy adolescents or near-adults in an altered state of consciousness. With a framing story about a glowing green orb claiming to be the embodiment of all evil, the film shuttles through eight episodic tales of sci-fi adventure, each fuelled by some of the most wretched rock music to emerge from the late 1970s-early 80s period. The most consistent trademark is an abundance of blood-splattering violence and wet-dream sex, the latter involving a succession of huge-breasted babes who shed their clothes at the drop of a G-string. It's rampantly brainless desire to fuel the young male libido becomes rather fun, and for all its incoherence Heavy Metal impresses for the ambitious artistry of its individual segments. Produced by Ivan Reitman (who went on to direct Ghostbusters), the voice talents include several Canadian veterans of the Second City improvisation comedy troupe--including John Candy, Harold Ramis, Eugene Levy and Joe Flaherty--many of whom went on to greater fame on the US TV series Saturday Night Live. --Jeff Shannon DVD Special Features Feature-length Rough Cut with Optional Commentary by Carl MacEk, Production notes Theatrical trailer Documentary: Imagining Heavy Metal Art Galleries Deleted Scenes, Carl MacEk reading his book "Heavy Metal: The Movie" 1:85:1 widescreen anamorphic Dolby Digital 5.1
Two Raymond Briggs' animated classics, The Snowman and Father Christmas are here sensibly paired for maximum yuletide delight. Based on Briggs's classic children's book and crafted in a coloured-pencils-on-paper look, like fluffy, hand-drawn illustrations, The Snowman is a gentle fable of friendship and the power of imagination. It's the story of a small boy whose lovingly constructed snowman comes to life and takes him flying over the white-blanketed landscapes, in a beautiful rotoscoped (traced) sequence based on live-action flying footage. Part of the charm of the film is the gentle, everyday quality of its fantasy adventures: the snowman is invited in to try on clothes and play with the Christmas decorations, then plays host to the boy at a party in the woods, at which his snowy relatives do country dances. --David Chute In Father Christmas, an irreverent Santa breaks from tradition in many ways. He has no Mrs, owns only four reindeer and decides to convert his sleigh into an airborne motor home for a pre-Christmas holiday. He finds France too snooty, Scotland too cold and Las Vegas just right. Tanned and rested, he returns to the North Pole in time to sort through the mail, pack up the toys and hit the skies. He also narrates his own story (splendidly voiced by Los Angeles stage actor William Dennis Hunt), but fans of the 1973 book will find the animated version far less cranky than the original. Although the book was aimed at children between the ages of 4-8, this may have a wider appeal, depending on how you feel about the children seeing Santa gambling at the casino tables, dreaming of bikini-clad babes and suffering a bout of diarrhoea. --Kimberly Heinrichs
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