All 6 films from the legacy of the original Invisible Man. Includes The Invisible Man - 1933. The invisible Man Returns - 1940. The Invisible Woman - 1940. Invisible Agent - 1942. The Invisible Man's Revenge - 1944. Abbott and Costello Meet The Invisible Man - 1951. The original Invisible Man is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Invisible Man: Complete Legacy Collection includes all 6 films from the original legacy including the chilling classic starring Claude Raines and the timeless films that followed. These landmark motion pictures featured groundbreaking special effects and continue to inspire countless remakes and adaptations that strengthen the legend of the Invisible Man to this day. Bonus Features: Now You See Him: The Invisible Man Revealed Feature Commentary with Film Historian Rudy Behlmer Production Photographs Theatrical Trailers
All 6 films from the legacy of the original Invisible Man. Includes The Invisible Man - 1933. The invisible Man Returns - 1940. The Invisible Woman - 1940. Invisible Agent - 1942. The Invisible Man's Revenge - 1944. Abbott and Costello Meet The Invisible Man - 1951. The original Invisible Man is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Invisible Man: Complete Legacy Collection includes all 6 films from the original legacy including the chilling classic starring Claude Raines and the timeless films that followed. These landmark motion pictures featured groundbreaking special effects and continue to inspire countless remakes and adaptations that strengthen the legend of the Invisible Man to this day. Bonus Features: Now You See Him: The Invisible Man Revealed Feature Commentary with Film Historian Rudy Behlmer Production Photographs Theatrical Trailers
The house of Seven Gables has a bloody history, dating back to when Colonel Pyncheon falsely accused a poor carpenter, Matthew Maule, of witchcraft. After Maule is hanged, Colonel Pycnheon usurps his land and builds the luxurious Pyncheon home on it. But with his dying breath Maule has laid a curse on all who live at Seven Gables, and when the Colonel dies shortly afterwards, the Pyncheon family is condemned to live in the shadow of the Maule Curse'. Stars Vincent Price, George Sanders and Margaret Lindsay.
Perhaps no period of any national cinema extends its influence so powerfully into the present day of movies as that of the German cinema of the Weimar era. From the fraught angles that accompanied magisterial set-design to the dreamlike interplay of light and shadow German films of the pre-WWII era defined the famed ""expressionistic"" visual style even as they tested the boundaries of social and sexual taboos. This collection contains five films. Four are classic films emblematic of the legendary Weimar period and one is an historical curiosity commissioned under the Nazi regime. Paul Wegener's and Carl Boese's 1920 film Der Golem represents the second (and the only fully surviving) film treatment by Wegener of the Yiddish folktale based around a towering clay monster created by magic corrupted by evil and redeemed ultimately by the force of the human soul. From the same year comes Robert Wiene's nightmarish classic The Cabinet of Dr. Caligari - a story of mesmerism sleepwalking and murder - a demented dreamscape that perhaps single-handedly galvanized the Expressionist movement of silent cinema. Nine years on Joe May's Asphalt opens a door to the sordid carnality lurking inside the Weimar heart of darkness - and gives audiences the gift of Betty Amann the greatest ""siren unsung"" of the early silver-screen. No lack of recognition would beset the besotted lead of Josef von Sternberg's 1930 masterpiece The Blue Angel - presented here in both its German- and English-language versions. Simply put this tale of a mild-mannered professor (Emil Jannings) sucked into the world of a licentious cabaret artiste introduced the public to an immortal: her name written among the stars would read ""Marlene Dietrich"". By 1943 a new era had dawned one in which Joseph Goebbels called the shots and it was Josef von Bky's Mnchhausen that epitomized the ""new German epic"" - a state-sanctioned Agfacolor melange of the picaresque and Aryan myth that nevertheless served to inspire Terry Gilliam's more benign modern fantasia The Adventures of Baron Munchausen. Myth sex magick and the ""tall-tale"": Classics of German Cinema: 1920-1943 presents the viewer with a selection of masterpieces that tower not only over the awesome first phase of German movies but over the origins of world cinema as a whole. 1. Der Golem 2. Das Cabinet Des Dr. Caligari 3. Asphalt 4. The Blue Angel 5. Munchhausen
A well-dressed lady thief (Betty Amann) steals a precious stone from a jewellery shop. The aged jeweller prefers to let the young woman go but the policeman who catches her explains he is obliged to pursue the case further. She tries to seduce the policeman (Gustav Frohlich) and he gradually succumbs to her charms but her criminal background dooms their relationship when an argument leads to murder... One of the last great German Expressionist films of the silent era Joe May's 'A
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