Audiences are cheering for a vibrant overachiever with the spirit and smarts to live her dream. America Ferrera stars as go-getter Betty Suarez a true beauty in the skin-deep world of high fashion. Two very different cultures collide in this sexy and stylish series about believing in yourself regardless of the odds
Some TV series end too soon, leaving us panting for more, while others overstay their welcome, leaving a bad taste (and possibly a jumped shark or two) in their wake. Fortunately, ABC's Ugly Betty has done neither, bowing out just right with this fourth and final season (with 20 episodes, plus bonus material, on four discs) chronicling the adventures of young Betty Suarez (America Ferrera) as she navigates the world of high fashion in New York. When the third season concluded, one wondered if the show would continue to spotlight Betty's cutesy, quirky ways, including a fashion sense so extreme it could scare a blind person, and thus risk becoming redundant--or would we see her blossom into some version of grown-up normality? As it turns out, the answer is a bit of both. Betty is still well-meaning but often tactless and klutzy, someone who's adored by her family, pursued by boyfriends old and new, and, because she's honest and agenda-free, resented by her covetous, conniving colleagues at Mode, the magazine that employs her. But the character became steadily more confident and assertive through the years; she's an editor now, and by the end of season 4 she has made some major moves in her personal and professional lives. Other changes, though more superficial, are also more dramatic, including an extreme (and permanent) fashion makeover in the second episode and (warning: spoiler alert) the removal of her braces toward the end of the season. The people responsible for the show knew the end was coming, so while various story lines come and go in the course of this final season (as do guests stars like Shakira and Brooklyn Decker), most of the major characters' fates are resolved by the end, including the power struggle between Claire (Judith Light) and Wilhelmina (Vanessa Williams); the future of Mode and its editor, Daniel (Eric Mabius); the dispositions of Betty's "frenemies" Amanda (Becki Newton) and Marc (Michael Urie); the romantic lives of Betty's family members; and more. As before, virtually every aspect of Ugly Betty--the sets, the props, the lighting, the clothes (of course), even the writing--is almost cartoonishly bright and colourful, sometimes quite beautifully so. --Sam Graham
Jack Lucas ( Lou Diamond Phillips) a renowned Californian homicide detective is a respected local hero. His reputation has been elevated by his bravery in a covert operation to trap the Red Dragons. Whilst finding fame in the media Jack is emotionally scarred by the loss of his partner. Jack undergoes investigation by Joe Dexter the Internal Affairs psyhologist who is preparing a final report on him. Whilst drinking in his regular bar one night a young man Ollie (Edoardo Ballerini) offers to buy Jack a drink to compensate for almost driving into him outside. Unknown to him the drink is drugged and when jack comes to in the bathroom his gun shirt pocket and bloodied handkerchief are missing - as is Ollie. Confused Jack follows his only leads to trace Ollie leading him to an exotic dancer Jessica (Kari Wuhrer) whom Ollie claimed to have been married too. Jessica only knows Ollie as a stranger who was obsessed by her. But then Dexter is murdered. Jack becomes prime suspect and Jessica is in danger. Jacks time as hero is running out as he is forced to the mercy of set up. Will he be able to prove his innocence and discover why this stranger has such a vengeful plan?
In New York young curator Samantha Gaines awaits the breastplate worn by Attila The Hun thousands of years ago. The drawings on the breastplate are directions on how to find the Attila's sword and any person to ever possess this sword would become invincible. When the sword is removed from the tomb by a gang of thieves it unknowingly unleashes a one thousand year old three headed dog with the tail of a serpent named Cerberus who ends up out in the Romanian streets reeking havoc and viciously slaughtering the innocent. It is up to Samantha and whoever is tough enough to survive to end it... and the only way to do so is with the sword.
A journalist holds potentially threatening information and the government will not rest until he is dead. The government's trained assassin is undecided which side to choose...
In the depths of space a giant meteor collides with an asteroid sending a deadly shower of fragments towards Earth. After a small piece makes impact eliminating everything around it the United States Airforce observes that the worse is yet to come - a 14 mile long fragment powerful enough to destroy all life on Earth. Determining that their own 'Spaceguard' is not up to the job the military turns to Dr. David Corbett - inventor of 'Thor' an explosive device capable of eliminating the meteor. But deranged religious leader Thomas Payne has another plan. Kidnapping Corbett so that Thor cannot be used. Payne and his cult believe that the world is fated for the impending doom.
Though the Guardian opens with a nod or two to Three Kings, it really offers a cut-down version of Fallen, with Los Angeles Detective Kross (Mario Van Peebles) facing Telal--a body-hopping Sumerian demon he encountered at an archaeological site in Iraq during the Gulf War--entrusted by ritual scarification with the task of protecting a 12-year-old boy who will grow up to unite the three great monotheistic faiths (Christianity, Judaism, Islam) and thus set the Devil's work back millennia. A sub-plot deals with a red powder drug ("Chaos"), imported by the demon's minions, which catches on in LA sending coke-sniffing agents into murderous frenzies (the funniest scene) and briefly giving guest star dealer Ice-T superpowers until an ambiguously angelic hit lady (Stacy Oversier) tosses him off a building. There are elements of The Matrix stirred in, with Oversier and Telal dead ringers for the Carrie-Ann Moss and Hugo Weaving characters, but it inevitably boils down to a Fallen-style formula. It's stripped-down demonology--ever since The Evil Dead, those Sumerian demons have been getting a bad press--with direct-to-video action, but is by no means unlikeable. On the DVD: Along with the trailer, this disc offers IMDB filmographies for Van Peebles, Remar, Ice-T and John Terlesky (who used to be a busy B-actor in the likes of Chopping Mall and Valet Girls and now directs quickies such as Guardian). The transfer is augmented for 16:9 and looks significantly better than the video version, giving this low-budget effort a relatively lush feel, though the Iraqi desert does look as though it was an hour or so drive out of Los Angeles. --Kim Newman
A briefcase that holds the power to destroy the world!
Guardian
Judgement Day
A journalist holds potentially threatening information and the government will not rest until he is dead. The government's trained assassin is undecided which side to choose...
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