Guher and Suher Pekinel - Live In Concert
Six master composers, six symphonies, a star conductor and a leading orchestra make Kent Nagano Conducts Classical Masterpieces a first-class music documentary.Interviews with Kent Nagano and the musicians are combined with footage of the orchestra in rehearsal. Together they offer a fascinating insight into the close collaboration between conductor and players. Animated sequences portray episodes from Brahms' life. At the heart of the film is a technically and visually outstanding concert recording of Brahms' Symphony No. 4 made at the Philharmonic Hall in Berlin.
Offenbach composed over 100 operettas, and yet is primarily remembered now only for The Tales of Hoffman and for having written the "Can-Can". This live Concert of Music by Offenbach aims to put the record straight and show that at least some of his other works deserve the chance to be staged. Fortunately the composer has found almost ideal advocates in conductor Marc Minkowski and mezzo Anne Sofie von Otter. The latter takes a respectful but unstuffy approach to the scores (the orchestral numbers Souvenirs d'Aix-les-Bains and the Barbe Bleue Ouverture are played with exquisite attention to detail, especially in some sighing woodwind solos) and von Otter shows that she is as great a comedienne as she is a singer. From the blowsy Grande Duchesse de Gerolstein declaring her love for soldiers in tight uniforms to the outrageous yodelling of the Colonel's Widow from La Vie Parisienne, she hits just the right note of inspired lunacy and frothiness. And there are some delicious costume changes too, including a grotesque bumpkin hat that's almost as big as the mezzo herself ("Duo des Alsaciens"). There's even more unintentional comedy in the English subtitles, which must be among the worst ever produced: "myself every night what I do coming here to seat" is one solipsistic oddity. Oliver Becker directs well for the small screen, capturing the fizz of a lively event. On the DVD: A Concert of Music by Offenbach is presented in 4:3 ratio, with LPCM Stereo, AC3 Digital 5.1 and DTS 5.1 sound options. The picture quality is fine, although the foreground and background of the stage seem to be presented in one rather flat surface. There are subtitles in English, German, French, Spanish and Italian. --Warwick Thompson
Recorded at the Theatre Musical de Paris - Chatelet, December 2001.Contains excerpts from:- La Grande-Duchesse de Gerolstein.- Fantasio.- Le Carnaval des revues.- Madame l'Archiduc.- Les Contes d'Hoffman.- La Belle Helene.- Barbe-Bleue.- Lischen et Fritzchen.- La Vie parisienne.- La Fille du tambour-major.- La Perichole.- Orphee aux enfers.- Souvenir d'Aix-les-Bains.- Ouverture a grand orchestre.
Interviews with Kent Nagano and the musicians combine with footage of the orchestra in rehearsal to offer an insight into the close collaboration that takes place between conductor and players. Animated sequences portray episodes from Mozart's life. At the heart of the film is a technically and visually outstanding concert recording of Mozart's life. At the heart of the film is a technically and visually outstanding concert recording of Mozart's Symphony No. 41 made at the Philharmonic Hall in Berlin.
Kent Nagano conducts Beethoven's Symphony No. 3 in E flat major and Eroica (Op. 55) with the Deutsches Symphonie-Orchestre Berlin.Interviews, rehearsals footage, animated sequences and concert recording.
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