Set in the glamour of 1950's post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. With his latest film, Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey, and the women who keep his world running. Phantom Thread is Paul Thomas Anderson's eighth movie, and his second collaboration with Daniel Day-Lewis. Bonus Features Camera Tests: with Commentary by Writer/Director/Producer Paul Thomas Anderson For the Hungry Boy House of Woodcock Fashion Show
Sydney (Philip Baker Hall - Psycho) is a poker-faced professional gambler with a soft heart for a hard luck story. He plays guardian angel to unlucky John (John C. Reilly - The Thin Red Line) and a hooker Clementine (Gwyneth Paltrow - Shakespeare In Love) whom he grows to love like family. When Johns and Clementines honeymoon night leads to a disastrous hostage situation Sydney takes care of it as usual. But when slick casino pro Jimmy (Samuel L. Jackson - Star Wars: The Phantom Menace) threatens to reveal a secret from Sydneys past that could destroy his relationship with the newlyweds Sydney decides to hedge his bets and not leave anything to chance.
A story about family, greed, religion, and oil, centered around a turn-of-the-century Texas prospector (Daniel Day-Lewis) in the early days of the business.
From the director of "Magnolia" comes the tale of a beleaguered small-business owner embarks on a romantic journey with a mysterious woman who plays the harmonium!
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize a man about to die: both men are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.
Even if the notorious 1970s porn-filmmaking milieu doesn't exactly turn you on, don't let it turn you off to this movie's extraordinary virtues, either. Boogie Nights is one of the key movies of the 1990s and among the most ambitious and exuberantly alive American movies in years. It's also the breakthrough for an amazing new director, whose dazzling kaleidoscopic style here recalls the Robert Altman of Nashville and the Martin Scorsese of Good Fellas. Although loosely based on the sleazy life and times of real-life porn legend John Holmes, at heart it's a classic Hollywood rise-and-fall fable: a naive, good-looking young busboy is discovered in a San Fernando Valley disco by a famous motion picture producer, becomes a hotshot movie star, lives the high life and then loses everything when he gets too big for his britches, succumbs to insobriety and is left behind by new times and new technology. Of course, it isn't exactly A Star Is Born or Singin' in the Rain. Writer-director Paul Thomas Anderson (in only his second feature!) puts his own affectionately sardonic twist on the old showbiz biopic formula: the ambitious upstart changes his name and achieves stardom in porno films as "Dirk Diggler." Instead of drinking to excess, he snorts cocaine (the classic drug of 70s hedonism); and it's the coming of home video (rather than talkies) that helps to dash his big-screen dreams. As for the britches ... well, the controversial "money shot" explains everything. And the cast is one of the great ensembles of the 90s, including Oscar nominees Burt Reynolds and Julianne Moore, Mark Wahlberg (who really can act--from the waist up, too!), Heather Graham (as Rollergirl), William H. Macy, John C. Reilly and Ricky Jay. --Jim Emerson
When Ambition Meets Faith A brutal bloody and gripping saga of obsession corruption and poisonous greed; Paul Thomas Anderson's Award Winning There Will Be Blood is a masterly unwavering inspection of a consummately evil man whose trailblazing spirit is equalled only by his murderous ambition. In the dying years of the nineteenth century Daniel Plainview (Daniel Day-Lewis) a struggling silver miner realises that true wealth lies in oil extraction. Driven by a passionate hatred for others and an intense psychological need to see competitors fail he heads for the oil-rich land of California in a bid to manipulate and exploit the landowners of dust-worn Little Boston in to selling him their properties. Forefront of the town is self-styled 'faith healer' Eli Sunday (Paul Dano) who is structuring his own sinister plan to funnel the residents' impending wealth into his self-founded church. As Plainview's empire expands so does his obsession with the intrinsic value of power and he becomes increasingly irascible and paranoid along the way. What follows is a vindictive ruthless and violent chain of events as Plainview fails to deliver on promises as he pits himself against the town's perturbed and unstable charismatic teenage preacher. In addition to stunning visuals and an exceptional captivating score from accomplished composer (and Radiohead guitarist) Jonny Greenwood director Paul Thomas Anderson (Magnolia) owes his best work to date to the incredible Academy Award winning performance as Plainview by Daniel Day-Lewis and the staggering portrayal of Eli Sunday by Paul Dano (Little Miss Sunshine). Bearing similarities to Citizen Kane and Giant There Will Be Blood is an intelligent thought-provoking and powerfully-eccentric epic masterpiece that is as enchanting as it is timeless.
Barry Egan (Sandler) a lonely small businessman calls a phone sex line one night only to find himself the victim of an extortion scheme the next day; the very same day on which he goes out on a date with the woman who may be the love of his life!
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