Long before assuming the mantle of 007, Roger Moore made his name as suave, ultra-sophisticated amateur sleuth Simon Templar in The Saint. First broadcast in 1962--coincidentally the year Dr No appeared in cinemas--the show ran until 1969, by which time Moore was internationally famous and poised to make the move to big-screen Bond. Simon Templar suits Moore's personality well: he plays Leslie Charteris's creation with the merest raised eyebrow reaction to imminent danger and the unflappable demeanour of a man whose first concern is to prevent any creases in his Saville Row suit. Templar's dialogue is sprinkled with trendy Americanisms and the show is filled with American supporting actors in a blatant attempt to sell it to a transatlantic audience (the attempt failed, which is why Moore took on The Persuaders in 1967). A bevy of exotic women and even more exotic foreign locations establish it as a product of the Jet Set era, even though most of the production is in fact studio-bound aside from a handful of establishing shots. The second episode, "The Latin Touch", is typical: supposedly the action takes place in Rome, but its sense of location is fatally undermined by some distinctly dodgy back projection and the casting of Warren (Alf Garnett) Mitchell as an Italian taxi driver. Sophisticated it once was, but it all seems rather quaint now: the suits, the old school tie, the phallic sports car (a Volvo!), and Templar's smug, patronising attitude all grate on modern sensibilities. This is one for nostalgia lovers, certainly, but it hasn't dated too well. On the DVD:Although billed as Series 1, this 10-disc box set contains the first 39 black-and-white episodes, dating from 1962-64. There are a handful of extra features on the first four discs, including some text biographies and fact files, plus an interview with series creator Robert S Baker. Picture and mono sound quality are generally poor, reflecting the age of the original material, which doesn't appear to have been remastered. Still, it's adequate for what it is and shouldn't deter fans from acquiring this generous collection of a cult TV classic. --Mark Walker
Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady connections, is murdered in the office building where Daryll works, Tony shows up to cover the story and Daryll introduce himself. She thinks he may know something, so she pursues him; he pretends he might to keep her interested. This romantic cat and mouse game goes on under the watchful eyes of the killers, who think that Daryll and Tony do know something. The killers start their own game of cat and mouse Extras: High Definition Transfer Commentary by Producer/Director Peter Yates Original Theatrical Trailer Plus many more TBA
There's something inescapably appealing about Krull, a camp Star Wars-meets-The Lord of the Rings knock-off, that encourages the viewer to overlook it's very many silly shortcomings and simply enjoy the fun. James Horner's rollicking music score--written soon after his similarly memorable contribution to Star Trek II: The Wrath of Khan--certainly helps, as does the epic-scale CinemaScope photography of the breathtaking Italian landscapes. The costumes and extravagant production design are also great to look at, and much of Derek Meddings' visual effects work still looks striking if not exactly state-of-the-art. Of the cast, Freddie Jones stands head and shoulders above all others as the Obi Wan Kenobi-meets-Gandalf character Ynyr: his trip to the centre of the spider's web is both genuinely scary and genuinely touching. The two romantic leads, Ken Marshall as the Luke Skywalker-meets-King Arthur clone Prince Colwyn and Lysette Anthony (with an overdubbed American voice) as his Leia-Guinevere Princess Lyssa, are mere formalities on which to hang the plot. Ironic fun can be had with the all-British supporting cast, which includes Todd Carty of Eastenders fame and Carry On's Bernard Bresslaw, as well as Robbie Coltrane, Liam Neeson and the gorgeous Francesca Annis. On the DVD: Krull comes to DVD in an anamorphic widescreen print, preserving the luscious CinemaScope look of the theatrical release. The Dolby 5.1 sound lives up to the picture. There are two commentary tracks: on the first, director Peter Yates talks through the movie, with contributions from other crew members and leads Ken Marshall and Lysette Anthony. Oddly, the second audio track is just a reading of an article that originally appeared in the November 1982 issue of Cinefantastique magazine. There's also a half-hour "making-of" featurette originally produced to promote the movie at the time, the usual trailer, stills gallery and three talent profiles. --Mark Walker
A Spaniard whose interest is knights and chivalry changes his name and appoints his neighbour as his squire. Setting off to seek adventure he employs a washerwoman as his lady.
Murphy's Way
A celebration of the life and career of Steve McQueen with five of his classic movies. Bullitt SE (Dir. Peter Yates 1968): Special Edition (English - Dolby Digital (2.0) Stereo / 1.85:1 Widescreen / 1 hour and 49 minutes) In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48
Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady connections, is murdered in the office building where Daryll works, Tony shows up to cover the story and Daryll introduce himself. She thinks he may know something, so she pursues him; he pretends he might to keep her interested. This romantic cat and mouse game goes on under the watchful eyes of the killers, who think that Daryll and Tony do know something. The killers start their own game of cat and mouse. Extras/Episodes: High Definition Transfer Commentary by Producer/Director Peter Yates Original Theatrical Trailer Plus many more TBA
Emily Crane is fired after refusing to give names to a 1951 House Un-American Activities Committee and takes a part-time job as companion to an old lady. One day her attention is drawn to a noisy argument being conducted largely in German in a neighbouring house the more so since one of those involved is her main senator prosecutor. Starting to look into things she gradually enlists the help of FBI officer Cochran who was initially detailed to check her out. Just as well when thin
Before the night is out the star witness for an important trial lies dying and Detective Frank Bullitt (Steve McQueen) won't rest until the shooters - and the kingpin behind them - are nailed. From the opening shot to the closing shootout Bullitt crackles with authenticity: San Francisco locations crisp dialogue and to-the-letter police hospital and morgue procedures. An Oscar winner for Best Film Editing (1969) this edgy thriller features one of cinema history's most memorable car chases. Buckle up for unbeatable action.
Eleni tells the real life story of Nicholas Gage and his search for the truth behind his mother's untimely death. Her torment at the hands of rebel guerrillas has forever plagued her son Nick (Malkovich). Now an adult and a journalist for the New York Times Nick travels back to his small village in Greece to uncover the truth and exact revenge against those responsible. With only childhood recollections of the tragic incident to guide him in a series of haunting flashbacks Nick
Titles Comprise: Nico: Chicago cop Nico Toscani (Steven Seagal) is on to something big. Suspects collared in a drug raid are allowed to walk and Nico himself is asked to turn in his badge. He may be off the force - but not out of the action. Steven Seagal makes his sensational screen debut as Nico smashing his way into the top ranks of action stars as he tracks ex-CIA operatives trafficking drugs and plotting a political assassination. Bullitt: In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Famed for it's Lalo Schifrin score and one of the greatest car chases in cinema-history 'Bullit' won the 1969 Oscar for Best Film Editing (Frank P. Keller). Dirty Harry: Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why... A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other no matter what the system prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. The original remains one of the most gripping police thrillers ever made.
Bullitt: Detective Frank Bullitt's new assignment seems routine: protect a star witness for an important trial. But before the night is out the witness lies dying and the cool no-nonsense Bullitt ( Steve McQueen) won't rest until the shooters - and the kingpin pulling their strings - are nailed. The Getaway: Master thief Doc McCoy knows his wife has been in bed with the local political boss in order to spring him from jail. What he can't know is the sinister succession of double-crosses that will sour the deal once he's on the oustisde - and executing the ultimate robbery. Towering Inferno: A dedication ceremony at the world's tallest skyscraper turns into a high-rise catastrophe when an electrical flare-up causes a raging fire trapping society's most prominent citizens on the top floor!
Murphy is the sole survivor of his crew that has been decimated by a German U-Boat in the closing days of World War II. He lands on a forgotten island and begins to plot his vengence. He wishes to sink the U-Boat that has floated up by means of any method imaginable to him and sets about to make the courageous attempt assisted by Louie the islands Government Admistrator.
Maggie Harwood (Penelope Ann Miller) is a British wine merchant's daughter obsessed with making it in her father's business. She is delighted when he sends her out on a routine business mission to a remote castle in Scotland. What appears to be an average job cataloging the stock of an ancient wine cellar becomes an opportunity of a lifetime when Maggie discovers a 150-year-old bottle of wine from a legendary year believed to have once belonged to Napoleon. What Maggie doesn't realiz
Titles Comprise: Bullitt: In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Dirty Harry Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why...A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other no matter what the system prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. The original remains one of the most gripping police thrillers ever made. Lethal Weapon: Martin Riggs (Mel Gibson) is no ordinary cop. He's a Mad Max gone maniacal a man whose killing expertise and suicidal recklessness make him a Lethal Weapon to anyone he works against. Or with. Roger Murtaugh (Danny Glover) is an easygoing homicide detective with a loving family a big house and a pension he doesn't want to lose. Imagine Murtaugh's shock when he learns his partner is a guy with nothing left to lose; wild-eyed burnt-out Martin Riggs. Lethal Weapon is the thrill-packed story of two Vietnam-vets-turned-cops who have just one other thing in common; both hate to work with partners. But their partnership becomes the key to survival when a routine murder investigation leads to all-out take-no-prisoners martial-arts-and-machine-guns war with an international heroin ring. Director Richard Donner moves that war at two speeds: fast and faster. Hot LA days and nights explode in one show-topping scene after an other culminating in a no-holds-barred battle between Riggs and his Angel-of-Death nemesis (Gary Busey) - an electrifying sequence incorporating three martial-art-styles and requiring four full nights to film. Fierce fast and frequently funny Lethal Weapon fires off round after round of can't miss entertainment.
Labyrinth (1986): Labyrinth is a major fantasy feature film with a cast of incredible creatures created by The Jim Henson Creature Shop and produced by Star Wars director George Lucas. Starring rock legend David Bowie who performs five original songs Labyrinth is the perfect family film combining music adventure comedy and fantasy. Frustrated with baby-sitting on yet another weekend night Sarah - a teenager with a active imagination - summons the Goblins from her favourite book Labyrinth to take her baby step-brother away. When little Toby actually disappears Sarah must follow him into the world of the fairy tale to rescue him in hope that their loyalty isn't just another illusion in a place where nothing is as it seems! Krull (1983): This it was given me to know that many worlds have been enslaved by the Beast and his army the Slayers. And this too was given me to know that the beast would come to our world the world of Krull and his Black Fortress would be seen in the land that the smoke of burning villages would darken the sky and the cries of the dying would echo through deserted valleys. But one thing I cannot know whether the prophecy be true that a girl of ancient name shall become queen that she shall choose a king and that together they shall rule our world and that their son shall rule the galaxy. Journey into a mystical time and place that belongs to neither the past nor the present where extraordinary creatures of mythology work their incredible magic and where a horrific omnipotent Beast is the ruler. This is the planet of Krull! Prince Colwyn sets out on a daring mission to rescue his young bride who is held captive by the Beast. But slayers and alien beings under the command of the Beast oppose him at every turn. Colwyn must first reach a faraway cavern to recover the legendary Glaive a flying blade capable of phenomenal powers. Starring Ken Marshall Lysette Anthony Freddie Jones Francesca Annis and Liam Neeson - in one of his earliest screen roles - Krull is a spectacular fantasy-adventure beyond your wildest imagination.
The word 'cop' isn't written all over him - something more puzzling is. In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Famed for it's Lalo Schifrin score and one of the greatest car chases in cinema-history 'Bullit' won the 1969 Oscar for Best Film Editing (Frank P. Keller).
San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon
The word 'cop' isn't written all over him - something more puzzling is. In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Famed for it's Lalo Schifrin score and one of the greatest car chases in cinema-history 'Bullit' won the 1969 Oscar for Best Film Editing (Frank P. Keller).
The word 'cop' isn't written all over him - something more puzzling is. In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no
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