A Disney "classic" that actually is a classic, Dumbo should be part of your movie collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracised from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly", should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice", and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice", and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman
FantasiaGroundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice" and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with colour and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'GormanFantasia 2000More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 feature Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. --Mark Englehart
FantasiaGroundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice" and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with colour and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'GormanFantasia 2000More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 feature Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. --Mark Englehart
Dumbo remains one of Disney's greatest animated treasures - a heart-warming and inspiring tale overflowing with charm and memorable songs. When a slow stork finally delivers Mrs. Jumbo's pint-sized baby elephant he's the talk of the circus. But with a pair of oversized ears baby Dumbo is laughed at and ridiculed. With remarkable courage and the help of his loyal friend Timothy Mouse Dumbo overcomes all odds in a triumphant celebration of love and determination!
In 1937, the Walt Disney Studios released its first fully animated feature film, Snow White and the Seven Dwarfs, and pioneered a new form of family entertainment. More than seven decades later, Walt Disney Animation Studios continues to honour its heritage through animated films that combine beautiful artistry, masterful storytelling and ground-breaking technology. Relive & own forever 57 Disney Classics from 1937-2019 with this special collection celebrating the output of the Walt Disney Animation Studios. The boxset contains an 80-page book A Celebration Of The Walt Disney Animated Studios', alongside the layflat book containing the 57 discs. Collectable poster art for each Disney classic is featured alongside the discs 1 Snow White 1937 2 Pinocchio 1940 3 Fantasia 1940 4 Dumbo 1941 5 Bambi 1942 6 Saludos Amigos* 1942 7 The Three Caballeros* 1944 8 Make Mine Music* 1946 9 Fun & Fancy Free 1947 10 Melody Time* 1948 11 Ichabod & Mr Toad 1949 12 Cinderella 1950 13 Alice In Wonderland 1951 14 Peter Pan 1953 15 Lady & The Tramp 1955 16 Sleeping Beauty 1959 17 101 Dalmatians 1961 18 The Sword in the Stone 1963 19 The Jungle Book 1967 20 The Aristocats 1970 21 Robin Hood 1973 22 The Many Adventures of Winnie The Pooh 1977 23 The Rescuers 1977 24 The Fox & The Hound 1981 25 The Black Cauldron* 1985 *DVD disc 26 Basil The Great Mouse Detective 1986 27 Oliver & Company 1988 28 The Little Mermaid 1989 29 Rescuers Down Under 1990 30 Beauty & the Beast 1991 31 Aladdin 1992 32 The Lion King 1994 Signature edition disc (previously available) 33 Pocahontas 1995 34 The Hunchback of Notre Dame 1996 35 Hercules 1997 36 Mulan 1998 37 Tarzan 1999 38 Fantasia 2000 1999 39 The Emperor's New Groove 2000 40 Atlantis 2001 41 Lilo & Stitch 2002 42 Treasure Planet 2002 43 Brother Bear 2003 44 Home On The Range 2004 45 Chicken Little 2005 46 The Wild 2006 47 Meet The Robinsons 2007 48 Bolt 2008 49 The Princess & the Frog 2009 50 Tangled 2010 51 Wreck-It Ralph 2012 52 Frozen 2013 53 Big Hero 6 2014 54 Zootropolis 2016 55 Moana 2016 56 Wreck-It Ralph 2 2018 57 Frozen 2 2019
A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice" and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with colour and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman
Mrs. Jumbo, a veteran circus elephant, receives a baby from the stork. He soon becomes the laughing stock of the herd because of his jumbo-sized ears and is cruelly nicknamed Dumbo. When Mrs. Jumbo loses her temper, she is locked up as a mad elephant and Dumbo finds himself all alone, except for a self-appointed mentor-protector, Timothy Q. Mouse. After Dumbo and Timothy meet a group of crows, they convince Dumbo that he might be able to fly with a boost of confidence. With his magic feather, Dumbo takes flight. When he loses his feather, Dumbo realises that he could fly by himself the entire time. After performing for the circus, Dumbo is a media sensation with Timothy as his manager and his mother by his side.
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice" and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with colour and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman
Dumbo remains one of Disney's greatest full-length animated masterpieces - a heartwarming and inspirational tale overflowing with such memorable songs as 'Casey Junior, Baby Mine, and When I See An Elephant Fly. When Mrs. Jumbo meets her tiny baby elephant, he's the talk of the circus. But with a pair of oversized ears, baby Dumbo is laughed at and ridiculed. With remarkable courage, and the help of his loyal friend Timothy Mouse, Dumbo overcomes all odds in a triumphant celebration of love and determination. The whole family will enjoy this timeless and touching story of the brave baby elephant with the big ears and an even bigger heart!
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