The Wild One (Dir. Laszlo Benedek): An angry young Marlon Brando scorches the screen as The Wild One in this powerful `50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marivn) plus the hostility and prejudice of the townspeople. All their smouldering passions explode in an electrifying climax. The Harder They Fall (Dir. Mark Robson): A down and out sports writer (Bogart) takes a job minding a boxer for a syndicate. Having arranged a title fight he is forced into fixing it by a mobster... Cape Fear (Dir. J. Lee Thompson): Sam is a small-town lawyer whose worst nightmare comes true when the criminal he helped put away returns to stalk his beautiful young wife (Bergen) and teenage daughter (Martin). Despite help from the local police chief (Balsam) and a private detective (Savalas) Sam is legally powerless to keep Max from playing his sadistic game of cat and mouse. Finally Sam must put his family's lives at stake in a deadly trap that leads to one of the most suspenseful and heart-pounding confrontations ever committed to film... Spartacus (Dir. Stanley Kubrick): Stanley Kubrick's film tells the tale of Spartacus the bold gladiator slave and Virinia the woman who believed in his cause. Challenged by the power-hungry General Crassus Spartacus is forced to face his convictions and the power of Imperial Rome at its glorious height.
Stomping whomping stealing singing tap-dancing violating. Derby-topped teddy-boy hooligan Alex has his own way of having a good time. He has it at the tragic expense of others. Alex's journey from amoral punk to brainwashed proper citizen forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Unforgettable images startling musical counterpoints the fascinating language used by Alex and his pals - Kubrick shapes them into a shattering whole. Hugely controversial when first released A Clockwork Orange won the New York Film Critics Best Picture and Director honors and earned four Academy Award nominations including best picture. The power of its art is such that it still entices shocks and holds us in its grasp.
Titles Comprise: Friday the 13th: Camp Crystal Lake has a bad history. A history drenched in blood. For over 20 years no-one has disturbed its deathly silence... until now. Often imitated but never equalled Friday The 13th is a relentless exercise in sustained terror. Unlike the luckless teenagers who go to Camp Crystal Lake it will live forever as the most shocking film of its kind. The Exorcist: The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. Academy Award winner Friedkin who introduces the film and supervised this new video transfer from restored picture and audio elements gets effective performances from Linda Blair Ellen Burstyn Jason Miller Max von Sydow and Lee J. Cobb. The Exorcist remains 25 years later one of the most shocking and gripping movies ever made. Poltergeist: Suburbanites Steve (Nelson) and Diane (Williams) suddenly experience paranormal activity in their home. What begins as minor excitement quickly turns into nasty ghostly encounters. The disappearance of their daughter Carol Anne (O'Rourke) forces the Freelings to bring in parapsychologists and a professional exorcist to exorcise their home. Directed by Tobe Hooper and featuring Oscar Nominated Visual Effects by Richard Edlund Michael Wood and Bruce Nicholson Poltergeist is one of the most entertaining horror films of its time. The Shining: Think of the greatest terror imaginable. Is it a monstrous alien? A lethal epidemic? Or as in this harrowing masterpiece from Stanley Kubrick is it fear of murder by someone who should love and protect you - a member of your own family? From a script he co-adapted from the Stephen King novel Kubrick melds vivid performances menacing settings dreamlike tracking shots and shock after shock into a milestone of the macabre. In a signature role Jack Nicholson plays Jack Torrance who's come to the elegant isolated Overlook Hotel as off-season caretaker with his wife (Shelley Duvall) and son (Danny Lloyd). Torrance has never been there before - or has he? The answer lies in a ghostly time warp of madness and murder.
One of a series of revisionist Vietnam cinema released in the late 1980s, Stanley Kubrick's Full Metal Jacket is essentially split into two stories linked by a number of characters. The film follows new recruit Joker (Matthew Modine) and his fellow soldiers through their basic training and into combat in Vietnam. The first half is a chilling portrayal of military brutality and de-humanisation, mainly at the hands of Sgt Hartman (played at a level of staggering intensity by ex-Marine Lee Ermey), that centres around the tragic character of Private Pyle, a young man pushed to the edge of his endurance. The tone of the film is no less harsh when transported to the combat zone as we see the results of the training process in action: the young men turned into unquestioning killing machines. Joker is perhaps the one exception, a soldier with "Born to Kill" written on his helmet who also sports a peace sign on his lapel. But the film finds itself caught in the trap of many of the war movies of the time--how to create audience empathy with characters who are essentially in the wrong. It's a dilemma that Full Metal Jacket never really solves, although as a spectacle the film is a masterpiece. Made in the days before CGI became the norm, the battle sequences--filmed, rather bizarrely, in London's Docklands before its redevelopment--are hugely realistic and are perhaps the key moments of the movie, heightening the disorientation and fear felt by the soldiers. By offering no more than a snapshot of the Vietnam conflict (the action deals with one individual skirmish), Kubrick cleverly leaves any judgement on the war to the audience, although clearly attempting to influence them. The fate of the characters who survive is also left in the balance, but we can perhaps imagine what awaits them. On the DVD: Part of a series of Kubrick DVD reissues, Full Metal Jacket has been treated to the full remastering and restoration treatment. The battle sequences have benefited the most, gaining a new audio and visual crispness and clarity that adds to their already impressive sense of realism--you can almost feel the heat searing from the screen and the explosions detonating around you. Maybe not the best war film ever made, as some may claim, but certainly one to take you right to the heart of the action. --Phil Udell
Stomping whomping stealing singing tap-dancing violating Derby-topped teddy-boy hooligan Alex (Malcolm McDowell) has his own way of having a good time. He has it at the tragic expense of others. Alex's journey from amoral punk to brainwashed proper citizen forms the dynamic arc of Stanley Kubrick's future-shook vision of Anthony Burgess's novel. Unforgettable images startling musical counterpoints the fascinating language used by Alex and his pals - Kubrick shapes them into a shattering whole.
Full Metal Jacket begins by following the trials and tribulations of a platoon of fresh Marine Corps recruits focusing on the relationship between Gunnery Sergeant Hartman and Privates Pyle and Joker. We see Pyle grow into an instrument of death as Hartman has foreseen of all of his recruits. Through Pyle's torment and Joker's unwillingness to stand up against it the climax of part one is achieved with all three main characters deciding their fates by their action or inaction. The second chapter of Full Metal Jacket delves into Joker's psyche and the repeated referral to the fact that he joined the Corps to become a killer. When his mostly behind the scenes job as a combat correspondent is interfered with by the Tet offensive he is thrust into real combat and ultimately must choose if he really is a killer.
Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And a worthy final chapter to a great director's career. Cruise plays Dr William Hartford who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation Kubrick orchestrates it with masterful flourishes. Graceful tracking shots controlled pacing rich colours startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide open.
A bevy of Warner Bros' finest war films have been compiled on this tremendous box set. Includes: 1. Full Metal Jacket (Dir. Stanley Kubrick 1987) 2. Where Eagles Dare (Dir. Brian G. Hutton 1968) 3. The Dirty Dozen (Dir. Robert Aldrich 1967) 4. We Were Soldiers (Dir. Randall Wallace 2002) 5. Kelly's Heroes (Dir. Brian G. Hutton 1970) 6. Memphis Belle (Dir. Michael Caton-Jones 1990) 7. Battle Of The Bulge (Dir. Ken Annakin 1965) 8. Escape To Victory (Dir. John Huston 1981)
Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel up in the secluded mountains of Colorado. Jack being a family man takes his wife and son to the hotel to keep him company throughout the long and isolated nights. During their stay strange things occur when Jack's son Danny sees gruesome images powered by a force called The Shining and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him Jack has a complete mental breakdown and the situation takes a sinister turn for the worse.
Stanley Kubrick's classic 2001: A Space Odyssey! When a large black monolith is found beneath the surface of the moon the reaction immediately is that it was intentionally buried. When the point of origin is confirmed as Jupiter an expedition is sent in hopes of finding the source. When Dr. David Bowman discovers faults in the expeditionary space craft's communications system he discovers more than he ever wanted to know.
Gladiator: The great Roman General Maximus (Russell Crowe) has once again led the legions to victory on the battlefield. The war won Maximus dreams of home wanting only to return to his wife and son; however the dying Emperor Marcus Aurelius (Richard Harris) has one more duty for the general - to assume the mantle of his power. Jealous of Maximus' favor with the emperor the heir to the throne Commodus (Joaquin Phoenix) orders his execution - and that of his family. Barely escaping death Maximus is forced into slavery and trained as a gladiator in the arena where his fame grows. Now he has come to Rome intent on avenging the murder of his wife and son by killing the new emperor; Commodus.... Spartacus: Stanley Kubrick's film tells the tale of Spartacus the bold gladiator slave and Virinia the woman who believed in his cause. Challenged by the power-hungry General Crassus Spartacus is forced to face his convictions and the power of Imperial Rome at its glorious height. A classic inspirational true account of one man's struggle for freedom Spartacus combines history with spectacle to recreate a moving drama of love and commitment.
A brilliant film a classic black comedy. A group of war-eager military men plan a nuclear apocalypse that is both funny and frightening - and seems as relevant today as ever. Through a series of military and political accidents two psychotic generals - U.S. Air Force Commander Jack D. Ripper (Sterling Hayden) and Joint Chief of Staff ""Buck"" Turgidson (George C. Scott) - trigger an ingenious irrevocable scheme to attack Russia's strategic targets with nuclear bombs. The brains behind the scheme belong to Dr. Strangelove (Peter Sellers) a wheelchair-bound nuclear scientist who has bizarre ideas about man's future. The President is helpless to stop the bombers as is Captain Mandrake (Sellers again) the only man who can stop them...
How To Make An American Quilt (Dir. Jocelyn Moorhouse 1995): Berkeley graduate student Finn (Winona Ryder) is spending the summer at the home of her sparring grandmother and great aunt (Oscar-winners Ellen Burstyn & Anne Bancroft). Their house is a quiet haven where Finn intends to finish her latest thesis and think over a marriage proposal. But when she meets sexy smoldering Leon things begin to get complicated. As she wrestles with her decision the women in her grandmothe
Mankind finds a mysterious, obviously artificial, artifact buried on the moon and, with the intelligent computer HAL, sets off on a quest.
A brilliant film a classic black comedy! A group of war-eager military men plan a nuclear apocalypse that is both funny and frightening - and seems as relevant today as ever. Through a series of military and political accidents two psychotic generals - U.S. Air Force Commander Jack D. Ripper (Sterling Hayden) and Joint Chief of Staff Buck Turgidson (George C. Scott) - trigger an ingenious irrevocable scheme to attack Russia's strategic targets with nuclear bombs. The brains behind the scheme belong to Dr. Strangelove (Peter Sellers) a wheelchair-bound nuclear scientist who has bizarre ideas about man's future. The President is helpless to stop the bombers as is Captain Mandrake (Sellers again) the only man who can stop them...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy