Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning... has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation. The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon, Amazon.com [show more]
This is a true classic, a must see!
American History X features the best performance from Edward Norton that I have ever seen. He plays Derek Vinyard, a neo-Nazi, in prison for racist attacks. While in Prison, his younger brother starts to take his views against other races on board, and starts writing school papers on Mein Kampf. Although racist and belligerent, younger brother Danny seems to be just misguided by the racist attitudes that surround him.
There are very dark things brooding within Tony Kaye's magnificent cautionary piece, including the dangers of getting on the wrong side of thugs in prison. Through befriending a black man while behind bars, Derek starts to rethink his racist views. This results in a man torn in different directions as he comes to terms with his inner conscience. Although this should be seen from everyone, it is definitely for those who who don't mind hiding behind a cushion in the squeamish parts.
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Edward Norton gives an impassioned performance as Derek Vinyard, a Southern Californian skinhead who must do time after committing a hateful murder. Once in jail, his mind opens and he sees the error of his ways. Upon reentering the real world, he must now turn his attentions to his younger brother Danny, who is swiftly heading down the same path as his brother. Controversy surrounded the film when director Tony Kaye disowned it, claiming that Norton had the film re-edited without Kaye's permission. Norton still got an Oscar Nomination for his intense performance.
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