Universal Studios California, 1962. Alfred Hitchcock, on the set of THE BIRDS, is called to the production office for an urgent message. When he arrives, he's shocked to be confronted by his doppelganger, claiming to be the real Alfred Hitchcock.
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This part mock-documentary, part conceptual artwork by Belgian artist Johan Grimonprez posits Alfred Hitchcock as a paranoid history professor unwittingly caught up in a double take on the cold war period. The film subverts a mixture of archive TV and newsreel material, classic film footage and newly-shot scenes to construct a new tale of mystery and paranoia that appears to be narrated by Hitchcock himself.
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