La Callas... Toujours is a black-and-white televised recital (Callas' Paris debut) that took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. After all, visual elements were as important as the vocal dimensions in her art but her fans will welcome this warmly. The material, carefully... chosen to show Callas at her best and most versatile, includes "Casta Diva" from Bellini's Norma (a Callas speciality), the haunting "Miserere" scene from Verdi's Il trovatore, and the mischievous "Una voce poco fa" from Rossini's Barber of Seville, a fine series of stylistic contrasts in which the essential point is not pure tonal beauty but characterisation and subtle expressive nuances. Others have made this music sound prettier; nobody has presented it with more impact. But the climax of this programme is its second half, a staged performance of Act II of Puccini's Tosca. This is a study in police brutality, sexual harassment and sheer violence, psychological and physical, that has some of opera's most extreme moments--including the great aria "Vissi d'arte", the murder of the villain Scarpia and the contemptuous dismissal flung at his corpse--"and all Rome trembled before him". In this segment, Callas goes mano a mano with Tito Gobbi, her only equal as a singing actor during her career. They savour this material in a virtuoso performance. --Joe McLellan, Amazon.com [show more]
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