Metropolis: Set around the year 2000 a mammoth city is ruled by the super-efficient industrialist Jon Fredersen (Alfred Abel) and on the surface appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires. But underground it's a different story - armies of slaves work gruelling shifts to maintain the luxurious lifestyles of their masters. The workers a subhuman species of sluggish creatures are led by the saintly Maria (Brigitte Helm) who urges them not to rebel but to wait patiently for the arrival... of the mediator. Fredersen kidnaps Maria and orders mad scientist Rotwang (Rudolf Klien-Rogge) to create a robot replica to take her place. His plan is doomed when the evil mechanical Maria incites the massed workers to revolt and destroy everything in sight... Taking 16 months to film with a cast of 37 383 and costing over million at 1920s prices everything about this epic German science-fiction film which was inspired by the towering Manhattan skyline is gigantic. Although director Fritz Lang hated the ending of his film it was an instant hit with Adolf Hitler and Goebbels who first saw it in a small German town. When they came to power in 1933 they asked Lang to make prestige pictures for the Nazi party. He packed his bags and left for Hollywood the same day. On its first release it was a box-office flop and nearly bankrupted its financiers UFA Germany's largest film production company. Metropolis is now a monument to Fritz Lang's artistic vision and film craftsmanship. M: Like a brand the letter M has made its mark on film history with its disturbing theme having lost none of its impact or relevance. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home another child missing. Posters reveal the fate of earlier victims and the police seem to have few clues as to the perpetrator of the crimes. Gangsters beggars and petty criminals incensed by both the crimes and the police crackdown track the killer themselves. Cornered caught and dragged off to face an equally barbaric form of justice Beckert endures his own personal torment. As with his earlier classics Die Nibelungen and Metropolis Lang collaborated on the script with his wife Thea von Harbou in what was to become his most stark and uncompromising film. Allegedly based on the story of Peter K''rten the Monster of Dusseldorf M remains one of the most chilling serial-killer films ever produced. [show more]
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