Danish master Carl Theodor Dreyer (1889-1968) directed 'Michael' in 1924 for Decla Bioscop the arstitic wing of German production powerhouse UFA. It was Dreyer's sixth feature in five years and his second in Germany. Based on Herman Bang's 1902 novel of the same name Dreyer's film is a fascinating fin-de-siecle study of 'decadent' elderly artist driven to despair by his relationship with his young protege and former model Michael. With suffocatingly sumptuous production design by
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