Peter Hall's lavishly staged L'Incoronazione di Poppea celebrated the 50th Anniversary of Glyndebourne in 1984 with a performance of Monteverdi's most celebrated and also most controversial opera. The score is conductor Raymond Leppard's "enhanced" edition, which he had premiered at Glyndebourne back in 1962, fully scored for a large orchestra. Much debate circles around the forces appropriate for performing Monteverdi's decidedly minimalist work, but one thing at least is certain: it didn't sound anything like this in the 17th century! Never mind, however inauthentic... it may be, Leppard's big and beefy orchestral updating--including a fulsome continuo group with pairs of harpsichords, organs and cellos, as well as lute, guitar and harp--supports the weighty melodrama nicely. The singers, too, are full-bodied, led by a fruity Maria Ewing as Poppea (in various revealing outfits) sounding suitably seductive, and Dennis Bailey, oddly lovely of voice as Nero (one of the opera's controversial aspects is the heroic central role accorded to these two thoroughly wicked characters). Perhaps best of all is Robert Lloyd as Seneca, who not only boasts a profound, reverberant bass, but also looks the part under beard and toga. With an onstage chorus to lament him, Seneca's death scene is the most moving in the opera. Peter Hall's clever staging keeps the Olympians--Love, Fortune and Virtue--permanently watching from above as the venal humans below act out this tragedy of poisoned love. The no-frills DVD has subtitles in English, French, German and Spanish. --Mark Walker [show more]
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Monteverdi's opera is revised by Raymond Leppard at the Glyndebourne Festival Opera, with Maria Ewing and Dennis Bailey heading an international cast. In Ancient Rome, the scheming temptress Poppea seduces Emperor Nero, whilst the allegorical figures of Virtue, Fortune and Love watch powerlessly from the wings.
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