Three years after The Gospel According to Matthew, Pier Paolo Pasolini resumed his series of classical adaptations with a savage, highly personal take on Sophocles' ancient Greek tragedy Oedipus Rex (Edipo Re). As his first colour feature, Oedipus Rex makes brilliant use of wildly alternating Moroccan landscapes to transpose collective myth into a particular vision that is at once tender, sensual, and wholly unsparing. The film is divided into three sections set in different er...
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