This 1950 film by Akira Kurosawa is more than a classic: it's a cinematic archetype that has served as a template for many a film since. (Rashomon's most direct influence was on a Western remake, The Outrage, starring Paul Newman and directed by Martin Ritt.) In essence, the facts surrounding a rape and murder are told from four different and contradictory points of view, suggesting the nature of truth is something less than absolute. The cast, headed by Kurosawa's favourite actor, Toshiro Mifune, is superb. --Tom Keogh
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Akira Kurosawa's hugely influential 1950 historical crime drama. Winner of the top prize at the 1952 Venice Film Festival and an Honorary Academy Award the same year, the film concerns a woodcutter (Takashi Shimura) who witnesses a horrific series of events - an ambush, the rape of a noblewoman (Machiko Kyo) and the subsequent murder of her samurai husband (Mayasuki Mori) by a bandit (Toshiro Mifune). Yet, in the recounting of the incidents at the trial, differing versions come from all involved, thus raising questions about the reliability of subjective 'truth'.
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