Kenneth MacMillan choreographed his last ballet The Judas Tree for Irek Mukhamedov who takes the lead in this striking production. A vampish woman turns up on a building site in dockland wastes and causes an explosive reaction amongst a group of thirteen workmen led by their Foreman. In the heated confusion only one man responds with tenderness. Gradually the dark underside of male sexuality is exposed and the power of peer pressure takes over. The ballet spirals into a climax
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