The Nightmare On Elm Street Collection (Five Disc Box Set) DVD

The flagship horror film series of the second half of the 1980s was the Elm Street cycle, inaugurated in 1984 by Wes Craven's A Nightmare on Elm Street. A low-budget, high-imagination effort, the film revived the moribund teenage slasher genre by adding a fantastical premise (just as Craven's Scream would do 10 years later) playing post-modern games. A ghost story about a murdered murderer who can haunt the night terrors of the children of the mob who burned him to death, A Nightmare on Elm Street is the ultimate instance of horror taking its tone from a bad dream.... The fact that the monster's powers are irrational is the film's greatest strength rather than a script weakness. Freddy Krueger, who was just plain Fred to start with, is the 80s monster par excellence, a razor-fingered, scarfaced pervert in a hideous jumper and battered hat, lurking in the shadows of the unconscious from which he emerged rather too often in the follow-ups. Craven made him scary, but the directors who followed treated him as the star and he gradually became a ridiculous, comic creation, more tiresome than terrifying. The sequels are what they are: none aspire to the status of the original, though A Nightmare on Elm Street 3: Dream Warriors is a rip-roaring fantasy adventure that always pleases, and even the weakest entries (2 and 5) have their moments. From 3 onwards, the dreams become showpieces for the effects men, which makes for sequences at once startling and silly, but sadly bereft of the power to chill. As the 80s recede into the stuff of nostalgia television, other aspects of the series seem more prominent: like a parade of the ghastliest haircuts ever worn by human teenagers (Johnny Depp's cockatoo pompadour or the roach-girl's fluffy perm in 4 as the worst offenders) and several soundtrack album's worth of bland MTV tie-in pop music that never manages to be as memorable as the simple, nursery rhyme theme carried over movies.-- Kim Newman DVD extras. The most desirable add-on feature is a lively, informative commentary track on the original film, with contributions from Wes Craven Heather Langenkamp, John Saxon and cinematographer Jacques Haitkin; this was recorded for a US laserdisc release, and it's a shame that we don't get the outtakes and deleted scenes present on that version. Otherwise, it's the usual trailers, animated menus (all very imaginative) and cast and crew bios (with odd omissions - Nick Corri rates a write-up, but not Johnny Depp), and music videos keyed into sequels three to five, with clips from the films inter-cut with lousy rock and/or rap. A nice gimmick on all the discs is a "jump straight to a nightmare" feature, allowing instant access to the gruesome effects set-piece of your choice. All the discs are good-looking widescreen transfers, with rich sound and optional English sub-titles. Among the most notably absent extras, of course, are the sixth and seventh films, Rachel Talalay's Freddy's Dead: The Final Nightmare and, most importantly, Wes Craven's New Nightmare. -- Kim Newman [show more]

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