A magical animated world based on the story by Rae Lambert which follows the antics of Abigail the Woodmouse Edgar the Mole and Russell the Hedgehog.
Henry James' classic tale of terror 'Turn of the Screw' receives its most stunning screen adaptation to date in this 19th Century period thriller.... Upon the death of her incestuous father a young woman is called on to serve as a Governess for two children Miles and Flora. Their Uncle the master became the guardian of the youngsters after the loss of their parents. Seduced by the charm of their Uncle she accepts his one condition: to take sole responsibility for them and neve
Set in a dying mill town in the heart of Pennsylvania Stef (Cruise) dreams of winning a football scholarship to escape from a hopeless future...
From the director of the legendarily bonkers The Story of Ricky comes an altogether more lubricious slice of adults-only action, one that more than lives up to its title. Our ghosts are a trio of saucy spirits with nothing better to do than to deceive unwary (and/ or horny) men, but that's until all three of them get the hots for a hunky scholar. They settle down to show him the pleasures of the flesh. Except the path of true lust does not run smooth... Branded with Hong Kong's infamous Category III rating for its commitment to carnality and starring amply endowed icon of Sino sex cinema Amy Yip (Sex and Zen), the supernatural studs at 88 Films are proud to present the UK Blu Ray premier of this soft-core classic completely uncut.
The five heroes pose as gun dealers and acrobats in order to get close enough to exact a deadly revenge upon the criminals responsible for the death of one of their brothers...
Kenneth Branagh directs and leads an all-star cast, including Johnny Depp, Penélope Cruz, Willem Dafoe and Judi Dench, in this stylish, suspenseful and thrilling mystery based on the best-selling novel by Agatha Christie. Everyone's a suspect when a murder is committed on a lavish train ride, and a brilliant detective must race against time to solve the puzzle before the killer strikes again.
He lives! They die! Christopher Lee as the fanged undead.
Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture and ultimately kill him.
Night Of The Living Dead George Romero's Night Of The Living Dead is a black and white classic that spawned the zombie genre from its 1968 release. At a cemetery in the American south a fleash-eating zombie rises from the dead to claim the first victim of a nightmarish plague. Increasing in number the hideous cannibals gather outside a farmhouse where seven desperate mortals shelter from the gathering night and the hideous clawing of the undead outside... Dawn Of The Dead As the oil runs out as the Three Mile Island nuclear plant sprays radiation into the atmosphere like an atomic teakettle that someone forgot to take off the burner and as the dollar gradually becomes more and more transparent Romero invites us into a crazed bedlam where zombies stagger up and down escalators stare with dulled fascination at department store dummies wearing fur coats and try to eat perfume bottles. The movie's four protagonists at first segregate themselves from this world and then unknowingly become part of it. The only difference is that they're not dead. At least not yet... Stephen King - Rolling Stone Magazine. Day Of The Dead (WS 1.85:1 / Dolby Digital (2.0) Stereo) The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldiers have been used as guinea pigs in the zombie experiments. A last ditch battle results in the darkest day of horror the world has ever known. Exclusive Bonus Disc! Includes two documentaries ('Document Of The Dead' and 'Night Of The Living Dead') and an all-new photo gallery from all three movies!
The devil made me do it. After being honourably discharged from the Navy Elvis Valderez returns to him hometown of Corpus Christi in Texas in the hope of finding his father whom he has never met. He soon discovers that he is the pastor of a local Baptist church and married with children. Serving as a reminder of his wayward past Elvis' father rejects him. However Elvis' half-sister and he begin a relationship that leads to tragic consequences.
Wrongly accused of killing his own wife, struggling police officer Hsiang Ming is forced to go into hiding. His only ally is the deadly female assassin Miss Pai. Together they form an unlikely alliance as they each try to avoid death or arrest. Directed by Alfred Cheung and starring Pat Ha and the legendary Biao Yuen (Game of Death, Spiritual Kung Fu, The Young Master), who brings his custom brand of acrobatic Kung Fu to the proceedings, On the Run (1988) ticks all the right boxes providing a highly engaging martial arts action thriller, a must for the discerning cult film collector.
Layne Vossimer invites his closest friends to help him renovate a farm which he inherited after his cousin mysteriously died within a crop circle. As they start work further crop circles eerily begin appearing near the house as Layne's worst fears are confirmed...
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
Sergei Eisenstein's revolutionary sophomore feature has so long stood as a textbook example of montage editing that many have forgotten what an invigoratingly cinematic experience he created. A 20th-anniversary tribute to the 1905 revolution, Eisenstein portrays the revolt in microcosm with a dramatisation of the real-life mutiny aboard the battleship Potemkin. The story tells a familiar party-line message of the oppressed working class (in this case the enlisted sailors) banding together to overthrow their oppressors (the ship's officers), led by proto-revolutionary Vakulinchuk. When he dies in the shipboard struggle the crew lays his body to rest on the pier, a moody, moving scene where the citizens of Odessa slowly emerge from the fog to pay their respects. As the crowd grows Eisenstein turns the tenor from mourning a fallen comrade to celebrating the collective achievement. The government responds by sending soldiers and ships to deal with the mutinous crew and the supportive townspeople, which climaxes in the justly famous (and often imitated and parodied) Odessa Steps massacre. Eisenstein edits carefully orchestrated motions within the frame to create broad swaths of movement, shots of varying length to build the rhythm, close-ups for perspective and shock effect, and symbolic imagery for commentary, all to create one of the most cinematically exciting sequences in film history. Eisenstein's film is Marxist propaganda to be sure but the power of this masterpiece lies not in its preaching but its poetry. --Sean Axmaker
A rhapsodic celebration of song, a brutal condemnation of wartime mentality, and a lyrical statement of hope within darkness; even amongst the riches of 1950s' Japanese cinema, The Burmese Harp, directed by Kon Ichikawa (Alone Across the Pacific, Tokyo Olympiad), stands as one of the finest achievements of its era. At the close of World War II, a Japanese army regiment in Burma surrenders to the British. Private Mizushima is sent on a lone mission to persuade a trapped Japanese battalion to surrender also. When the outcome is a failure, he disguises himself in the robes of a Buddhist monk in hope of temporary anonymity as he journeys across the landscape – but he underestimates the power of his assumed role. A visually extraordinary and deeply moving vision of horror, necessity, and redemption in the aftermath of war, Ichikawa's breakthrough film is one of the great humanitarian affirmations of the cinema. Nominated for a Best Foreign Language Film Oscar and honoured at the Venice Film Festival, The Burmese Harp is one of cinema's great anti-war classics, alongside La Grande Illusion (Jean Renoir), Grave of the Fireflies (Isao Takahata/Studio Ghibli), Paths Of Glory (Stanley Kubrick), All Quiet on the Western Front (Lewis Milestone), and The Great Dictator (Charlie Chaplin). Special Features: New, restored high-definition 1080p transfer officially licenced from Nikkatsu Newly translated optional English subtitles Exclusive video interview with scholar and filmmaker Tony Rayns Original Japanese theatrical trailer PLUS: A 40-page booklet with an essay by Keiko I. McDonald and rare archival stills
George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
After the loss of her long-time boyfriend Lucia she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship...
When a successful New York advertising executive (Will Smith) experiences a deep personal tragedy and retreats from life entirely, his colleagues devise a drastic plan to force him to confront his grief in a surprising and profoundly human way.
Hell hath no fury like a woman scorned! For the first time both parts of Quentin Tarantino's martial arts homage are available on this fantastic collection box set. Kill Bill - Volume 1: In part 1 of Quentin Tarantino's delirious revenge movie Uma Thurman plays 'The Bride' a woman seeking vengeance on those who massacred her wedding party... Inspired by countless Japanese swordplay actionfests (the classic Lady Snowblood among them) yakuza gangster thrillers (offering a ca
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