A chronicle of Whitney Houston's rise to fame and turbulent relationship with husband Bobby Brown.
Running a Railway is the third release in bfi Video's digitally re-mastered double-disc DVD series of British Transport Films combining favourites from the much loved and best-selling video series with additional material. This new collection contains four hours of footage including the multi-award-winning Terminus directed by John Schlesinger. Among these rare gems are: Farmer Moving South (1952): The true story of a Yorkshire farmer who decided to sell his land and move his entire stock - cattle pigs and poultry machinery ploughs and tractors - south to Sussex by rail in December on what was the coldest night of the year. I Am A Litter Basket (1959): Every day the people who use railway stations drop hundreds of tons of litter all over the place while me and my mates have to stand by empty and starving. Until one day we get so desperate we go foraging for ourselves. And what happens? Take a look at this film. It makes me weep to think of it. I nearly gave up all hope until - but wait and see! Modelling for the Future (1961) Visions of an earlier Channel Tunnel scheme and a model of the proposed terminal. This film demonstrates a range of facilities and shows the possibilities of an age-old dream - a dry land crossing between England and France. The Third Sam (1962) - Sam Smith is taught to drive an electric locomotive. He learns the new job without difficulty but one day his train breaks down and Sam summons up three sides of his character to deal with the emergency. With narration in typical rhyming monologue by Stanley Holloway this is an original and amusing approach to instructional filmmaking. E For Experimental (1975): An account of the development of British Rail's experimental Advanced Passenger Train (APT) The film explains in simple terms some of the many novel design features of the APT including the tilt mechanism and the hydro-kinetic brake and shows the train in action during its trials. All these films are now preserved in the bfi National Film and Television Archive. The DVDs are a 'must' not only for the transport enthusiast but also for anyone who enjoys historical documentary films. A booklet containing an introduction and film notes by BTF historian Steven Foxon accompanies the discs.
This paranoia-fuelled thriller, more intelligent and imaginative than you would have reason to believe, owes a huge debt to The Stepford Wives with its premise of a goody-good high school clique programmed by an evil doctor to be wholesome, academically driven and shining examples of clean living. Unlike its predecessor, though, David Nutter's film opts to open up its premise for everyone to see, diluting the scares but amplifying the creepy atmosphere. There's never any question of what's happening to the students of Cradle Bay High, who go from being druggies and sex fiends to the academically excellent Blue Ribbons, but it's a lot of fun to see these programmed teens run amok--and start killing people--when their hormones kick in. And considering they're all horny teenagers, this happens, oh, at least a few times a day. Model-perfect James Marsden, with stunning cheekbones and piercing blue eyes, is the new kid in town who stumbles on the plot with a little help from metalhead Nick Stahl. Moody Marsden stirs up trouble when he refuses to join up with the Blue Ribbons, prompting his concerned parents to consider signing him up for the program, especially after it turns Stahl into a vest-wearing, pep-rallying brainiac. The satire isn't entirely fulfilled (the evil kids hang out at the yoghurt shop and spout inspirational platitudes), but once the action kicks in it's quite an enjoyable ride, thanks primarily to Bruce Greenwood (The Sweet Hereafter) as the mad scientist behind it all and Katie Holmes (Go) as Marsden's love interest. Refusing the advances of the star football player and fighting gamely alongside Marsden, Holmes manages to deck a few bad guys with a fervour that squarely puts her in Linda Hamilton and Jamie Lee Curtis territory. Steve Railsback stars as the colluding chief of police and Dan Zudovic as a janitor with a penchant for getting rid of "rats," rodent and otherwise. --Mark Englehart, Amazon.com
In the historically based Kung fu drama Legend of a Fighter director Yuen Woo Ping offers his version of the early life of martial artist Fok Yuen Gap (played by Leung Kar Yan). Set at the beginning of the 20th century, Fok is considered too weak to learn the family Kung fu style. Still, as his father can break eggs by growling, he probably considers most people weak. The teenager forms a bond with his humane Japanese tutor (Kurata Yusuaki), who secretly teaches martial arts. The story builds to a moving climax as 12 years later pupil and now ageing master are forced by honour into a deadly duel. The opening and closing acts are by far the strongest, the plentiful fight scenes being balanced by gentle humour and emotions torn between friendship and duty. Both lead actors are excellent, with Yusuaki being particularly fine as the noble warrior-teacher. The middle, a series of disconnected tableaux in which Fok establishes his stature as a Kung fu expert, goes on much too long to sustain interest. Nevertheless the story of Fok Yuen Gap, a genuine Chinese hero who was also the inspiration for Bruce Lee's Fist of Fury (1972), is fine and Woo Ping delivers the one-on-one Kung fu action with the touch of a master.On the DVD: The 1.77:1 image doesn't benefit at all from its anamorphic enhancement, the entire film being presented slightly out of focus so that by the end eyes are likely to be aching. The opening 4:3 Academy ratio archive footage has been distorted to 1.77:1, while the original trailer shows Legend of a Fighter was shot in an extremely wide format--possibly the Hong Kong equivalent of early 2.66:1 CinemaScope, or even 2.74:1 Techniscope--which means that large amounts of the original image are missing. This is very obvious as characters constantly vanish off the sides of the screen or are cropped in half. Additionally, and again compared to the crisp, sharp trailer, colours are washed out, while the mono sound distorts whenever the music gets loud. The film is available in Mandarin with optional English subtitles, or in an awful English dub littered with inappropriate obscene language. There is a nine-minute interview with Leung Kar Yan, and a 23-minute interview with Yuen Woo Ping, which is a slightly longer version of the conversation presented on the Magnificent Butcher DVD: it's notable how he expresses his love of science fiction and indicates he would like to make a SF Kung-fu movie, something he achieved with The Matrix (1999). There is a Hong Kong Legends' promo for the film, together with seven further new trailers. The photo gallery is pointless, simply cropping some shots even further than the main presentation. --Gary S Dalkin
Experience breath-taking action sequences and heart-wrenching performances in this critically acclaimed Korean box-office smash-hit. In the final decisive battles of The Korean War, the battle-worn armies of North and South Korea face a brutal deadlock on the rugged Aerok Hills. Fears of treachery and collusion with enemy forces trigger an investigation into the men of the South Korean Alligator Company. A veteran intelligence officer accepts the assignment and discovers mysterious and tragic occurrences surrounding a former comrade he had long thought dead.In the epic battle for survival that follows, the two men become locked in a deadly battle of wills. One will sacrifice his humanity for the sake of his ‘brothers’; the other will discover compassion in the agonies of war. Ultimately, both will be forced to fight side-by-side, so their loved ones can enjoy freedom for just one more day… Special Features: Dolby Digital Korean 2.0 & 5.1 English Subtitles Audio Commentary Trailer Gallery Making of Gallery Production Design
Men Make History. We Make The Men. As Hitler launches the first major military aggressions of World War II the strongest and smartest German young men enter exclusive schools known as ""Napolas"" to train as future leaders of the Third Reich. In 1942 a recruiter from one such Napola sets his sights on Friedrich a talented adolescent boxer who sees the training and prestige offered by the Napola as his ticket out of an impoverished family unit run by his anti-Nazi father. In
Ostensibly a teen fright-fest about a vengeful ghost Whispering Corridors follows in the horror tradition of using the supernatural for displaced social commentary. The film is an illustration of the growing gap in Korean society between the values of the youth and the older generations focused around the misogyny and cutthroat competition in the educational system. It became a huge hit in its native country after word got out that the ministry of education wanted to
Deviant, multi-stranded black comedy set in the dark underbelly of modern Berlin. The story follows a group of deadbeats as they act out their bizarre and twisted plans to hit the big time. Satanists, prostitutes, artists and thieves are just some of the unsavoury characters looming large in this anarchically offbeat urban parody.
More than any other of the Creature feature titles How To Make a Monster truly brings the classic 1950's horror genre into the 21st Century. Reality and fantasy collide head-on in the adolescent world of computer game creation. A greedy band of misfit programmers is hired to create the most gruesome monster for the ultimate scary video game ""Evil-ution."" However each game programmer begins to disappear as they are individually hunted and killed by an indestructible monster - the mo
Sung-su Kim directs this Korean action film starring Hyuk Jang and Soo Ae. When a shipping container carrying illegal immigrants is opened in Bungang, South Korea, all of the occupants are found to be dead. All, that is, except one man who quickly flees the scene. One of the traffickers who had been in contact with the escapee admits himself to the hospital with flu-like symptoms. Lockdown is declared on the city as it becomes clear there is a deadly strain of H5N1 bird flu infecting its peop.
In 2008, rookie journalist Jay Bahadur forms a half-baked plan to embed himself among the pirates of Somalia. He ultimately succeeds in providing the first close-up look into who these men are, how they live, and the forces that drive them.
With more than a decade of cinema in Basic Instinct's wake it's fascinating to look back at just how influential Paul Verhoeven's "erotic thriller" has been. The director's endless fight with censorship and unwillingness to kowtow to social mores meant his movies became notorious for graphically depicting sex and violence while pushing contemporary boundaries of taste. This whodunit about a bisexual femme fatale (Sharon Stone in a career-best performance) caused an enormous furore on its release; but after years of generally inferior imitations there's not much in it that seems quite so shocking now. It's perhaps best appreciated in retrospect more for its Hitchcockian style than the steamy sex. On the DVD: one of the most welcome elements of the disc is an acknowledgement of the film's own influences--from Hitchcock's Vertigo to Verhoeven's own The Fourth Man. The print is far superior to the previous release, looking magnificent in 1:78.1. Jerry Goldsmith's Oscar-nominated score sounds terrific in either 5.1 or DTS, as does Verhoeven's thick accent on the first commentary track alongside then Director of Photography Jan De Bont (Speed), who together reminisce on locations and manipulating their actors' performances. A second commentary from feminist critic Camille Paglia is a brave way of putting paid to the gay/feminist community uproar. There are some standard inclusions (trailer, production notes, photo gallery etc) but far more interesting are two mini-documentaries; "Cleaning Up Basic Instinct" shows how and why the TV version was so dull, while "Blonde Poison" focuses on the film's making and marketing. Finally, there are three storyboard comparisons and nine minutes of screen tests for Stone and Tripplehorn. This is the definitive release of an oft-cited modern classic. --Paul Tonks
Director Fritz Lang's political thriller follows a British hunter's attempts to outrun Nazi agents after he targets Adolf Hitler. While on holiday in Bavaria willdlife hunter Alan Thorndike (Walter Pidgeon) stumbles upon the Fuhrer's country retreat eventually spotting Hitler in the gardens. After lining up the leader in the crosshairs of his empty rifle Thorndike is arrested by members of Hitler's Gestapo bodyguard who try to beat a confession out of him. After eventually escaping and navigating a tortuous route back to Britain Thorndike is forced to seek help from local seamstress Jerry Stokes (Joan Bennett) when he discovers German agents are hunting him down.
A priest becomes a vampire…another man’s wife is coveted…a deadly seduction triggers murder. Thirst is the new film from director Park Chan-wook (Old Boy Sympathy for Mr. Vengeance Sympathy for Lady Vengeance) and already a box-office smash in Korea Continuing his explorations of human existence in extreme circumstances the director spins a tale that he conceived and then developed over several years with co-screenwriter Chung Seo-kyung inspired by Émile Zola's Thérèse Raquin. Sang-hyun (played by top Korean star Song Kang-ho of The Good The Bad The Weird The Host and Sympathy for Mr. Vengeance) is a priest who cherishes life; so much so that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest and a blood transfusion is urgently ordered up for him. The blood he receives is infected so Sang-hyun lives - but now exists as a vampire.
Maggie Gyllenhaal stars as Lisa Spinelli, a kindergarten teacher and poet fed up with her career, her oblivious husband and teenage kids who largely ignore her. When she discovers that a five-year-old in her class may be a poetic prodigy, Lisa becomes fascinated and tries to protect him from neglectful parents. She soon finds herself risking her career and family to nurture his talent. Special Features: Maggie Screen talk
Based on the childhood memoirs of Marcel Pagnol, author of Jean de Florette and Manon des Sources, Yves Robert's La Gloire de Mon Pre and its sequel Le Chteau de Ma Mre are two of the most loved and successful French films ever made.An adult Marcel nostalgically recalls idyllic retreats with his family to the hills of Provence. A love affair with the country began and during those perfect days he found new respect for his school-teacher father as he adapted to life away from the city, while the long journey there would soon bring its own adventures.Together these timeless classics stand as one of cinema's greatest celebrations of childhood, filled with warmth, love and a poignant nostalgia for bygone days they continue to captivate audiences.
A big-budget, mega-event epic motion picture that revolves around an abrupt climate change that has cataclysmic consequences for the planet.
Shakespeare's classic tragedy "Othello" gets a contemporary makeover as a teen drama set in an exclusive private US school.
The legendary Rita Hayworth sizzles with sensuality and magnetism as she sings ""Put the blame on Mame"" and delivers a dazzling performance as the enticing temptress Gilda. In the story of Gilda Johnny Farrell (Glenn Ford) goes to work for Ballin Mundson (George MacReady) the proprietor of an illegal gambling casino in a South American city and quickly rises to become Mundson's ""main man"". All is well until Mundson returns from a trip with his new bride Gilda - a woman from Johnn
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