Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever.
Years of peace have passed since the battles of last season, but as we rejoin Uhtred (Alexander Dreymon), he faces his greatest enemies, and suffers immeasurable loss, on his quest towards fulfilling his destiny.Now stationed at a northern port town, Uhtred has been entrusted with protecting the king's illegitimate son, Aethelstan. But following a horrific attack on his family, an old enemy threatens the life he has built.Meanwhile, King Edward (Timothy Innes) is still forging ahead with his ambitions to unite the SaxonKingdoms to fulfil his late father's dream, threatening the long-standing peace between Danes and Saxons. However, the treacherous Lord Aethelhelm (Adrian Schiller) has ambitions of his own, for his grandson Aelfweard Edward's other son to rule.As these plans lead to bloodshed and heartbreak, Uhtred finds his own fate may well be tied to the future of the nation Destiny Is All!Product FeaturesThe Making of Season 5Strength & Sensitivity - The Women of The Last Kingdom
The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.
A lonely boy discovers a mysterious egg that hatches a sea creature of Scottish legend that enchants and mystifies to this day.
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
The year is 872, and many of the separate kingdoms of what we now know as England have fallen to the invading Danes, leaving the great kingdom of Wessex standing alone and defiant under the command of King Alfred (David Dawson, Peaky Blinders). Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon, American Horror Story). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. Forced to choose between the country of his birth and the peopl e of his upbringing, his loyalties are ever tested. What is he? Saxon or Dane? On a quest to reclaim his birthright , Uhtred must tread a dangerous path between bot h sides if he is to play his part in the birth of a new nation and, ult imately, recapture his ancestral lands. From the Producers of Downton Abbey. Also starring Rutger Hauer (Blade Runner), Matthew Macfadyen (Anna Karenina), Jason Flemyng (X-Men: First Class), Tobias Santelmann (Point Break), Emily Cox (Futuro Beach) and Ian Hart (Boardwalk Empire).
Special Features: Season 1 recap The Making of The Last Kingdom Season 2
Special Features: Season 1 recap The Making of The Last Kingdom Season 2
Years of peace have passed since the battles of last season, but as we rejoin Uhtred (Alexander Dreymon), he faces his greatest enemies, and suffers immeasurable loss, on his quest towards fulfilling his destiny.Now stationed at a northern port town, Uhtred has been entrusted with protecting the king's illegitimate son, Aethelstan. But following a horrific attack on his family, an old enemy threatens the life he has built.Meanwhile, King Edward (Timothy Innes) is still forging ahead with his ambitions to unite the SaxonKingdoms to fulfil his late father's dream, threatening the long-standing peace between Danes and Saxons. However, the treacherous Lord Aethelhelm (Adrian Schiller) has ambitions of his own, for his grandson Aelfweard Edward's other son to rule.As these plans lead to bloodshed and heartbreak, Uhtred finds his own fate may well be tied to the future of the nation Destiny Is All!Product FeaturesThe Making of Season 5Strength & Sensitivity - The Women of The Last Kingdom
Ambitions threaten the Saxon kingdoms Alfred had once dreamed of uniting. In the wake of his father's death, the new King, Edward (Timothy Innes), is intent on isolating Wessex and strengthening his reinforcements against possible Dane incursions. Alliances are beginning to fracture as Lord Aethelred (Toby Regbo) of Mercia makes ambitious plans to establish himself as a rival to Wessex. When Northumbria also faces hostility, Uhtred (Alexander Dreymon) believes the timing is right to take back his ancestral home. Fate shifts in a different direction; news comes that Mercia is in turmoil, and Uhtred's affection for Aethelflaed (Millie Brady) drives him back into the politics that threaten to break out into war. Just as it seems as if peace can be found between the Saxons, a new and unprecedented Dane enemy takes them by surprise. Uhtred begins to realise that his destiny is tied to Alfred's dream and he becomes determined to resolve Saxon struggles before the possibility of a united England slips from their grasp forever.
A clandestine affair is the subject of this London based movie from Woody Allen.
Special Features: Creating the world of The Last Kingdom The Making of The Last Kingdom The Stunts of The Last Kingdom Season 1 recap The Making of The Last Kingdom Season 2
The success of the first year meant that Stargate SG-1's second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa'uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity. There appeared to be information overload (splinter group Tok'ra, Earth's second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too. "1969" remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). --Paul Tonks
This tearjerker by Australian filmmaker Scott Hicks is a surprising story about real-life classical pianist David Helfgott, an Australian who rose to international prominence at a very young age in the 1950s and 1960s, and suffered a psychological collapse after enduring years of abuse from his father (Armin Mueller-Stahl). Hicks has three very fine actors portraying Helfgott at different stages of his life, including the adorably wry and goofy Noah Taylor (Flirting), who takes up the character's teen years, and Oscar winner Geoffrey Rush, giving a great performance playing the musician as a schizophrenic adult. Despite the Helfgotts' compromised psychological health, Shine is hardly a depressing experience. If anything, the story is really about how long one person's life can take to make glorious sense of itself. Sir John Gielgud, in golden form, plays Helfgott's teacher. --Tom Keogh, Amazon.com
Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever. Also starring Millie Brady, Eliza Butterworth, Emily Cox, Ian Hart, Rutger Hauer, Timothy Innes, Matthew Macfadyen, Harry McEntire, Toby Regbo, Tobias Santelmann and Adrian Schiller.
Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever.
Kiss the Girls is a thriller about a collaboration between two serial killers, and, coming after The Silence of the Lambs and Seven, it feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any one of dozens of similar thrillers. --Jeff Shannon, Amazon.com
The year is 872, and many of the separate kingdoms of what we now know as England have fallen to the invading Danes, leaving the great kingdom of Wessex standing alone and defiant under the command of King Alfred (David Dawson, Peaky Blinders). Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon, American Horror Story). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. Forced to choose between the country of his birth and the peopl e of his upbringing, his loyalties are ever tested. What is he? Saxon or Dane? On a quest to reclaim his birthright , Uhtred must tread a dangerous path between bot h sides if he is to play his part in the birth of a new nation and, ult imately, recapture his ancestral lands. From the Producers of Downton Abbey. Also starring Rutger Hauer (Blade Runner), Matthew Macfadyen (Anna Karenina), Jason Flemyng (X-Men: First Class), Tobias Santelmann (Point Break), Emily Cox (Futuro Beach) and Ian Hart (Boardwalk Empire).
Special Features: Creating the world of The Last Kingdom The Making of The Last Kingdom The Stunts of The Last Kingdom Season 1 recap The Making of The Last Kingdom Season 2
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