A collection of vignettes, loosely based on the book by Dr. David Rueben, written and directed by Woody Allen, Everything contains some very funny moments. It's easy to forget that the cerebral Allen excelled at the type of broad, Catskill, dirty jokes and visual gags that run amok here. It's also remarkable how dirty this 1972 movie really was--bestiality, exposure, perversion and S&M get their moments to shine. The Woody Allen here, who appears in many of the sketches, is a portent of the seedy old Allen of Deconstructing Harry. Although the final bit, which takes place inside a man's body during a very hot date, is hilarious, most of Everything feels like the screen adaptation of a 70's bathroom joke book. Still, a must for Allen fans. --Keith Simanton
A young boy stows away from America to North Africa to rescue his black stallion from the Berber sheikh who stole the horse.
Unable to accept the fact that her daughter is dying, Rose (Radha Mitchell) decides to take the girl to a faith healer. On the way, the pair drive through a portal in reality, leading to an eerie town called Silent Hill. The town is surrounded by a potent darkness, and the human survivors fight a losing battle against it.Path of Darkness: The Making of Silent Hill: Including Silent Hill Origins, Casting, Set Design, Stars and Stunts, Creatures Unleashed, Creature Choreography On Set vintage featurette Around The Film vintage featuretteTheatrical trailer
Oscar® winner* Patty Duke stars in the tense and claustrophobic psychological thriller, You'll Like My Mother. When her husband is killed in Vietnam, Francesca Kinsolving (Duke) finds herself alone...and pregnant. She makes her way to Minnesota in order to meet her late husband's mother, certain that she'll be greeted with open arms. But Francesca soon discovers that there may be more to the Kinsolving family than she ever imagined...and that this simple family reunion is only the beginning of a waking nightmare. Rosemary Murphy (To Kill A Mockingbird), Richard Thomas (The Waltons), and Sian Barbara Allen (who was nominated for a Golden Globe® for her performance) also star in this intriguing, tautly directed thriller [that delivers] a high level of terror and tension (TV Guide)!
Trigger Happy TV 3 is another compilation from the cult late night Channel 4 comedy that turbo-charged the old Candid Camera format with a cool rock soundtrack for the MTV generation. While the show itself could become repetitive, the 42 minutes of highlights distilled into the main feature here are frequently hilarious. See public prankster Dom Joly wrestle a giant badger in the woods, enjoy the office populated entirely by people dressed as bears and collapse with laugher at the most surreal estate agent scenario in the world. From a terribly insecure policeman to the street guide who doesn't know the location of anything, Joly's nerve at pulling off some of these gags is breathtaking. The supporting feature is a half-hour spoof biography of Joly made to introduce Trigger Happy TV to American audiences. Deadpan in the extreme, it sends up the fly-on-the-wall genre and celebrity interview with uncomfortably accurate wit. That's not the end, because the presentation makes the line between programme and extras largely irrelevant, so read on to see what else is... On the DVD: Trigger Happy TV 3 can simply be played straight through so that everything on the disc makes a 90-minute pseudo feature, or individual sections can be selected as extras. There are 14 mostly worthwhile unseen clips, three "Bad Rabbit Jokes" (and they are bad), the three "Worst Ideas Ever" (they are), "Brushes with the Law" (which was bound to happen with such stunts as White Van Man's road rage), and four hugely entertaining previously unseen Celebrity Interviews with Hanif Kureishi, Bret Easton Ellis, Uri Geller and Alan Titchmarsh. The commentary track by Joly and Sam Cadman rambles with entertaining irrelevance from a deaf George Martin producing their recording at Studio 2, Abbey Road, to rather more believable recollections of being arrested in Belgium. --Gary S Dalkin
What if there were a list? A list that said: Our finest actors weren't allowed to act. Our best writers aren't allowed to write. Our funniest comedians aren't allowed to make us laugh. What would it be like if there were such a list? It would be like America in 1953. Special Features 4K restoration from the original negative Original mono audio Audio commentary with film historians Julie Kirgo and Nick Redman and actress Andrea Marcovicci Behind The Front (2004, 6 mins): an interview with the acclaimed director of photography Michael Chapman Isolated score: experience Dave Grusin's original soundtrack music Image gallery: on-set and promotional photography Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing
Robert DeNiro and Philip Seymour Hoffman star in this drama about a hardened cop who suffers a heart attack and undertakes singing lessons from his transvestite neighbour to aid his recovery.
Teen super spy Cody Banks (Frankie Muniz) has to go undercover at an elite London boarding school to track down a missing mind control device.
Released to box-office indifference in 1986, Manhunter introduced Hannibal Lecter and established the rules of the modern race to find serial killer thriller five years before The Silence of the Lambs packed cinemas everywhere. This was Michael Mann's third feature, reuniting William L Petersen and Dennis Farina from his debut Thief (1981) as FBI agents hunting the killer dubbed "The Tooth Fairy". Petersen's Will Graham is the man who put Lecktor (as it is spelt here) behind bars, and as in Lambs consults with the Doctor, played with understated malevolence by Brian Cox. Manhunter is an exceptionally well-photographed film: Mann's regular cinematographer Dante Spinotti created sparse, elegantly framed, often mono-chromatically lit compositions which are essential to the shifting psychological moods. The performances are very good, and the typically 1980s, Vangelis-esque electronic score effectively sustains tension. Once the killer is introduced the scenes with Joan Allen have a genuinely unsettling, almost surreal quality. There is at least one serious plot flaw--how does "The Red Dragon" get his letter to Lecktor? Manhunter never packs the sheer excitement of Lambs, nevertheless, it is a powerful and compelling thriller which remains far superior to the third instalment in the series, Hannibal (2001). On the DVD: In addition to the trailer there is a revealing 10-minute conversation with Dante Spinotti in which he explains how he created the very distinctive look of Manhunter. Also included is a more general 17-minute retrospective "making-of" documentary. This is good but too short, the extras failing to live up to the wealth of material on the Lambs and Hannibal DVDs. The anamorphically enhanced 2.35:1 image is generally very good, being just a little soft in one or two early scenes. The sound is listed as Dolby Digital 5.1, but appears to replicate the main stereo signal in the rear channels. Audio is none the less powerful and clear, though lacks the sheer edge and atmospherics of some more recent thrillers. --Gary S Dalkin
Evil roams the woods of Ireland... Two American tourists on a romantic camping trip are brutally murdered. A few days later during the ancient festival of 'Samhain' a group of American University students moves in a beautiful cottage surrounded by a lush forest and a majestic lake They are here to learn about the rituals of the Ancient Druids and other Celtic legends. But in the remains of an abandoned copper mine lives the ancestors of an incestuous clan of cannibals. Sta
Here in all it's glory is Crossroads on DVD for the very first time. Meg and Sandy Richardson Benny Hawkins Adam Chance Shughie McFee - the names still strike a chord in the memories of a generation of people who sat entranced watching the latest escapades of the staff and customers of Crossroads motel. Entranced but usually for the wrong reason! Would the walls wobble? Would the actors dry up or start laughing mid sentence? Anything could happen. Unrepeated for many years th
Lavish clubhouse manicured greens 18 holes of golfing paradise...not! Tattered and almost without any customers Penneytree has become the target of a takeover by its competitor Bentwood Country Club. Inspired by a freak accident Liberty Penneytree hatches a plan to bring in more golfers. Gorgeous ladies led by 'Barbara The Bod' and the fun filled 'cart wash' are the attractions as busloads of new customers flock to the new Penneytree Golf Club. Bentwood issues the ultimate challenge a winner-take-all-match between Penneytree and Bentwood your pro against my pro. The winner gets the loser's property. Who's gonna win and who's gonna get the shaft?
Twenty-four year old Marnie has bad thoughts all the time and she can't tell anyone. Her mind is XXX-rated and intrusive thoughts are piling up inside her head. She is caught in the grip of an excruciating form of obsessive compulsive disorder nicknamed pure O' where her obsessions take the form of intrusive sexual thoughts, and the compulsions are unseen mental rituals that deeply affect her daily life. Something. Has. Got. To. Give. At breaking point, she packs a bag and, with no plan, jumps on a coach to London. In the capital, Marnie soon discovers she's not the only one who's lost. On her search for herself, Marnie finds a gang of new friends, all with their own foibles. She moves in with her deceptively cheery old school friend Shereen. She befriends Charlie, who is in recovery, having torpedoed his love and work life, due to his porn addiction. He's now single, stuck with an old-school flip-phone and attends weekly Sex Addicts Anonymous meets. Queen among Marnie's new gang is journalist and ladies-woman, Amber who has been gaining a problematic rep. for her promiscuity. Then there's Amber's housemate, the irresistible and unassuming Joe whom Marnie shares a will-they-won't-they romance.
Brits Hits - the album to accompany the musical event of the year! 30 music videos of today's biggest UK & International artists with hit singles from Scissor Sisters Razorlight Lily Allen Snow Patrol and many more. Tracklist: 1. America - Razorlight 2. Supermassive Black Hole - Muse 3. Smile - Lily Allen 4. Monster - The Automatic 5. Is It Any Wonder? - Keane 6. Chasing Cars - Snow Patrol 7. Empire - Kasabian 8. Welcome To The Black Parade - My Chemical Romance 9. Crazy - Gnarles Barkley 10. You Give Me Something - New Version - James Morrison 11. Jenny Don't Be Hasty - Paulo Nutini 12. Trouble - Ray Lamontagne 13. Valerie - Zutons 14. Bang Bang You're Dead - Dirty Pretty Things 15. Break The Night With Colour - Richard Ashcroft 16. Wonderwall - Oasis 17. Nature's Law - Embrace 18. Fill My Little World - The Feeling 19. Something Kind Of Ooooh - Girls Aloud 20. When You Wasn't Famous - The Streets 21. Rehab - Amy Winehouse 22. Diamonds From Sierra Leone - Kanye West 23. Hips Don't Lie - Shakira 24. I Wish I Was A Punk Rocker (With Flowers In My Hair) 25. Put Your Records On - Corrine Bailey Rae 26. Star Girl - Star Girl 27. Who Knew - Pink 28. Easy - Sugababes 29. No Tomorrow - Orson 30. Chelsea Dagger - The Fratellis Bonus Live Performances: 31. In The Morning - Razorlight 32. Sewn - The Feeling 33. You're All I Have - Snow Patrol
A mother and her four headstrong daughters must suddenly deal with life without a husband and father.
If any artist deserved a hagiography it was Hendrix, and Joe Boyd's 1973 "authorised" tribute The Jimi Hendrix Story adequately sanctifies the legend. Perversely for a documentary, it achieves this simply by well-chosen concert footage rather than through the insights of the various talking heads. Pete Townshend, Eric Clapton, Mick Jagger, Lou Reed and Germaine Greer are all wheeled out to wax lyrical about their days with Jimi--but nothing is more eloquent than watching and listening to him play. From "Hey Joe" in grainy black and white on Ready Steady Go, classic footage of Monterey, Woodstock (yes, "The Star-Spangled Banner") and the Isle of White festivals, to an acoustic 12-string rendition of "Hear My Train a' Comin'", Hendrix the musician speaks for himself. But if Hendrix the musician shines through, this is not the most insightful profile of Hendrix the man: the circumstances surrounding his death, for example, are hardly touched upon (girlfriend at the time Monika Dannemann gets only a few seconds screen time). Interview footage with Hendrix himself plus some occasionally rambling and incoherent comments from such intimates as his father, army buddies, ex-girlfriends (including Linda Keith, who "discovered" him in New York and brought him to England) and fellow musicians all take second place to the music itself. The most sensible quote comes from Little Richard, who proves once and for all that he's utterly bonkers, when he says of Jimi's music: "At times he made my big toes shoot up into my boot." On the DVD: This is a dual-layer disc, with a widescreen (1.85:1) print on one side and a standard (4:3) ratio version on the other--although watching in widescreen is redundant, as the film is shot in 4:3 anyway. There are no extras other than a theatrical trailer (despite being advertised as such a menu and scene access surely don't count as "special features": what use is a disc without them?) --Mark Walker
When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humour and satire aimed at the men and media who cover a city out of control. --Jeff Shannon, amazon.com
Beginning in the frenzied final months of World War II Hiroshima rockets backand forth between Truman Churchill and Hirohito to reach behind the headlines and tell the story of men and women both public and private whose lives and careers would be forever changed by this event creating a balanced portrait of the political moral and above all human cost of this historical decision. 'Hiroshima' weaves an unforgettable tapestry of those events which led to the decision which would indelibly change the course of human destiny.
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