A Happily Married Couple Find Their Lives Thrown Into Frightening Disruption When A Stranger Appears At Their Door Claiming That Their Adopted 12-Year-Old Daughter Contains The Reincarnated Spirit Of His Little Girl! An Underrated 1970'S Psychological Horror From Director Robert Wise, Starring Anthony Hopkins & Marsha Mason.New Audio Commentary By Film Historian Samm DeighanNew Video Interview With Kim NewmanVideo Interview With Marsha MasonNew Visual Essay On The Cinema Of Reincarnation By Film Historian Lee GambinNew Interview On The Music Of Michael SmallArchival Interview With Author Frank De FelittaIsolated ScoreTheatrical TrailerLimited Edition Slipcase On The First 2000 Copies With Unique Artwork.
Criminal defense attorney Arthur Jamison wants to get a divorce from his wife Louise Jamison. He knows that the downside would be the hefty alimony payments his wife would receive from him. Instead of facing this monetary dilemma he comes up with an imaginary alter ego to help him plan the perfect murder of his wife.
This box set features the following films: Tenacious D: The Pick Of Destiny (Dir. Liam Lynch) (2006): In Venice Beach naive Midwesterner JB (Black) bonds with local slacker KG (Gass) and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat so they set out to steal what could be the answer to their prayers -- a magical guitar pick housed in a rock-and-roll museum some 300 miles away. Fracture (Dir. Gregory Holbit) (2007): When Ted Crawford (Anthony Hopkins) discovers that his beautiful younger wife Jennifer (Embeth Davidtz) is having an affair he plans her murder...the perfect murder. Among the police arriving at the crime scene is hostage negotiator Detective Rob Nunally (Billy Burke) the only officer permitted entry to the house. Surprisingly Crawford readily admits to shooting his wife but Nunally is too stunned to pay close attention when he recognizes his lover whose true identity he never knew lying on the floor in a pool of blood. Although Jennifer was shot at point blank range Nunally realizes she isn't dead. Crawford is immediately arrested and arraigned after confessing - a seemingly slam-dunk case for hot shot assistant district attorney Willy Beachum (Ryan Gosling) who has one foot out the door of the District Attorney's (David Strathairn) office on his way to a lucrative job in high-stakes corporate law. But nothing is as simple as it seems including this case. Will the lure of power and a love affair with a sexy ambitious attorney (Rosamund Pike) at his new firm overpower Willy's fierce drive to win or worse quash his code of ethics? In a tense duel of intellect and strategy Crawford and Willy both learn that a fracture can be found in every ostensibly perfect facade. The Alibi (Dir. Matt Checkowski & Kurt Mattila) (2006): Ray Elliot (Steve Coogan) is an ex-con smart enough to leave the grift before the grift grifted him. Now Ray runs an alibi service for men and woman who want to spend a little quality love time away from their well... loved ones. A true cynic Ray's business is booming until Wendell Hatch (James Marsden) the pampered son of Ray's biggest client sneaks away to Santa Barbara the weekend before his wedding and accidentally strangles his bit on the side. Suddenly Ray is an accessory to murder and is being pursued by everyone from the savvy small - town cop and a heartbroken chauffeur to a holier-than-thou assassin known as 'The Mormon'. Unable to extricate himself from this tangled we Ray must at last place his trust in someone. Enter the fast-talking and extremely sexy Lola ( Rebecca Romijn). With Lola's help Ray decides to mastermind one final con that will clear his name and finally lay his ghosts to rest. But still things refuse to go to plan. And whether he likes it or not Ray is about to learn a thing or two about love and affairs of the heart - particularly his own.
Oliver Stone and Colin Farrell bring the legendary Macedonian leader Alexander to the big screen.
Three thrilling films produced by Jerry Bruckheimer including The Rock Bad Company and Veronica Guerin.
David Lynch creator of Twin Peaks and acclaimed director of 'Eraserhead' 'Blue Velvet' and 'Wild At Heart' directs this bizarre but true story of courage and human dignity. John Hurt gives the performance of a lifetime as John Merrick the worst freak known to Victorian medical science a man whose body is hideously distorted into a grotesque parody of an elephant. Rescued from a travelling freak show by Sir Frederick Treves Merrick gradually reveals himself to be a strangely sweet and gentle man remarkably unembittered by the degradation and torment he suffered at the circus. Beautifully shot by Freddie Francis and with an excellent supporting cast including Sir John Gielgud Anne Bancroft and Dame Wendy Hiller The Elephant Man is a compelling moving and enchanting story. The film was nominated for eight Oscars including Best Picture Best Director and Best Actor.
Yes, he's back ... and he's still hungry. Hannibal is set 10 years after The Silence of the Lambs, as Dr Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realise that the hideously deformed Verger--who, upon suggestion from Dr Lecter, peeled off his own face--is using her as bait to lure Dr Lecter out of hiding, quite certain he'll capture the good doctor. Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all a build-up to the anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr Lecter and a third, unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence of the Lambs so amazing was their interaction. When they do connect it's quite thrilling but it's unfortunately too little too late. --Mark Englehart, Amazon.com On the DVD: The good-looking widescreen (1.85:1) anamorphic print is accompanied by a directorial commentary on the first disc. Ridley Scott is no stranger to DVD commentaries by now, and keeps up a pretty constant flow of enjoyable story exposition, although provides few specifics about the actual filmmaking process. He's obviously more than happy to talk about this movie, since on the second disc there are also "Ridleygram" interviews with Scott about the process of storyboarding and a huge chunk of deleted or alternate scenes (including the alternate ending) with optional directorial commentary. There's a wealth of other extras to dip into, including five "making-of" featurettes (73 minutes in all), plus two multi-angle "vignettes" of the film's opening sequences (the fish-market shoot-out and opening titles), and a marketing gallery of trailers, stills and artwork. Surround-sound enthusiasts can select either Dolby 5.1 or DTS soundtracks for the main feature. --Mark Walker
Howards End: 'Only connect'. This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret. Convinced that he is acting in the best interests of his family the patriarchal Henry Wilcox destroys his wife's 'unofficial' will. But as the lonely repressed Henry falls in love with Margaret and Helen's wilful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit. Emma Thompson Anthony Hopkins Vanessa Redgrave and Helena Bonham Carter star in this acclaimed Merchant Ivory adaptation of E.M.Forster's Howards End one of the greatest novels of the century. Muhammed Ali - King Of The World: He called himself 'The Greatest' - and it was a description he merited. Cassius Clay (renamed Muhammad Ali after his controversial conversion to Islam) was quite simply the greatest boxer of the twentieth century a sportsman who overcame the traumas of his childhood to make his mark in the ring through an awesome combination of showmanship and superb technical grace. Climaxing in his crucial 1964 world title fight against Sonny Liston King Of The World traces Ali's meteoric rise to fame through the story of his early years - his struggle against racial prejudice his friendship with black activist Malcolm X his determination to take on the reigning giants of the boxing world and be 'The Greatest'. King Of The World is a must for both boxing fans and lovers of compelling true life drama - an unforgettable portrait of a sporting legend. James Dean - Race With Destiny: The gripping story of James Dean's rise to fame his romantic entanglements and his fatal desire for fast cars that led to his untimely death. Bloodlines: On the night of 7th November 1974 Lord Lucan mysteriously disappeared following the murder of his children's nanny. Was it murder by mistake? This film follows the discoveries of tenacious reporters. Molokai: Hawaii 1872. The British and American's compete for influence and power in the Pacific island of Hawaii. Off the cost of Hawaii is Molokai a small island where lepers are abondoned in exile. It is a society based on the survival of the fittest. Molokai is out of control with food scarce or non-existent and children being led into prostitution and slavery. The responsibility for the leper's welfare rests with Molokai's Chief Administrator and Hawaii's Prime Minister Bishop and Chief Priest who realise that action is required before the Molokai scandal weakens Hawaii's power with America and England. This is the true story of how Father Damien shames the cynical establishment into action and brings compassion and dignity to Molokai against all the odds.
The Mask Of Zorro (1998): With the slash of a steel blade and the mark of a 'Z' he defends the weak and exploits and avenges the wrongs committed against them... It has been twenty years since Don Diego de la Vega (Anthony Hopkins) successfully fought Spanish oppression in Alta California as the legendary romantic hero Zorro. He transforms troubled bandit Alejandro (Antonio Banderas) into his successor in order to stop the tyrannical Don Rafael Montero (Stuart Wilson) who robbed him of his freedom his wife and his precious daughter Elena (Catherine Zeta Jones) all those years ago. The Mask of Zorro follows Alejandro as he embarks on a passionate journey of love and honour tragedy and triumph in a swashbuckling epic adventure. The Legend Of Zorro (2005): The year is 1850 and our swashbuckling crusader is challenged by the most dangerous mission of his life. The same forces that conspired to keep California from becoming part of the United States are plotting to unleash a threat that has been 500 years in the making a threat that could change the course of history forever. And only Zorro (Antonio Banderas) can stop it!
It doesn't take a Nostradamus to see that the interconnected lives in Woody Allen's You Will Meet a Tall Dark Stranger are going to be troubled indeed--and yet the clairvoyant hired by newly divorced Helena (Gemma Jones) fails to predict the complications to come. Well, then there wouldn't be a movie, would there? Helena's restless old goat of an ex-husband, Alfie (Anthony Hopkins), has taken up with a loud hooker (Lucy Punch, Dinner for Schmucks), who he somehow believes to be his dream girl. Helena's daughter Sally (Naomi Watts) is enduring her marriage to blocked novelist Roy (Josh Brolin) while growing enchanted by her boss, a gallery owner (Antonio Banderas) with an accent. Meanwhile, Roy is spending too little time writing and too much time mooning over the knockout (Slumdog Millionaire's Freida Pinto) who lives in the apartment across the street. Allen's morose-go-round spreads itself across this collection of potentially intriguing people, yet the individual scenes feel slack and under-rehearsed, and the London locations are basically irrelevant. And while the cast is stocked with talented players, almost everybody looks slightly miscast, so the film doesn't seem to have an anchor anywhere. It comes to an interesting ending, but by then Allen's purpose seems increasingly casual--when what this roundelay really needs is urgency. --Robert Horton
This box set features the following films: Basic Instinct 2 (Dir. Michael Caton-Jones) (2006): Dr. Michael Glass (Morrissey) a respected London criminal psychiatrist is brought in by Scotland Yard detective Roy Washburn (Thewlis) to perform a psychiatric profile and evaluation of novelist Catherine Tramell (Stone) following the mysterious death of a top sports star. Physically drawn to Tramell and mentally intrigued by her Glass is quickly sucked into her web of lies and seduction. The professional boundaries between Glass and Tramell are obliterated when she uncovers his basic instincts... Fracture (Dir. Gregory Holbit) (2007): When Ted Crawford (Anthony Hopkins) discovers that his beautiful younger wife Jennifer (Embeth Davidtz) is having an affair he plans her murder...the perfect murder. Among the police arriving at the crime scene is hostage negotiator Detective Rob Nunally (Billy Burke) the only officer permitted entry to the house. Surprisingly Crawford readily admits to shooting his wife but Nunally is too stunned to pay close attention when he recognizes his lover whose true identity he never knew lying on the floor in a pool of blood. Although Jennifer was shot at point blank range Nunally realizes she isn't dead. Crawford is immediately arrested and arraigned after confessing - a seemingly slam-dunk case for hot shot assistant district attorney Willy Beachum (Ryan Gosling) who has one foot out the door of the District Attorney's (David Strathairn) office on his way to a lucrative job in high-stakes corporate law. But nothing is as simple as it seems including this case. Will the lure of power and a love affair with a sexy ambitious attorney (Rosamund Pike) at his new firm overpower Willy's fierce drive to win or worse quash his code of ethics? In a tense duel of intellect and strategy Crawford and Willy both learn that a fracture can be found in every ostensibly perfect facade. Domino (Dir. Tony Scott) (2005): The already larger than life story of Domino Harvey (daughter of British actor Laurence Harvey) a former Ford model turned bounty hunter takes on mythological proportions in Tony Scott's fast-paced action thriller; fashioned from a script by Donnie Darko writer/director Richard Kelly. Unfolding in a non-linear fashion as bloodied Domino (Keira Knightley) is interrogated by iron faced officer Taryn Miles (Lucy Liu) the film traces the trajectory of Domino's tumultuous life. Beginning with the death of her father Domino develops into a hard nosed scrappy young woman who trains with nunchucks beside her mother's luxurious pool and responds violently to anyone who crosses her. Bored with the runway and the glamorous LA life Domino shows up for a bounty-hunter seminar. Catching the teachers of the seminar as they try to cut and run with the proceeds she manages to win their respect and joins their team. This consists of Ed Mosbey (Mickey Rourke) the tough-as-nails leader and Domino's surrogate father and Choco (Edgar Ramirez) an impulsive Venezuelan who harbors a not-so-secret love for Domino. The three form a kind of family working under Claremont Williams (Delroy Lindo) who plays Charlie to their three angels. For a time they are unstoppable even agreeing to let the slimy Mark Heiss (Christopher Walken) produce a reality-TV show about them which is hilariously hosted by Beverly Hills 90210 stars Ian Ziering and Brian Austin Green. But when Claremont orchestrates a complicated inside job in order to raise the money for his granddaughter's doctor bills the precarious balance within the trio is disturbed. Tom Waits stands out in a cameo as a wise wanderer who advises the lost bounty hunters.
Nixon (Dir. Oliver Stone 1995): Nixon takes a riveting look at a complex man whose chance at greatness was ultimately destroyed by his passion for power - when his involvement in conspiracy jeopardized the nation's security and the presidency of the United States! With a phenomenal all-star cast. Shadow Conspiracy (Dir. George Pan Cosmatos 1997): Bobby Bishop (Charlie Sheen) is one of the President's most powerful and trusted advisors but when he becomes involved with a college professor who has information on a traitor he suddenly becomes a fugitive. Hunted down in the dead of night by a ruthless killer Bishop enlists the help of former girlfriend Amanda Givens (Linda Hamilton) a plucky reporter and together they uncover a hideous conspiracy. But Bishop is now an outsider and must try to get Washington to believe him before it's too late... American History X (Dir. Tony Kaye 1998): Derek Vinyard (Edward Norton) the charismatic leader of a group of young white supremacists lands in prison for a brutal hate-driven murder. Upon his release ashamed of his past and pledging to reform Derek realises he must save his younger brother Danny (Edward Furlong) from a similar fate. A groundbreaking controversial drama about the tragic consequences of racism in a family.
Legends Of The Fall: Colonel William Ludlow (Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies, raising his three sons away from the carnage of the Indian wars.
Alfred (Aidan Quinn), the eldest, is dutiful and reserved, Samuel (Henry Thomas), the beloved youngest, is compassionate and idealistic, and middle brother Tristan (Brad Pitt) has a wild and untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond), a beautiful, intellig...
Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.
Into The Blue (2005): Treasure has its price in this gripping underwater thriller set off the tropical shores of the Bahamas. Four young divers discover a legendary shipwreck rumoured to contain millions in gold at the bottom of the sea. But nearby on the ocean floor a plane full of illegal cargo threatens their find and with their loyalties tested the treasure hunters soon find themselves as the hunted... All The Kings men (2006): Absolute power corrupts absolutely in writer-director Steven Zaillian's (Schindler's List) adaptation of Robert Penn Warren's classic novel All the King's Men featuring an all-star cast led by Sean Penn Jude Law Kate Winslet Patricia Clarkson James Gandolfini Mark Ruffalo Anthony Hopkins. All the King's Men charts the spectacular rise and fall of a charismatic Southern politician Boss Willie Stark (Penn). Law co-stars as Jack Burden the once idealistic now embittered ex-reporter who unwittingly fuels Stark's corrupt political ambitions. Stranger Than Fiction: Stranger Than Fiction is an inventive comedy about a novelist (Emma Thompson) struggling to complete her latest and potentially finest book - she only has to find a way to kill off her main character Harold Crick and she'll be done. Little does she know that Harold Crick (Will Ferrell) is inexplicably alive and well in the real world and suddenly aware of her words. Fiction and reality collide when the bewildered and hilariously resistant Harold hears what she has in mind and realizes he must find a way to change her (and his) ending. The Pursuit Of Happyness (2006): Chris Gardner is a bright and talented but marginally employed salesman. Struggling to make ends meet Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm he and his son endure many hardships including living in shelters in pursuit of his dream of a better life for the two of them. Reign Over Me (2007): Adam Sandler Don Cheadle Jada Pinkett Smith and Liv Tyler star in this heart-rending story about Charlie Fineman (Sandler) who has slipped away from reality after the sudden loss of his wife and children. But Charlie's life takes a turn for the better when he runs into his old college roommate Alan Johnson (Cheadle) whose life is torn between the demands of career and family. Their renewed friendship rekindles their long-forgotten bond and both men emerge enriched and enlightened.
Tom Cruise and John Woo, two of the most compelling figures in the world of film, have teamed up for this spectacular sequel
Zavvi Exclusive Limited Edition Steelbook. Marvel's Thor: The Dark World continues the big-screen adventures of Thor the Mighty Avenger as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvel's Thor and Marvel's The Avengers Thor fights to restore order across the cosmos...but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. To defeat an enemy that even Odin and Asgard cannot withstand Thor sets upon his most dangerous and personal journey yet forced into an alliance with the treacherous Loki to save not only his people and those he loves...but our universe itself. Starring Chris Hemsworth Natalie Portman Tom Hiddleston Stellan Skarsgård Idris Elba Christopher Eccleston Adewale Akinnuoye-Agbaje Kat Dennings Ray Stevenson Zachary Levi Tadanobu Asano and Jaimie Alexander with Rene Russo and Anthony Hopkins as Odin Marvel's 'Thor: The Dark World' is directed by Alan Taylor produced by Kevin Feige p.g.a. from a story by Don Payne and Robert Rodat and screenplay by Christopher L. Yost and Christopher Markus and Stephen McFeely and is based on Marvel's classic Super Hero Thor who first appeared in the comic book 'Journey into Mystery' #83 in August 1962. Marvel's Thor: The Dark World continues the big-screen adventures of Thor the Mighty Avenger as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself.
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