The inspiring true-life story of the relationship between a high-school football coach and a mentally-challenged man nicknamed "Radio" who together transform their South Carolina community.
Murphy's Law is a thoroughly unpleasant 1986 thriller stars Charles Bronson as a cop systematically framed for one murder after another. The killings, though, turn out to be the work of a female nutcase (Carrie Snodgress) he had once sent away to prison. Everyone involved in this leans on the atrocity-and-revenge formula, particularly Bronson and director J Lee Thompson (The Guns of Navarone), two Hollywood guys who once upon a time made plenty of classic films. Snodgress's performance is unhinged, interesting but hard to watch, as we never really got to know her onscreen after Diary of a Mad Housewife. Just think of this movie as having come from the same creepy planet as the Death Wish series. --Tom Keogh
Chris Morris' Brass Eye is a brilliantly funny spoof on current affairs media that carries on where his previous The Day Today left off. The show ran for one single, contentious series in 1997, to be followed by an even more controversial one-off in 2001. While these episodes might cause offence to those not versed in Morris' satirical methods, and while one occasionally suspects his work is informed by a dark seam of malice and loathing rather than a desire to educate, Brass Eye remains vital satire, magnificently hilarious and, in its own way, fiercely moral viewing. Brass Eye satirises a media far too interested in generating dramatic heat and urgency for its own sake than in shedding light on serious issues. Morris mimics perfectly the house style of programmes such as Newsnight and Crimewatch, with their spurious props and love of gimmickry. Meanwhile his presenter--an uncanny composite of Jeremy Paxman, Michael Buerk and Richard Madeley among others--delivers absurd items about man-fighting weasels in the East End and Lear-esque lines such as "the twisted brain wrong of a one-off man mental" with preposterously solemn authority. Much as the media itself is wont to do, each programme works itself up into a ridiculous fever of moral panic. Most telling is the "drugs" episode, in which, as ever, real-life celebrities, including Jimmy Greaves and Sir Bernard Ingham, are persuaded to lend their name to a campaign against a new drug from Eastern Europe entitled Cake. The satirist's aim here isn't to trivialise concern about drugs but to point up the media's lack of attention to content. A response to the ill-conceived News of the World witch-hunt, in the wake of the Sarah Payne affair, the 2001 "paedophilia" special was the most supremely controversial of the series. It followed the usual formula--duping celebs such as Phil Collins into endorsing a campaign entitled "Nonce Sense", urging parents to send their children to football stadiums for the night for their own safety and mooting the possibility of "roboplegic" paedophiles--and prompted the sort of hysterical and predictable Pavlovian response from the media that Brass Eye lampoons so tellingly. On the DVD: Brass Eye on DVD includes brief outtakes, such as "David Jatt" interviewing celebrities about breeding hippos for domestic purposes, an hilarious exchange with Jeffrey Archer's PA ("He's a very wicked little man") as well as trailers for the paedophilia special.--David Stubbs
In 1970, The Goodies unleashed their legendary blend of surreal storylines, strikingly topical satire, slapstick and general lunacy on an unsuspecting viewing public. Capturing the irreverent and rebellious flavour of the decade, this phenomenally popular, award-winning series spread its mischief over twelve years, making household names of creators, writers and performers Bill Oddie, Graeme Garden and Tim Brooke-Taylor. Recorded in June 2018 at the Leicester Square Theatre, An Audience with The Goodies reunited Tim, Bill and Graeme on stage for a very special one-night-only event! Talking to writer/performer/comedian Stewart Lee and writer/archive television expert Dick Fiddy, the three Goodies discuss their career and the enduring popularity of the series - as well as taking questions from the audience!
Because every 27 years evil revisits the town of Derry, Maine, IT Chapter Two brings the characterswho've long since gone their separate waysback together as adults, nearly three decades after the events of the first film.
He's hard tough ... and doesn't give a XXXX for anything ... except romantic novels. Jack Wallis is a road-train driver with a secret... He has just become a top selling romance novelist. However being a 'mans man' in the Australian outback to avoid embarrassment he needs a name a woman's name - and he chooses that of his best friend Ruby. When a glamorous city publisher shows up to sign 'Ruby Vale' to a major book deal Jack must do some fancy footwork to keep up the cha
Initially one of NBC network's most successful series, The A-Team ran for 90 one-hour episodes (with a few feature-length specials thrown in) from 1983 to 1987. The premise of the series was certainly different. A group of US operatives is sent to rob the Bank of Hanoi during the Vietnam War in an attempt to destabilise the country's economy, but the bigwig who organises the raid is killed, leaving no indication that the mission was officially sanctioned. Returning home, Smith (George Peppard), BA (it stood for "Bad Attitude") Baracus (Mr T), Face (Dirk Benedict) and that "crazy foo" Murdoch (Dwight Schultz) suddenly find themselves accused of criminal activity, obliging them to set up as benevolent mercenaries. They tear around the country in what looks like a delivery van, generally do-gooding while keeping one step ahead of the inept military police. Snappy, witty and fast paced, the series began as a spoof of the action-thriller genre. It wasn't until the later episodes that an element of seriousness crept in, which may have caused the decline in audience figures eventually resulting in the show's cancellation. On video and DVD though, it remains a feast for fans of classic cult TV.--Roger Thomas
By the time the first public performance of Beethoven's Symphony No. 3 (Eroica) took place in Vienna in 1805 a privileged few had already heard the work at a private play-through at the Lobkowitz Palace. Nick Dear's award-winning period drama starring Ian Hart as Beethoven brings to life the momentous day that prompted Haydn to remark 'everything is different from today'.
Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Maleficent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke, Amazon.com
In Director Wes Anderson's The Darjeeling Limited three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other - to become brothers again like they used to be. Their spiritual quest however veers rapidly off-course (due to events involving over-the-counter pain killers Indian cough syrup and pepper spray) and they eventually find themselves stranded alone in the middle of the desert with eleven suitcases a printer and a laminating machine. At this moment a new unplanned journey suddenly begins. Owen Wilson Oscar Winner Adrien Brody and Jason Schwartzman star in this film about their adventure and their friendship.
The second series of Black Books somehow succeeded in being even further off the wall than the first. A larger team of writers no doubt helped, but Dylan Moran's greater input clearly shows. His Bernard Black doesn't get the best lines (that honour is always Bill Bailey's), but he definitely gets the best visual gags: a wine-bottle ice lolly, a dinner jacket made from tax receipts and a talent for the piano that defies logic. Aided by the hapless Fran (Tamsin Greig), the bookshop boys survive plenty of adventures, such as a touch of Dave's Syndrome, transforming into a restaurant, falling in love and even a few molluscs on the walls. Guest actors are all aware that they need to be at their funniest in order to register amid the madness: Johnny Vegas is the perfect slimy landlord, Jessica Stevenson revels in being the ultimate health-fad flake and Rob Brydon is terrific in his office-boss cameo. All this series lacks is any sense of closure for the characters, which, without the prospect of a third series, is a terrible tease. --Paul Tonks
This harrowing but rewarding 1984 drama concerns the real-life relationship between New York Times reporter Sidney Schanberg and his Cambodian assistant Dith Pran (Haing S. Ngor), the latter left at the mercy of the Khmer Rouge after Schanberg--who chose to stay after American evacuation but was booted out--failed to get him safe passage. Filmmaker Roland Joffé, previously a documentarist, made his feature debut with this account of Dith's rocky survival in the ensuing madness of the Khmer Rouge's genocidal campaign. The script of The Killing Fields spends some time with Schanberg's feelings of guilt after the fact, but most of the movie is a shattering re-creation of hell on Earth. The late Haing S. Ngor--a real-life doctor who had never acted before and who lived through the events depicted by Joffé--is outstanding, and he won a Best Supporting Actor Oscar. Oscars also went to cinematographer Chris Menges and editor Jim Clark. --Tom Keogh
William Oldroyd directs this British drama adapted from Nikolai Leskov's novel. Set in the remote English countryside, the story follows teenage bride Katherine (Florence Pugh) as she is forced to marry shady mining boss Alexander (Paul Hilton). Deeply unhappy with her new situation, Katherine soon finds an escape in the form of servant Sebastian (Cosmo Jarvis) and the pair begin having an affair. However, when Alexander learns of her betrayal and reacts violently, Katherine and Sebastian are forced to take matters into their own hands in an attempt to get some retribution of their own. The cast also includes Bill Fellows, Christopher Fairbank and Fleur Houdijk.
Based on the Iain Banks novel this gripping thriller is set in Scotland with a strong cast including the brilliant Johnny Lee Miller. Cameron Colley is a journalist who writes articles that takes the underdog's viewpoint. His motives are shared by a serial killer who commits murder on behalf of the underdog. The two stories then begin to fuse together...
Based on Neil Simon's own play, 1967's Barefoot in the Park is a perennially joyous film starring carefree Jane Fonda and staid lawyer Robert Redford as young newlyweds setting up home in Greenwich Village. Although the opening credits are fragrantly idyllic (aided by Neal Hefti's soundtrack, you can almost smell the blossom in Central Park), the film doesn't idealise apartment living in New York, à la Friends, far from it: Fonda and Redford's apartment is up several flights of stairs; there's a hole in the skylight and the bedroom is the size of a cupboard. All of this puts some strain on the marriage. When Fonda introduces fellow free spirit and ageing, behind-on-the-rent Lothario (Charles Boyer) to her somewhat inhibited mother (Mildred Natwick), the hapless Redford in particular is forced to come to terms with his own inhibitions. Although the second half of the film moves at a less cracking pace than the first, Barefoot in the Park is as exhilarating as a romantic weekend city break. Directo r Gene Saks, scriptwriter Neil Simon and composer Hefti would regroup in 1968 to make the similarly wonderful The Odd Couple. On the DVD: With the aid of filtering, the DVD recaptures the almost unreal colour quality common to films of this period, while the sound is faithful to the nuances of Hefti's soundtrack. The special features are miserly--subtitles, a choice of languages and the original trailer, though this at least conveys the engaging naiveté of the period--("The rarest, unsquarest, happiest motion picture in many a year!"). --David Stubbs
Scott (Pete Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister (Maude Apatow) heads off to college, Scott is still living with his exhausted ER nurse mother (Marisa Tomei) and spends his days smoking weed, hanging with the guysOscar (Ricky Velez), Igor (Moises Arias) and Richie (Lou Wilson)and secretly hooking up with his childhood friend Kelsey (Bel Powley). But when his mother starts dating a loudmouth firefighter named Ray (Bill Burr), it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life. Bonus Features Feature Commentary with Director/ Co-Writer Judd Apatow and Actor/Co-Writer Pete Davidson Alternate Endings (Which Didn't Work!) Deleted Scenes Gag Reel
A graphically violent and sexually explicit example of Japanese anime the first instalment of Urotsukidoji is seen by many as the manga film par excellence. According to ancient lore the earth is made of the three parallel realms of Human Man-Beast and Monster-Demon. Every three millennia the evil overfiend Chojin brings the realms together. If he succeeds this time all of mankind will be lost. Teenage hero Amano is the only hope for humanity. Seriously Disturbing - Daily Telegraph
The 18th century, with its frills and bawds, was ideal territory for the Carry On team: Carry On Dick is one of the few of the series where one notices the quality of the art direction in intervals between terrible old Talbot Rothwell jokes and the creaking of standard farce moments. Captain Fancy (Kenneth Williams) is sent to the remote village of Upper Denture to arrest Big Dick Turpin (Sid James) and makes the mistake of confiding in the local Rector, the Reverend Flasher (who is Big Dick's secret alter ego). Dick has troubles of his own: his liaison with his housemaid and henchperson Harriet (Barbara Windsor) is perpetually interrupted by his amorous housekeeper (Hattie Jacques). Meanwhile, Joan Sims struts around the plot as the proprietor of a touring show of scantily clad young women. This is not one of the best of the series--a certain mean-spiritedness creeps in to the humour as does the self-conscious awareness that 1974 was a date a little late for some of the more sexist jokes--but any film with Kenneth Williams discussing satin coats with his tailor has something going for it. --Roz Kaveney
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