During the early days of World War II, with the fall of France imminent, Britain faces its darkest hour as the threat of invasion looms. As the seemingly unstoppable Nazi forces advance, and with the Allied army cornered on the beaches of Dunkirk, the fate of Western Europe hangs on the leadership of the newly-appointed British Prime Minister Winston Churchill (Academy Award nominee Gary Oldman). While maneuvering his political rivals, he must confront the ultimate choice: negotiate with Hitler and save the British people at a terrible cost or rally the nation and fight on against incredible odds. Directed by Joe Wright, DARKEST HOUR is the dramatic and inspiring story of four weeks in 1940 during which Churchill's courage to lead changed the course of world history.
The crew of the spaceship Dark Star are on a 20-year mission to destroy unstable planets and make way for future colonisation by using smart bombs which zoom off cheerfully to do their duty. But unlike the orderly inhabitants of Star Trek's Enterprise, the nerves of this crew are becoming frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff", says Commander Doolittle when presented with the possibility of alien life, "Find me something I can blow up". When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's short story "Kaleidoscope" has the remaining crew drifting away from each other in space, each to a suitably absurd end. Absurd, surreal and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space". Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. --Jim Gay
From David Fincher, director of "Seven" and "Fight Club" comes this new thriller about four investigators obsessed with finding a serial killer who is terrifying the San Francisco Bay Area.
French black comedy in which a crime of passion goes horribly wrong when the killer gets trapped in a lift. As Julien (Maurice Ronet)'s lover Florence Carala (Jeanne Moreau) - who also happens to be the victim's wife - is out searching for him in Paris a young hood and his girl steal the killer's car complicating matters further. This was Louis Malle's first film as director and it partly set the tone for the 'new wave' to come. It is also notable for its famous jazz score improvised in one night by Miles Davis while the film was being projected.
Golden Globe-winner Brian Dennehy is back as star director and co-writer of a hard-hitting crime-thriller featuring Jack Reed Chicago's toughest and most incorruptible cop. A multiple murder takes place in broad daylight in a Chicago cemetery. Jack Reed is called in to investigate - and finds himself up against Sergei a brutal Russian mobster.
Big budget sci-fi action based on the original film series of the late 1960s and early 1970s. James Franco stars as Will Rodman, a genetic engineer working in present-day San Francisco who is performing scientific tests on apes in his attempt to find a cure for Alzheimer's. His first test subject is Caesar (Andy Serkis), the prototype of a new breed of apes with human-like intelligence. But when Caesar breaks free, a revolution is triggered and an epic war for supremacy breaks out between humankind and the primates of the world.
Titles Comprise:The Take: An exciting and uncompromising four-part adaptation of the best-selling crime thriller by Martina Cole, The Take stars Tom Hardy (RocknRolla) as Freddie Jackson, and Brian Cox (The Escapist) as Ozzy. Freddie is a free man after spending a considerable stretch at Her Majesty's Pleasure, and now he plans to take the underworld by storm. As events unfold, his wife Jackie (Kierston Wareing - Leaving) becomes increasingly unstable, not helped by the actions of her younger sister, Maggie (Charlotte Riley - Easy Virtue), who is in love with Freddie's cousin, Jimmy (Shaun Evans - Boy A). If you are a Jackson then you trust no one, because everyone in this criminal world is on The Take.The Runaway: From the makers of the hit series the The Take, the latest tale from best-selling crime writer Martina Cole follows the lives of two childhood sweethearts. Set in the seedy East London and sleazy London's Soho in the 1960's plus the mean streets of New york ion the 1970's, The Runaway has an outstanding cast including Keith Allen (Robin Hood), Alan Cumming (The Good Wife), Ken Stott (Rebus) and a host of hot new talent.Cathy Connor and Eamonnn Docherty were brought up together in the heart of gangland East London. Separated by violent circumstances their lives take strikingly different directions until they meet together again as adults...
The classic first series of BlackAdder was slightly different to its successors--Ben Elton was not yet part of the writing team, and Shakespearean parody featured prominently. Rowan Atkinson was at his best as a would-be Machiavellian medieval intriguer while Brian Blessed plays his gloriously over the top blustering militarist father.The episodes collected here are: "The Foretelling", in which Richard III, played by Peter Cook in a brilliant parody of Olivier, wins Bosworth only to get in an unseemly argument about a horse; "Born to be King" in which Edmund, lumbered with providing bearded ladies, morris dancers and eunuchs for a festival, discovers some indiscreet love letters; "The Archbishop" in which after his father has the Archbishop of Canterbury killed, Edmund starts his intrigues again; "The Queen of Spain's Beard" in which Blackadder's father's international schemes call for Edmund to make a dynastic marriage to Miriam Margolyes as the Infanta of Spain, and Jim Broadbent plays a peculiarly irritating interpreter; "Witchsmeller Pursuivant" in which Edmund falls foul of the demonic witchsmeller, played with more gusto than is quite credible by Frank Finlay; and "The Black Seal", wherein Edmund assembles a group of villains as his personal retinue (Rik Mayall plays a mad prisoner).On the DVD: No extras here at all, aside from subtitles in English, SDH, Danish, Swedish, Norwegian, French, Spanish, Portuguese and Italian, and chapter points within each episode. --Roz Kaveney
Princess Annika (Barbie) escapes the clutches of the evil wizard and explores the wonders of Cloud Kingdom. Teaming up with a magnificent winged horse - who turns out to be her sister Princess Brietta - they attempt to defeat the wizard and break the spells that are imprisoning their family.
Set in the breathtakingly beautiful and strictly traditional Ireland of the 1940's Falling For A Dancer is a passionate tale of the loves and challenges of the beautiful and sensitive Elizabeth Sullivan (Elisabeth Dermot-Walsh). The story begins when 19 year old Elizabeth falls pregnant after a brief affair with a dashing actor. Shamed she is forced to marry Neely Scollard (Dermot Crowley) a widower with a large family who lives in the remote Beara Peninsula. Elizabeth has to come to terms with motherhood her brutish husband her mysterious neighbour Mossie Sheehan (Liam Cunningham) her step children and the harsh realities of a rural existence. When a carefree moment at a village dance leads to a violent death a chain of events is unleashed that will change Elizabeth's life forever.
All six episodes from the first series of the classic TV comedy. New Faces Old Hands: ""Twenty-three and you want to go straight? What kind of talk is that? You've got your whole life in front of you!"" It's Godber's first time in prison and Fletch is going to teach him the ways. The Hustler: Ives is such a loser that if Elizabeth Taylor had triplets he'd have been the one in the middle. But there's no way he's going to be left out of Fletch's gambling enterprise.
Los Angeles which lives by the automobile has begun to die by it. A homicidal maniac the Skull has been terrorizing the city killing motorists at random with his death car. But when Rick's little brother is killed Rick becomes part Guardian Angel part crusader and part warrior with one thing on his mind - revenge.
What starts out as a night of excess at an out of town rave becomes a living hell for five young friends. Thrown out of the party after a fight breaks out David Samantha Joe Eric and Susan are driving home arguing about who's to blame when - SLAM! They hit Fawn a young woman who suddenly dashes across the road. Shaken the kids attempt to take the hysterical blood-soaked girl to a hospital but no sooner do they get her into the car than a van appears and forces them off the ro
Based on the humorous bestselling novel Fast Times at Ridgemont High details the individual struggles of teenagers as they deal with independence success sexuality money maturity school and just making it through the formative year. Features music by The Go-Go's Graham Nash Jim Buffet Stevie Nicks Tom Petty The Cars and Quarterflash.
Castle Duckula home for many centuries to a dreadful dynasty of vicious vampire ducks - The Counts of Duckula. Legend has it that these foul beings can be destroyed by a stake through the heart or exposure to sunlight. This does not suffice however for they may be brought back to life by means of a secret rite that can be performed once a century when the moon is in the eighth house of Aquarius. - The Narrator (Barry Clayton) In the heart of Transylvan-ia In the Vampire Hall of Fame-yeah There's not a vampire zanier than... DUCKULA! He won't bite beast or man 'Cos he's a vegetari-an. And things never run to plan for... DUCKULA! If you're looking for some fun You can always count upon Come and find the one they call... DUCKULA! Heh heh. Count Duckula! Heh heh heh heh heh heh! From the genius' at Cosgrove Hall Count Duckula recalls the spirit of their earlier master-work Dangermouse and is indeed a spin-off from an episode where Dangermouse must retrieve a feather from a vampire duck! David Jason a favourite voice-over artist at the animation studio provides the voice behind the pacifist vampire duck. Count Duckula is a green-feathered vampire duck who likes nothing more than ketchup and broccoli. Residing in his Transylvanian mansion Castle Duckula the Count knocks about with his traditionalist butler Igor and the deranged poultry housekeeper Nanny! However despite Duckula's harmless disposition towards vegetables his age-old nemesis Dr. Von Goosewing regularly tries to stake out bumbling hero for the historical atrocities committed by the Count's blood-sucking relatives!
When Joe Dolan (Michael Biehn) accidentally kills his father in a scam gone bad his dying words lead Joe to his Uncle Lou (James Coburn). Lou is working on a con worth more than million in diamonds. Eddie (Nicholas Cage) Lou's right hand man sees Joe as a serious threat and a rival for his girlfriend - the sexy Diane (Sarah Trigger). Diane seduces Joe into a love triangle that leads him to murder and desire. With millions in the balance Joe gets deeper and deeper into the diamond sting. Double cons lead to triple cons as Deadfall hurtles toward the most twisted scam of all and it's surprising conclusion. Joining the first rate cast of characters are stunning cameo appearances by Charlie Sheen Peter Fonda and Talia Shire.
Shooting Stars is a must for any silent cinema fan. Offering a rare insight into the workings of a 1920s film studio, there are location scenes, comic stunts and an on-set jazz band which demonstrate just what life was like in the early days of cinema. Despite the directing credit going to veteran filmmaker A.V. Bramble, Shooting Stars is universally acknowledged to be the directorial debut of rising talent Anthony Asquith. Asquith wrote the original story, deliberately choosing the subject of movie-making itself as his theme, and the dynamic cinematographic style and professional approach to the design and lighting was introduced by Asquith himself, based on his experiences at Chaplin's studio. The script is sophisticated, incorporating iconic counterpoint and containing very few inter-titles, a trope of Asquith's work. Presented on DVD and Blu-ray in a new restoration by the BFI National Archive, this key film of the silent era marked a step change in the quality of British features on a par with Hitchcock's work at Gainsborough, and anyone enamoured with the glamour of film will relish the knowing humour and style of this long-unseen classic. Extras A selection of cinemagazine and newsreel items from the BFI National Archive Other extras TBC Illustrated booklet with essays and full credits
RISE OF THE PLANET OF THE APES combines fantastic storytelling with the next leap in Visual Effects for an emotional and action-packed motion picture experience unlike any other.
Bent is a powerful and moving film adaptation of Martin Sherman's award winning stage play. Set amidst the decadence of pre-war fascist Germany Bent is an emotional tale of love as three homosexual men fight for survival in the face of persecution. The story begins during the 'Night of the Long Knives'. Max (Clive Owen) and Rudi (Brian Webber) are enjoying an evenings entertainment in Greta's Club. Whilst watching Greta/George (Mick Jagger) perform the two men fall into the hands of Hitler's men. Their escape forces them to spend two years on the run begging for help from reluctant friends and relatives such as Uncle Freddie (Ian McKellen). Finally they are caught and sent to a detention camp. Within the confines of the camp Max meets and falls in love with Horst (Lothaire Bluteau). Their secret love affair which begins under the most extreme regime is as inspirational as it is emotional. Bent illustrates how the selfless love of one person for another can overcome oppression even under the most extreme circumstances.
Val Kilmer stars in The Ghost and the Darkness as Lt Col John Patterson, a 19th-century Irish engineer drafted by Britain's railroad bosses to build a trestle bridge over an African river, thus expanding the empire a tiny bit more. In Tsavo, Patterson is instantly hailed for killing a man-eating lion that had been making life hell for native workers. But morale sinks when two more unstoppable big cats devour more men and destroy the project. Along comes an, expatriate American hunter (Michael Douglas) to help Patterson face the almost preternatural powers of the two killers. The script by William Goldman (Butch Cassidy and the Sundance Kid) is based on fact, though the film owes more to Steven Spielberg (specifically to Jaws) than history. There are also suggestive echoes of Kipling and Conrad in the material and characters, and there are hints of emotional complexity and psychological nuance that make one wish this could have been a great film instead of a merely fun one.--Tom Keogh, Amazon.com
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