In 1970 the Goodies unleashed their legendary blend of surreal storylines strikingly topical satire slapstick and general lunacy on an unsuspecting viewing public. Capturing the irreverent and rebellious flavour of the decade this phenomenally popular award-winning series spread its mischief over twelve years nine series and numerous specials making household names of creators writers and performers Bill Oddie Graeme Garden and Tim Brooke-Taylor. This volume comprises eight of the best episodes. From a run-in with some dubious Boy Scouts to a bid to take over the British film industry from a loony plan to set up a pirate post office to going punk this is television comedy at its undeniable best. This set includes an in-depth booklet by archive television historian Andrew Pixley.
As our story inches closer to the finale, God's endgame for the universe begins to click into place. Trapped between heavenly prophecies, hellish prisons, and all-out nuclear war, Jesse, Tulip, and Cassidy make their bloody way to the Most High. Whether they can reach God in time or whether all this carnage is part of His divine plan will soon be revealed as Preacher barrels towards the end of the world.
The 4400, which began as a five-week mini-series, is built around a deceptively simple, dramatically rich premise. What if all the people, who had ever been abducted by aliens, were suddenly returned to Earth? What would happen? Although they look exactly as they did when they left, they have no knowledge of where they were or why they were taken. Now some even have special powers, like clairvoyance. As with ABC's Lost, which centres on the survivors of a plane crash, The 4400 features a large cast of characters and a host of mysteries to be solved. If the special effects, which are kept to a minimum, can be a little cheesy at times, the concept--and the skillful execution of the concept--easily makes up for it. Produced by Francis Ford Coppolla's American Zoetrope and created by Scott Peters (The Outer Limits), The 4400 is set in Seattle, where the 4400 are returned. The principal characters include Dennis Ryland (Peter Coyote of E.T.), the local supervisor of Homeland Security. He's joined by agents Tom Baldwin (Joel Gretsch of Taken), whose nephew was one of the returnees, and Diana Skouris (Jacqueline McKenzie of Romper Stomper), who takes in one of the youngest returnees. Guest stars include Michael Moriarty (Law and Order) in "Pilot" and Lee Tergeson (Oz) in "Becoming." Billy Campbell (Once and Again) also appears in several episodes as Jordan Collier, a real-estate magnate and returnee who becomes an advocate for others like himself, many of whom are having problems adjusting to a changed world. Like Lost, one of the biggest success stories of 2004, The 4400 debuted to strong ratings and was renewed for a full season. --Kathleen C. Fennessy
Karl his brother David and their father Frank are all stranded in Dinotopia after a plane accident. It's here that dinosaurs and humans live in perfect harmony but beneath the surface dangers are brewing....
One of the very best Stephen King film adaptations, The Dead Zone is imbued with an ever-present atmosphere of dread. Shot in a permanently wintry Canada (standing in for New England), the icy backdrops are subtly employed by director David Cronenberg to accentuate the storys fatalistic tone. Cronenbergs welcome emphasis for the most part on psychological terror over physical shocks (something of a change of direction for him after The Brood and Scanners) is further enhanced by composer Michael Kamens marvellously chilly music score and Christopher Walkens understated yet dominating central performance as high school teacher Johnny Smith, who wakes from a coma following a car crash to learn that he has been cursed with the gift of second sight. That his uncanny ability is indeed a curse and definitely not a blessing is made abundantly clear: even when Johnny is able to save peoples lives, there is always a price to pay. The cosmic law of Karma is grimly unforgiving. Herbert Lom, as Johnnys sympathetic doctor, sums up the characters plight, "Some things just werent meant to be." And even when Johnny learns the terrible secret of future Presidential candidate Greg Stillson (a villainous Martin Sheen), he knows he cannot act without accepting the fatal consequences. Brooke Adams, as the love of Johnnys life, and Tom Skerrit, as the quietly desperate sheriff on the trail of a serial killer, are excellent in support. On the DVD: this disc comes with a chunky accompanying booklet with background notes on the film, cast and director, as well as a script excerpt for the originally planned pre-credits sequence (in the finished film we assume Johnnys second sight is a result of the car accident--this earlier screenplay follows the book more closely). The movie itself--which features the "scissor-suicide" scene uncut--is accompanied by a chatty and informative commentary from film critics Stephen Jones and Kim Newman (a regular Amazon.co.uk contributor). Both the 1.85:1 anamorphic widescreen picture and the Dolby 5.1 sound are adequate if unexceptional. --Mark Walker
Sci-fi disaster feature. After a series of sinkholes open in the ground, swallowing entire towns in their path, a group of school students find their bus precariously perched over the edge of one of them. As the teenagers teeter on the brink of death, it seems the only hope of saving them lies with paramedic Joan Conroy (Gina Holden) as she frantically tries to save her daughter from plunging to her doom.
THEY RE SISTERS. BUT IT WILL TAKE A MIRACLE TO MAKE THEM A FAMILY. Adapted from the novel Don t Look and It Won t Hurt by Richard Peck, Allison Anders (Grace of My Heart) whipped up a storm at the 42nd Berlin International Film Festival with her masterfully crafted tale of a young woman trying to find love while struggling to bring up her two daughters. Abandoned by her husband, Nora (Brooke Adams, Invasion of the Body Snatchers, The Stuff) waitresses to keep her head above water while raising two teenagers in a small New Mexico town trailer park. Beautiful and rebellious, Trudi (Ione Skye, Wayne s World, Zodiac) quits school to work alongside her mother, while her sister Shade (Fairuza Balk, The Craft, American History X) whittles away her time watching old movie matinees. Their life is turned on its head when Trudi finds that she has fallen pregnant after a string of promiscuous relationships and the girls' absent father returns with hopes of mending the relationships he broke when he left. A wonderfully engaging story of the woes of teenagers reaching adulthood, Gas Food Lodging is a distinctly American portrayal of a mother trying to raise two wayward teens with growing pains, who are learning about love, life and each other. This director-approved restoration finally affords this 90s modern classic the home video treatment it rightly deserves. DIRECTOR-APPROVED SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation, approved by director Allison Anders Original uncompressed 2.0 audio Optional English subtitles for the deaf and hard of hearing The Road to Laramie: A Look Back at Gas Food Lodging, italicise title and remove commas a brand new interview with Allison Anders and Josh Olson Cinefile: Reel Women italicise(Chris Rodley, 1995), a documentary looking at the challenges women face in the film industry from independent to studio filmmaking, featuring interviews with Allison Anders, Kathryn Bigelow, Jane Campion, Penny Marshall, Gale Anne Hurd and others Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film
The story tells of fictional hit 'reality TV' show "The Contenders", which selects six people at random to kill one another until a lone champion survives!
A highly regarded science fiction classic it effectively conveys the paranoia of McCarthy's America and is considered by many to be the definitive ""Cold War"" film.During a thunderstorm a boy witnesses the landing of a flying saucer in a nearby field. No one believes his wild tale and the alien invaders who remain unseen in their subterranean space ship begin controlling the town's inhabitants.Brilliantly designed and directed by William Cameron is a surrealistic nightmare that's
For anyone who wants to catch a glimpse of the Los Angeles "lounge" scene that was in vogue during the early and mid-1990s, here's the movie that virtually defined that brief but colourful nightlife milieu. As an added bonus, it just happens to be a very funny, observant story about love, loss and male bonding among a group of friends who struggle to find decent jobs by day, and lurk through Hollywood's hottest nightclubs by night. A sort of latter-day Rat Pack, they include Mike (writer-actor Jon Favreau) and his closest buddy, Trent (Vince Vaughn), who are waiting for the big show-biz break that seems to be eluding them. Mike's twisted up about the girlfriend he left back East to pursue his going-nowhere standup comedy career, and Trent uses the word "money" as an adjective ("Man, we look totally money tonight") with such frequency that you may find yourself slipping into lounge-lizard mode after watching the movie. One of the most noteworthy indie-film success stories of the 90s, Swingers is a time-capsule comedy that seized its moment in the spotlight, launched several promising careers and continues to maintain its lasting appeal. --Jeff Shannon
Run aground during a fierce storm a group of passengers are forced to abandon ship. As the survivors (among them prisoners a prison guard and a criminal psychologist) struggle ashore they find themselves at an apparently deserted lighthouse. It's not long until they discover the headless corpses of the lighthouse keepers and they realise that the ship was also carrying a prisoner more dangerous than any of them - murderer Leo Rook (Christopher Adamson). Hunting them down one by
Stephen Neale is released into WWII England after two years in an asylum but it doesn't seem so sane on the outside either. On his way back to London to rejoin civilization he stumbles across a murderous spy ring and doesn't quite know who to turn to.....
Bradley Cooper stars as an inquisitive photographer who comes across Mahogany (Jones) a butcher who uses the subway system as his killing floor. But who is he killing for and where is he delivering the meat of his victims?
John Travolta is the Urban Cowboy, breakin' hearts and bustin' mechanical bulls in one of his most electrifying film roles. By day, Bud Davis (Travolta) toils at a Texas oil refinery; at night, he trades his hard hat for a Stetson and heads to Gilley's, Houston's most popular nightclub.There, he meets a pretty two-stepper named Sissy (Debra Winger) who thinks Bud is a real cowboy. But Bud's got to prove it when a dangerous ex-con (Scott Glenn) schemes to rob Gilley's and steal Sissy's heart. Travolta and Winger make an unforgettable screen couple in this compelling, Texas-sized look at a country-western way of life. Featuring a hit soundtrack and musical appearances by Mickey Gilley, Johnny Lee, Bonnie Raitt and The Charlie Daniels Band.Product FeaturesGood Times With Gilley: Looking Back At Urban Cowboy Deleted Scenes Outtakes Rehearsal Footage
Romantic comedy double bill. In 'Life As We Know It' Holly (Katherine Heigl), a budding caterer, and Eric (Josh Duhamel), a sports director, find themselves the guardians of Sophie (Alexis and Brooke Clagett), the daughter of their best friends who have died in a car crash. Holly and Eric, who are both single, are often in disagreement with one another, but they must find a way to get along for Sophie's sake. With Sophie's upbringing their main concern, Holly and Eric slowly realise that they...
Brooke Burns stars as an undercover bridesmaid in this romantic comedy. When Texas tycoon Jim Thompson (Gregory Harrison) hires a private security firm for his daughter Daisy (Nicole Paggi)'s grand wedding, it falls to Tanya (Burns), as the only female bodyguard, to protect the spoiled bride-to-be. Having been jilted at the alter herself, the covert law enforcer is none too happy about assuming the role of an undercover bridesmaid. But with several conspiring suspects present at the wedding Tanya has her work cut out to protect the bride while trying to locate the family's harasser.
The opening scenes of The Replacements see American football team, the Washington Sentinels, in dire straits. The players have walked out in a protest over pay at a vital point in the season, forcing the Sentinels' owner to bring veteran coach Jimmy McGinty (Gene Hackman) out of retirement to put together a replacement team. He assembles a group of oddballs and misfits including failed quarterback Shane Falco (Keanu Reeves), a boozing Welsh brawler (Rhys Ifans), a convicted former football pro, a deaf mute, a psychopathic ex-cop, a sumo wrestler and a kleptomaniac (Orlando Jones) who has trouble catching the ball. It is Falco's job to pull the team together and overcome his own problems to take the Sentinels to the playoffs. Howard Deutch (Pretty in Pink, Grumpier Old Men) directs this variation on a losers-make-good storyline that runs like Police Academy on the playing field. Keanu plays the Steve Guttenberg role. Sandra Bullock clone Brooke Langton provides the all-too-predictable cheerleading love interest, while Rhys Ifans delivers light relief as the team's chain-smoking kicker. On the DVD: The main feature is presented in letterboxed widescreen format with Dolby Digital 5.1 sound in three languages (English, Spanish and Italian). There are optional subtitles in 20 different languages. Interactive menus are slickly designed like the yard markings on an American football field and provide access to a range of special features. As well as a theatrical trailer and commentary by director Howard Deutch, there is a 15-minute HBO special "The Making of the Replacements" hosted by Orlando Jones and a 10-minute "Actors Guide to Football" which provides a detailed look at the way the entirely authentic football sequences were planned and filmed. --Chris Campion
A young woman and her teenage son flee Glasgow seeking refuge from a violent crime. They travel overnight to her birthplace, the isle of Iona after which she is named, and attempt to live among the religious community she left behind. Iona's return exposes her tormented son Bull to a way of life she rejected when she left the island as a teenager. As Bull seeks forgiveness for what he's done and the fragile family she left behind try to cope with her return, Iona comes to terms with her loss of faith.
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