Based on the DC character, Kara Zor-El (series star MELISSA BENOIST) decides to embrace her superhuman abilities and be the hero she was always meant to be. Twelve-year-old Kara escaped the doomed planet Krypton with her parents' help at the same time as the infant Kal-El. Protected and raised on Earth by her foster parents, Jeremiah and Eliza Danvers (guest stars DEAN CAIN and HELEN SLATER), Kara grew up in the shadow of her foster sister, Alex (series star CHYLER LEIGH), and learned to conceal the phenomenal powers she shares with her famous cousin, Superman (TYLER HOECHLIN) in order to keep her identity a secret.Years later, Kara was living a normal life in National City and still concealing her powers, when a plane crash threatened Alex's life and Kara took to the sky to rescue her. In the aftermath, Kara decided she could no longer sit on the sidelines and came out as Supergirl. She now balances her job as a reporter for CatCo Worldwide Media, alongside her famous friend and Editor in Chief, James Olsen (series star MEHCAD BROOKS) with her work for the Department of Extra-Normal Operations (DEO), a super-secret government organization run by her sister Alex. At the DEO, Kara also gets help from her friends, J'onn J'onzz (series star DAVID HAREWOOD), the Martian Manhunter, Brainac-5 (new series regular JESSE RATH), and Lena Luthor (series regular KATIE McGRATH), who doesn't know Supergirl's true identity is that of her best friend Kara Danvers. In season four, Supergirl is facing a bigger threat than she's ever faced before a new wave of anti-alien sentiment, spreading across National City that's fomented by Agent Liberty (new series regular SAM WITWER). As Kara mentors a new reporter at CatCo, Nia Nal (new series regular NICOLE MAINES), and tries to use the power of the press to shine a light on the issues threatening to tear the city apart, Supergirl takes to the skies to battle the many villains who rise up in this era of divisiveness. But how does Supergirl battle a movement when she, herself an alien, represents one of the main things people are fearful of?
From the Academy Award®winning creators of Disney¢Pixar's Finding Nemo (Best Animated Feature, 2003) comes an epic undersea adventure filled with imagination, humour and heart. When Dory, the forgetful blue tang, suddenly remembers she has a family who may be looking for her, she, Marlin and Nemo take off on a life-changing quest to find them with help from Hank, a cantankerous octopus; Bailey, a beluga whale who's convinced his biological sonar skills are on the fritz; and Destiny, a nearsighted whale shark! Bring home the movie overflowing with unforgettable character and dazzling animation!
The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles just the pretext. Once Mel Brooks' lunatic film many call his best gets started logic is lost in a blizzard of gags jokes quips puns howlers growlers and outrageous assaults upon good taste or any taste at all! Cleavo
A delightful undersea world unfolds in Pixar's animated adventure Finding Nemo. When his son Nemo is captured by a scuba diver, a nervous clownfish named Marlin (voiced by Albert Brooks) sets off into the vast--and astonishingly detailed--ocean to find him. Along the way he hooks up with a scatterbrained blue tang fish named Dory (Ellen DeGeneres), who's both a help and a hindrance, sometimes at the same time. Faced with sharks, deep-sea anglers, fields of poisonous jellyfish, sea turtles, pelicans and much more, Marlin rises above his neuroses in this wonderfully funny and thrilling ride--rarely do more than 10 minutes pass without a sequence appearing that's destined to become a theme-park attraction. Pixar continues its run of impeccable artistic and economic successes (Toy Story, A Bug's Life, Monsters, Inc). Supporting voices here include Willem Dafoe, Geoffrey Rush and Allison Janney. --Bret Fetzer
STAR TREK: DEEP SPACE NINE-SEA.01(92/93)-; STAR TREK: DEEP SPACE NINE-SEA.02(93/94)-; STAR TREK: DEEP SPACE NINE-SEA.03(94/95)-; STAR TREK: DEEP SPACE NINE-SEA.04(95/96)-; STAR TREK: DEEP SPACE NINE-SEA.05(96/97)-; STAR TREK: DEEP SPACE NINE-SEA.06(97/98)-; STAR TREK: DEEP SPACE NINE-SEA.07(98/99)-
From the Academy Award®winning creators of Disney¢Pixar's Finding Nemo (Best Animated Feature, 2003) comes an epic undersea adventure filled with imagination, humour and heart. When Dory, the forgetful blue tang, suddenly remembers she has a family who may be looking for her, she, Marlin and Nemo take off on a life-changing quest to find them with help from Hank, a cantankerous octopus; Bailey, a beluga whale who's convinced his biological sonar skills are on the fritz; and Destiny, a nearsighted whale shark! Bring home the movie overflowing with unforgettable character and dazzling animation!
Acclaimed writer Andrew Davies turns his talents to one of Charles Dickens' most brilliant novels - arguably the greatest ever depiction of Victorian London. Fresh and imaginative yet faithful to the original this thrilling fast-paced adaptation is shot with a contemporary edge. At its heart is the story of the icily beautiful Lady Dedlock who nurses a dark secret and the merciless lawyer Tulkinghorn who seeks to uncover it. The generous John Jarndyce struggling with his own past and his two young wards Richard and Ada are all caught up like Lady Dedlock in the infamous case of Jarndyce vs. Jarndyce which will make one of them rich beyond imagination if it can ever be brought to a conclusion. As Tulkinghorn digs deeper into Lady Dedlock's past he unearths a secret that will change their lives forever and which is almost as astounding as the final outcome of the Jarndyce case.
A masterwork of the German silent cinema whose reputation has only increased over time Diary of a Lost Girl [Tagebuch einer Verlorenen] traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G. W. Pabst Diary of a Lost Girl represents the final pairing of the filmmaker with screen icon Louise Brooks mere months after their first collaboration in the now-legendary Pandora’s Box [Die Büchse der Pandora]. Brooks plays Thymian Henning an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father’s pharmacy (played with gusto by Fritz Rasp the degenerate villain of such Fritz Lang classics as Metropolis Spione and Frau im Mond). After Thymian gives birth to his child and rejects her family’s expectations for marriage the baby is stripped from her care and Thymian enters a purgatorial reform school that seems less an institute of higher learning than a conduit for fulfilling the headmistress’s sadistic sexual fantasies. The Masters of Cinema Series is proud to present this glorious restoration of an iconic German film for the first time anywhere on Blu-ray. Special Features New high-definition 1080p presentation of the film on the Blu-ray Original German intertitles with optional English subtitles Piano score of Javier Pérez de Aspeitia New and exclusive video essay by filmmaker and critic David Cairns 40-PAGE BOOKLET including writing by Louise Brooks Lotte Eisner Louelle Interim Craig Keller and R. Dixon Smith
Cast Away reunites star Tom Hanks and director Robert Zemeckis in their first collaboration since the heavy-handed sentimentality of Forrest Gump. Thankfully, this time their film's life-affirming message is delivered with more subtlety, attributable both to an extraordinarily committed, physically demanding central performance from Hanks and to Zemeckis' technically masterful but carefully understated direction. It's also a film with three distinct "acts" or, to be old-fashioned about it, a proper beginning, middle and end. The story follows schedule-obsessed but fulfilled FedEx supervisor Chuck Noland (Act 1) on a personal journey into the bleakest, most solitary despair (Act 2), before Helen Hunt, in the thankless role of ex-girlfriend, unwittingly allows him to glimpse an optimistic future full of untapped possibilities (Act 3). Hanks' sojourn on the island is the centrepiece, but this is no tropical island idyll: following a terrifying plane crash (the one sequence in the film where Zemeckis shows off his uncanny ability to choreograph action), life on the island is seen to be a depressing and bitter experience filled with disappointment, danger and suicidal despair. Having lost all hope of rescue, ultimately Noland's greatest test is not to survive, but to find a reason to survive. He has no Man Friday for company, just a volleyball named "Wilson" that is both a narrative device allowing Hanks to deliver dialogue and an intriguingly pagan personification of the island's spirit under whose protection Noland is finally able to summon fire (significantly, and heartbreakingly, Wilson leaves him as he regains contact with the world). In an era of MTV-style film editing, Zemeckis and Hanks fearlessly take their time establishing with total conviction the grim realities of Noland's situation, his devastating loss of hope and the means by which he achieves his escape. Like Contact before it, Cast Away is a refreshingly thoughtful piece of mainstream cinema that explores weighty existential issues but retains a warm human intimacy. On the DVD: The luminous anamorphic print with vivid Dolby 5.1 soundtrack is accompanied on the first disc by a technical commentary from Zemeckis and key crew personnel. It's plenty insightful for budding filmmakers, although for pure listening pleasure one might have preferred a more relaxed piece with just the director and Tom Hanks. The second disc includes a 30-minute making-of documentary in which the director sums up the moral of the movie--"Surviving is easy but living is difficult". This draws on material from the three other mini-documentaries about survival skills, Wilson the volleyball and the Fijian island location of Monu Riki respectively. There's also a section on the sometimes surprising use of CGI effects and a storyboard-to-film comparison sequence. Tom Hanks chats with American TV host Charlie Rose about this movie and his career in the extensive 50-minute interview. Trailers, artwork and stills round out a valuable two-disc set. --Mark Walker
TriStar Pictures and Spyglass Media Group will serve up Thanksgiving, a full-length horror film inspired by the fictitious trailer featured in the 2007 film, Grindhouse.
Based on the DC character, Kara Zor-El (series star MELISSA BENOIST) decides to embrace her superhuman abilities and be the hero she was always meant to be. Twelve-year-old Kara escaped the doomed planet Krypton with her parents' help at the same time as the infant Kal-El. Protected and raised on Earth by her foster parents, Jeremiah and Eliza Danvers (guest stars DEAN CAIN and HELEN SLATER), Kara grew up in the shadow of her foster sister, Alex (series star CHYLER LEIGH), and learned to conceal the phenomenal powers she shares with her famous cousin, Superman (TYLER HOECHLIN) in order to keep her identity a secret. Years later, Kara was living a normal life in National City and still concealing her powers, when a plane crash threatened Alex's life and Kara took to the sky to rescue her. In the aftermath, Kara decided she could no longer sit on the sidelines and came out as Supergirl. She now balances her job as a reporter for CatCo Worldwide Media, alongside her famous friend and Editor in Chief, James Olsen (series star MEHCAD BROOKS) with her work for the Department of Extra-Normal Operations (DEO), a super-secret government organization run by her sister Alex. At the DEO, Kara also gets help from her friends, J'onn J'onzz (series star DAVID HAREWOOD), the Martian Manhunter, Brainac-5 (new series regular JESSE RATH), and Lena Luthor (series regular KATIE McGRATH), who doesn't know Supergirl's true identity is that of her best friend Kara Danvers. In season four, Supergirl is facing a bigger threat than she's ever faced before a new wave of anti-alien sentiment, spreading across National City that's fomented by Agent Liberty (new series regular SAM WITWER). As Kara mentors a new reporter at CatCo, Nia Nal (new series regular NICOLE MAINES), and tries to use the power of the press to shine a light on the issues threatening to tear the city apart, Supergirl takes to the skies to battle the many villains who rise up in this era of divisiveness. But how does Supergirl battle a movement when she, herself an alien, represents one of the main things people are fearful of?
Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
Controversial moving and brilliantly acted this film directed by Ken Loach is arguably the most influential television drama ever broadcast. Watched by 12 million people - a quarter of the British population at the time - on its first broadcast on 16 November 1966 Cathy Come Home was a defining moment in British television history. It provoked major public and political discussion and challenged the accepted conventions of television drama. The film tells the story of Cathy and Reg a couple with three young children who find their life spiralling into poverty when Reg loses his well-paid job. Gripping and emotional it remains a truly ground-breaking piece of dramatic fiction engaging viewers with social issues such as homelessness unemployment and the rights of mothers to keep their own children. Utilising documentary-style filming on location the film consolidated director Ken Loach's reputation for hard-hitting social realism.
One of the classics of the noir psychological thriller, In a Lonely Place is one of Humphrey Bogart's finest performances. He is almost unbearably intense as Dixon Steele, a screenwriter with high standards and a nasty temper who finds himself under suspicion when Mildred, a hat-check girl he knows, is found murdered. Immediately he gets an alibi from a neighbour, Laurel, and equally quickly, he recognises that this is a woman who meets his standards: the question is, as suspicion of his involvement in Mildred's death continues, can he make himself meet hers? This is a wonderful study in trust and suspicion and the limits of love; Bogart's performance is impressive simply because he is prepared to go well over the limits of our sympathy in the name of emotional truth. The scene where he explains imaginatively to a cop and his wife how the murder might have happened is a spine-chilling, creepy portrait of amoral artistic brilliance. Gloria Grahame is equally fine as the woman who lets herself love him, for a while. On the DVD: In a Lonely Place comes with an excellent documentary in which Curtis Hanson (LA Confidential) explains the importance of the film to him and discusses its place in the work of Bogart and the director Nicholas Ray; there is also a quick interesting documentary about the restoration and digitisation of classic films. The film is presented with a visual aspect ratio of 1.33:1 and with restored Dolby Surround sound that does full justice to the film's snappy dialogue and the moody George Antheil score. --Roz Kaveney
Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film", Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realised characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. --Jeff Shannon
Now, in Season Three, Kara is grappling with the sacrifices she's made and deciding if she should give up her human identity altogether. Being human and vulnerable is hard. Maybe she's better off embracing her alien DNA and only being the Girl of Steel. As Kara struggles with her path forward, she continues to work with the DEO to battle all threats to National City, including new villains, Morgan Edge (Adrian Pasdar), and the Worldkiller, known as Reign (new series regular Odette Annable).
One of the key movies of the 1970s, when exciting, groundbreaking, personal films were still being made in Hollywood, Milos Forman's One Flew over the Cuckoo's Nest emphasised the humanistic story at the heart of Ken Kesey's more hallucinogenic novel. Jack Nicholson was born to play the part of Randle Patrick McMurphy, the rebellious inmate of a psychiatric hospital who fights back against the authorities' cold attitudes of institutional superiority, as personified by Nurse Ratched (Louise Fletcher). It's the classic antiestablishment tale of one man asserting his individuality in the face of a repressive, conformist system--and it works on every level. Forman populates his film with memorably eccentric faces, and gets such freshly detailed and spontaneous work from his ensemble that the picture sometimes feels like a documentary. Unlike a lot of films pitched at the "youth culture" of the 1970s, One Flew over the Cuckoo's Nest really hasn't dated a bit, because the qualities of human nature that Forman captures--playfulness, courage, inspiration, pride, stubbornness--are universal and timeless. The film swept the Academy Awards for 1976, winning in all the major categories (picture, director, actor, actress, screenplay) for the first time since Frank Capra's It Happened One Night in 1931. --Jim Emerson
A delightful undersea world unfolds in Pixar's animated adventure Finding Nemo. When his son Nemo is captured by a scuba diver, a nervous clownfish named Marlin (voiced by Albert Brooks) sets off into the vast--and astonishingly detailed--ocean to find him. Along the way he hooks up with a scatterbrained blue tang fish named Dory (Ellen DeGeneres), who's both a help and a hindrance, sometimes at the same time. Faced with sharks, deep-sea anglers, fields of poisonous jellyfish, sea turtles, pelicans and much more, Marlin rises above his neuroses in this wonderfully funny and thrilling ride--rarely do more than 10 minutes pass without a sequence appearing that's destined to become a theme-park attraction. Pixar continues its run of impeccable artistic and economic successes (Toy Story, A Bug's Life, Monsters, Inc). Supporting voices here include Willem Dafoe, Geoffrey Rush and Allison Janney. --Bret Fetzer
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