When 10 year old Amanda loses her mother, she spends most of her time at the neighbouring horse ranch, owned by a business tycoon. The arrival of Misty, a spirited white horse, creates a new challenge for the ranchers as the tycoon's spoiled daughter rejects the horse. But Amanda doesn't lose faith and with an inspiring and loving horse trainer, they prove that the Misty is a true champion, creating new friendships and family bonds in the process.
A girl in a burlesque show falls in love with the same man her mother had feelings for years before... Available for the first time on DVD!
Meet Buraki the vicious 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers flying dragons soldiers bred for evil and mega-intelligent dinosaurs. Together they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle... a war you'll only believe when you see it for yourself.
Because of his tragic death on the set of The Crow, we'll never know if Brandon Lee would have turned one successful film into a popular series. But one look at this tepid sequel suggests that not even the charismatic Lee could have rescued The Crow movies from the burden of a lacklustre screenplay. Based on the popular comic books by James O'Barr, this sequel finds Vincent Pérez as a man named Ashe, who is murdered along with his young son by a gang of drug-running thugs under the employ of slimy kingpin Judah Earl (Richard Brooks). Ashe is resurrected with the help of a tattoo artist named Sarah (Mia Kirschner), whereupon he begins a campaign of revenge against his killers. More a rehash than a sequel, the film repeats the grungy, dark look of urban decay from The Crow, but its combination of violence, heavy-handed symbolism and tacky sentiment make this a film strictly for nihilistic teens. Then again, no movie in which veteran punkster Iggy Pop plays a slimeball can be considered a total loss. -- Jeff Shannon, Amazon.co.uk
The war is over. Nobody won. Only the inhabitants of Australia and the men of the U.S. submarine Sawfish have escaped the nuclear destruction. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened but returns with grim news: the cloud is lethal. With the days and hours dwindling each person confronts the grim situation in his or her own way as the final chapter of human history is coming to a close...
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
Neurotic, self-obsessed Robert Cole (Albert Brooks) is a successful film editor who splits up with his on-off girlfriend (Kathryn Harrold), only to try and win her back when he finds he can't live without her. Considered by many to be one of America's greatest comic talents, and sought out by filmmakers including Martin Scorsese, Judd Apatow, Steven Soderbergh and Nicolas Winding Refn, actor-writer-director Brooks created what is perhaps his most caustic and excruciatingly honest film in Modern Romance. High Definition remaster Original mono audio Audio commentary with critic and film historian Nick Pinkerton (2018) Movie Love with Eric Saarinen (2018, 15 mins): the celebrated cinematographer and director discusses his work with Albert Brooks Theatrical trailer Image gallery: publicity stills and promotional material New and improved English subtitles for the deaf and hard-of-hearing
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance) and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh
Set in 1797 at the beginning of the Napoleonic Wars, HMS Defiant is an enthralling British naval drama made to capitalise upon MGM's epic remake of Mutiny on the Bounty, also released in 1962. Based on the novel Mutiny by Frank Tilsey and starring Alex Guinness as a fair-minded captain locked in psychological conflict with Dirk Bogarde, his manipulative, coldly malicious first officer, the parallels with the famous true story are clear. However there were many naval mutinies at this period and this large-scale saga, which includes some spectacularly staged widescreen naval battles, offers a realistic depiction of life in the British navy at the time--from the press gangs and floggings, to the appalling food and living conditions. Director Lewis Gilbert--who previously helmed Sink the Bismarck! (1960)--strikes a good balance between the personal drama and sweeping maritime adventure. Guinness successfully varies his firm-but-fair officer from The Bridge on the River Kwai, Bogarde is chillingly hateful and Anthony Quayle gives strong support. ITV's recent Hornblower cumulatively offers a more detailed portrait of the British navy during the Napoleonic Wars, though the TV series cannot match the visual scale of this big-screen production. On the DVD: HMS Defiant is presented anamorphically enhanced at 2.35:1, though a little of the original CinemaScope frame is still cropped at the sides. The image is generally very good, though a handful of scenes near the end show considerable print damage and there is an inconstancy of colour grading between some shots. Grain is variable, but not generally a problem, though some unattractive "ringing" from edge enhancement is noticeable, particularly around Alex Guinness when he stands against a bright sky. The sound is in very clear mono with just occasional distortion on the music score. The disc offers the option of watching with dubbed French, German, Italian or Spanish soundtracks. The original trailer is included--under the American title of Damn the Defiant!--as are trailers for three other classic war films. The only other extra features are a small gallery of original publicity materials and three very basic filmographies. --Gary S Dalkin
Welcome to the Videos provides a baker's dozen of Guns 'n' Roses' most explosive and memorable music videos from 1987 to 1993, and what a lesson they provide in the early evolution of visual style on MTV. Looking back, it seems Guns n' Roses embraced almost every type of music-video setting: "Welcome to the Jungle", for instance, finds rapid images of the band's stage performance interspersed with a semi-narrative featuring Axle Rose as a newcomer to the big bad city; "Paradise City" is set against an arena sound check, while "Sweet Child O' Mine" is structured around the now-threadbare idea of a video documentary about a video production. A couple of obsessive themes emerge from this anthology, the starkest involving love and watery deaths ("Don't Cry" and "November Rain"). Most interesting are the opiate-like distortions of "The Garden" and the surreal "Since I Don't Have You", starring Gary Oldman as a grinning devil. --Tom Keogh
Screwin' and ballin' - it's all in a day's play for the more mature students at good old 'T & A High'. To call them sexually aware would be an insult to their awareness but what can you do with such fly-poppin bra-bustin beauties as Purity Busch and Chesty Colgate around? Heads down for History or hands up for Physical Jerks...? The lusty lads and gorgeous girls get is together for delightfully climaxing in the end-of-term Big Game...
Regenerated in out of this world 4K, Daleks' Invasion Earth 2150 A.D. directed by Gordon Flemyng, stars Peter Cushing in his return to the big screen as British TV's most iconic sci-fi hero, Dr. Who. The earth of 2150 A.D. is a desolate and hostile ruin of a planet, crumbling at the edge of civilisation, slowly disappearing into the darkness of space. For the future of planet earth now belongs to The Daleks, a destructive army of alien invaders who have turned humans into cowering slaves. Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there's only one man who could possibly help them succeed in destroying their extra-terrestrial enemies and take back control of planet earth. A man of mystery, a man of time and space, a man known only as The Dr. Product Features The Dalek Legacy: Invasion Earth Audio Commentary with critic Kim Newman, screenwriter/writer Robert Shearman, and actor/writer Mark Gatiss Dalekmania Interview with Gareth Owen Interview with Bernard Cribbins Restoring Dr. Who in 4K Original Trailer Stills Gallery
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
Made at the very end of the silent era, Pandora's Box is one of the last flowerings of German cinema's greatest decade. It also marked the highpoint of two careers: Austrian director GW Pabst and American actress Louise Brooks. A merge of two linked plays by the decadent German playwright Frank Wedekind, it's the story of Lulu, the archetypal femme fatale (the same plays served as source for Alban Berg's masterly 1935 opera). At once sensual and innocent, a force of uninhibited sexuality, Lulu brings ruin on all her lovers both male and female, and ultimately upon herself. Hollywood never knew what to do with Brooks who, with her fierce intelligence and her open delight in sex, refused to play the coy flappers then in fashion. In Pabst, whose genius, she wrote, "lay in getting to the heart of a person", she found the director she needed, and he brought out her a screen persona with a depth of eroticism that's still breathtaking to see. The film features some of the finest German acting talent of the period--Fritz Kortner, Franz Lederer--but it's Brooks' luminous performance that rivets the eye and makes her a great screen icon. Though the action is nominally set in the late-19th century--Lulu ends up in a shadowy London where she encounters Jack the Ripper--Pandora's Box breathes the gamey air of the Weimar Republic, vividly captured by Günther Krampf's pungent photography. This release runs well over two hours and includes, for the first time in decades, over 30 minutes of cut footage, restoring the film to something very close to Pabst's original masterpiece. On the DVD: Pandora's Box on DVD is a clean, crisp transfer in the classic 4:3 ratio, and the mono soundtrack brings out all the detail of Peer Rubens' Kurt Weill-inflected score, stylishly performed by the Kontraste Ensemble. Dialogue intertitles can be read in either English or German. We also get an outstanding 60-minute documentary, Looking for Lulu, about Brooks' life and career: warmly narrated by Shirley MacLaine, it features excerpts from an interview with Brooks from 1976. --Philip Kemp
An ambitious young dancer convinces a wealthy financer to open a disco-themed LA nightclub only to find her dreams of success threatened by her jealous boyfriend and her scheming nemesis. Zoe's got the moves to make it big and Michael is the man who can make it all happen for her. But Zoe's boyfriend... Chris is a dancer too and he's convinced that her relationship with Michael is getting too personal. When scheming dancer Malika sets her sights on Chris everything starts to fall apart.
The fans - and captains - have spoken! Not only have Star Trek fans voted online for their all-time favourite captain's episodes but for the first time ever each legendary captain (William Shatner Patrick Stewart Avery Brooks Kate Mulgrew and Scott Bakula) has also chosen his or her personal favourite episode. Prepare yourself for pulse-pounding action and unimaginable adventure with five courageous captains as they dare to boldly go where no one has gone before.
The third Star Trek series is led by Benjamin Sisko commander of the space station Deep Space Nine who discovers the first known stable wormhole a virtual shortcut through space that leads from the Alpha Quadrant to the Gamma Quadrant on the other side of the galaxy. The Gamma Quadrant is governed by the Dominion a group led by the Changelings - an group of shapeshifters which counts DS9 crew member Odo (Rene Auberjonois) among its numbers. The Dominion has become a violent force in the galaxy and Deep Space Nine and its crew has become the only home in upholding the way of life established by the Federation. Episodes comprise: 1. The Search - Part 1 2. The Search - Part 2 3. The House of Quark 4. Equilbrium 5. Second Skin 6. The Abandoned 7. Civil Defence 8. Meridian 9. Defiant 10. Fascination 11. Past Tense - Part 1 12. Past Tense - Part 2 13. Life Support 14. Heart of Stone 15. Destiny 16. Prophet Motive 17. Visionary 18. Distant Voices 19. Through The Looking Glass 20. Improbable Cause 21. The Die Is Cast 22. Explorers 23. Family Business 24. Shakaar 25. Facets 26. The Adversary
Larry David stars in Woody Allen's latest, bittersweet comedy as a suicidal New Yorker looking for a second chance at life.
In this perceptive sidesplitting homage to Hichcock films director star and writer Mel Brooks plays the average American guy psychiatrist Richard Thorndyke (as in Roger Thorndike Cary Grant's character in North By Northwest) who's terrified of heights. He becomes the new chief of the Institute for the Very Very Nervous where things are not what they seem and it's not long before Richard finds himself embroiled in murder deception and other hilarious situations
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