"Actor: Bruce Clark"

• Unbreakable | DVD | (29/07/2013) from £5.99   |  Saving you £12.00 (200.33%)   |  RRP £17.99

  Bruce Willis (The Sixth Sense, Armageddon) and Samuel L. Jackson (Deep Blue Sea, Pulp Fiction) star in a mind-shattering, suspense-filled thriller that stays with you long after the end of this riveting supernatural film. When David Dunn (Willis) emerges from a horrific train crash as the sole survivor - and without a single scratch on him - he meets a mysterious stranger, Elijah Price (Jackson), who will change David's life forever. Interrupting his life at odd moments, it's Elijah's presenc...

• Glass | Blu Ray | (20/05/2019) from £8.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  M. Night Shyamalan brings together the narratives of two of his stand-out originalsUnbreakable and Splitin one explosive comic-book thriller. Following the conclusion of Split, David Dunn (Bruce Willis) pursues Kevin Wendell Crumb's superhuman figure of The Beast (James McAvoy) in a series of escalating encounters. But the shadowy presence of Elijah Price (Samuel L. Jackson)known also by his pseudonym, Mr. Glassemerges as an orchestrator who holds secrets critical to both men, in this riveting culmination of Shyamalan's worldwide blockbusters!

• The Driver | DVD | (23/10/2006) from £13.98   |  Saving you £2.01 (14.38%)   |  RRP £15.99

  He'll get you away faster than anyone else on wheels. Ryan O'Neal plays the driver - an ice-cool getaway ace for hire by whoever can afford his crash course skills. Bruce Dern is the detective - a man obsessed with arresting the speed demon at any cost... The Driver lures his foe into a deadly game of cross and double cross by leaving tantalising evidence at every heist until the vengeance-crazed Detective can stand no more and the film erupts into a frenzy of twisted metal and burning rubber. A 1970's classic from Walter Hill.

• Glass | Blu Ray | (20/05/2019) from £13.79   |  Saving you £N/A (N/A%)   |  RRP £N/A

  M. Night Shyamalan brings together the narratives of two of his stand-out originalsUnbreakable and Splitin one explosive comic-book thriller. Following the conclusion of Split, David Dunn (Bruce Willis) pursues Kevin Wendell Crumb's superhuman figure of The Beast (James McAvoy) in a series of escalating encounters. But the shadowy presence of Elijah Price (Samuel L. Jackson)known also by his pseudonym, Mr. Glassemerges as an orchestrator who holds secrets critical to both men, in this riveting culmination of Shyamalan's worldwide blockbusters!

• The Whole Nine Yards | DVD | (13/11/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

  Have a little patience with The Whole Nine Yards, an agreeably convoluted caper, and in the end you'll find it a modestly entertaining yarn. But forbearance is necessary because, truthfully, the first half-hour of the movie promises a train wreck of epic proportions. Matthew Perry stars as a mild-mannered Montreal dentist, married to a French-Canadian shrew (Rosanna Arquette), whose new next-door neighbour (Bruce Willis) just happens to be a notorious mob hit-man out on parole. The wife, catching the whiff of easy money and probably just hoping to put hubby in harms way, orders her hen pecked spouse to rat out the gunman to his former employers, who have many compelling reasons to want him dead. Needless to say, complications--and plenty of them--ensue. Perry is serviceably harried as the beleaguered Everyman whom, as nice as everyone around him agrees that he is the person, just about everyone, wants to kill. Willis, much as he did in The Sixth Sense, gets better mileage out of not trying so hard; his irksome smirk is almost held in check. Amanda Peet has some funny scenes as a hit-man groupie—it's when her true role in the proceedings is revealed that the film finally kicks into comic gear. Michael Clarke Duncan is fine as yet another hit man to cross Perry's path; however, Arquette seems to be in a contest with Kevin Pollak (playing a mob boss) to see who can uncork both the most ludicrous accent and the most obvious performance. That kind of unevenness ensures that the pleasures that do exist within The Whole Nine Yards remain fairly minor. --David Kronke, Amazon.com

• Unbreakable UHD | Blu Ray | (11/10/2021) from £19.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  After David Dunn (Bruce Willis) emerges from a horrific train crash as the sole survivor and without a single scratch on him he meets a mysterious, unsettling stranger (Samuel L. Jackson) who believes comic book heroes walk the earth, and whose sinister, single-minded obsession will impact David's life forever Special Features Deleted Scenes With M. Night Shyamalan Behind The Scenes, Featuring Bruce Willis Comic Books And Superheroes Exclusive Feature With Samuel L. Jackson The Train Station Sequence: Multi-Angle Feature Night's First Fight Sequence

• Glass | DVD | (20/05/2019) from £4.77   |  Saving you £N/A (N/A%)   |  RRP £N/A

  M. Night Shyamalan brings together the narratives of two of his stand-out originalsUnbreakable and Splitin one explosive comic-book thriller. Following the conclusion of Split, David Dunn (Bruce Willis) pursues Kevin Wendell Crumb's superhuman figure of The Beast (James McAvoy) in a series of escalating encounters. But the shadowy presence of Elijah Price (Samuel L. Jackson)known also by his pseudonym, Mr. Glassemerges as an orchestrator who holds secrets critical to both men, in this riveting culmination of Shyamalan's worldwide blockbusters!

• Sin City | UMD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

  Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.

• Here Come The Double Deckers | DVD | (01/11/2010) from £24.99   |  Saving you £-5.00 (N/A%)   |  RRP £19.99

  All 17 episodes from the classic children's series. Get on board get on board come and join the Double Deckers... A song that brought joy to a whole generation of children thanks to Here Come The Double Deckers a huge TV hit in the early '70s. This much-loved series follows the trials and tribulations of the Double Deckers; Brains Billie Doughnut Sticks Scooper Spring and Tiger as they hold secret meetings on an abandoned bus in a junk yard and embark on numerous adventures often joined by Albert the street sweeper (Melvyn Hayes). Originally aired in the UK in 1971 this wonderful comedy adventure series complete with lots of singing and a fair amount of detective work ran for just one memorable season of seventeen episodes it has never been seen on DVD until now.

• Love Me Tender | DVD | (01/08/2005) from £5.82   |  Saving you £7.17 (123.20%)   |  RRP £12.99

  In his film debut singing idol Elvis Presley stars in this action-filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns sparking a bitter sibling rivalry and tragic confrontations with Union soldiers... Featuring four Presley hits on the film's soundtrack including the title track.

• Armageddon | DVD | (20/08/2001) from £4.99   |  Saving you £13.00 (260.52%)   |  RRP £17.99

  This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

• Frank Miller's Sin City | Blu Ray | (01/02/2021) from £6.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  An amazing cast of big-screen favourites is directed by Robert Rodriguez (Desperado, From Dusk Till Dawn), Frank Miller and special guest director Quentin Tarantino (Kill Bill 1 and 2, Pulp Fiction) in an acclaimed and visually stunning hit that's the coolest movie of the year! Straight from the pages of Miller's hip series of Sin City graphic novels, Bruce Willis stars as a cop with a bum ticker and a vow to protect a sexy stripper (Jessica Alba Fantastic Four); Mickey Rourke (Man On Fire) as an outcast misanthrope on a mission to avenge the death of his one true love. (Jaime King Pearl Harbor); and Clive Owen (King Arthur) as Dwight, the clandestine love of Shellie (Brittany Murphy Little Black Book), who spends his night defending Gail (Rosario Dawson The Devil's Rejects) and her Old Town girls (Devon Aoki and Alexis Bledel) from a tough guy (Benicio Del Toro 21 Grams) with a penchant for violence. Also starring Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino and Michael Clarke Duncan.

• The Shyamalan Collection: Signs, Unbreakable and The Sixth Sense | DVD | (31/03/2003) from £34.99   |  Saving you £N/A (N/A%)   |  RRP £34.99

  M Night Shyamalan's breakout third feature, The Sixth Sense sets itself up as a thriller poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. --Mark Englehart M Night Shyamalan reunites with Bruce Willis in Unbreakable for another story of everyday folk baffled by the supernatural (or at least unknown-to-science). This time around, Willis has paranormal, possibly superhuman abilities, and a superbly un-typecast Samuel L Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. Throughout, the film refers to comic-book imagery, while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers may find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness off-putting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman After tackling ghosts and superheroes, M Night Shyamalan brings his distinctive, oblique approach to aliens in Signs. With Mel Gibson replacing Bruce Willis as the traditional Shyamalan hero--a family man traumatised by loss--and leaving urban Philadelphia for the Pennsylvania sticks, the film starts with crop circles showing up on the property Gibson shares with his ex-ballplayer brother (Joaquin Phoenix) and his two troubled pre-teen kids. Though the world outside is undergoing a crisis of Independence Day-sized proportions, Shyamalan limits the focus to this family, who retreat into their cellar when "intruders" arrive from lights in the sky and set out to "harvest" them. The tone is less certain than the earlier films--some of the laughs seem unintentional and Gibson's performance isn't quite on a level with Willis's commitment--but Shyamalan still directs the suspense and shock dramas better than anyone else. --Kim Newman

• The Whole Nine Yards | DVD | (29/09/2008) from £4.49   |  Saving you £8.50 (65.40%)   |  RRP £12.99

  There goes the neighborhood - in a pine box. When hit man Jimmy The Tulip Tudeski moves into a comfy suburb everyone's suddenly in danger of pushing up daisies. And it's not all Jimmy's doing either. Jonathan Lynn directs and a top cast packs heat in this manic comedy about life love and plenty of ammo. Bruce Willis is Jimmy whose arrival sparks a chain reaction in which just about everybody wants to clip somebody else...

• The Driver | Blu Ray | (14/07/2014) from £10.00   |  Saving you £12.99 (129.90%)   |  RRP £22.99

  The time is the present. The Driver (Ryan O'Neal) is the best 'Wheel Man' for hire. His work in driving getaway cars are exhibitions in excellence works of art. The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job the Detective lays in wait for him. But the Driver has already lanted his alibi and is one step ahead of him. Through his operative the Connection (Ronee Blakley) he hires the mysterious young woman the Player (Isabelle Adjani) to lead the Detective astray... Special Features: Alternative Opening Sequence

• Twenty Four Seven | DVD | (30/06/2003) from £9.43   |  Saving you £3.56 (27.40%)   |  RRP £12.99

  From the poverty and despair of a small industrial town one man with a dream forms a boxing club to give troubled teenagers self-respect and a fighting chance. But amidst the triumph of the biggest tournament of their lives tragedy strikes. The hard lesson learned is that anything is possible but only if you believe in yourself.

• Flying Tigers (John Wayne) | DVD | (05/06/2006) from £4.95   |  Saving you £5.04 (101.82%)   |  RRP £9.99

  Jim Gordon commands a unit of the famed Flying Tigers the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers. In particular he must handle the difficulties created by a reckless hot-shot pilot named Woody Jason who not only wants to fight a one-man war but to waltz off with Gordon's girlfriend too.

• A Nightmare On Elm Street 2: Freddy's Revenge | DVD | (25/06/2001) from £20.00   |  Saving you £-0.01 (N/A%)   |  RRP £19.99

  A Nightmare on Elm Street 2: Freddy's Revenge was a quick follow-up no one was exactly happy with. However this deserves some credit for trying to extend rather than repeat the original storyline. As opposed to the resourceful heroines of all the other Elm Street films, this is the one about the troubled male teenager worried that Freddy is out to possess his body and make his way back to reality. It's shot through with a heavy handed gay subtext, with male bodies ogled and sliced (for a change), stuck with a few truly ridiculous moments (the exploding budgie) and lapses into incoherence, but it opens with a great school bus sequence and makes the most of the infernal boiler room of Freddy's soul. With Clu Gulager and Hope Lange. Directed by Jack Sholder (The Hidden). -- Kim Newman

• Unbreakable -- 2-disc Collector's Edition | DVD | (29/10/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman

• Elvis Presley : Films that Rock - Love Me Tender, Wild In The Country, Flaming Star | DVD | (04/11/2002) from £25.63   |  Saving you £-0.64 (-2.60%)   |  RRP £24.99

  Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas