Based on the true story of a massive 12-day manhunt on the West Coast of New Zealand's South Island, Bad Blood is an unrelenting and tense thriller. In the small farming community of Koiterangi, backward farmer Stan Graham (Jack Thompson) refuses to hand in his prized .303 rifle for the war effort. His unstable wife Dorothy (Carol Burns) goads him into defying the law. Tensions escalate into a bloodbath as Stan shoots three policemen dead then flees into the bush. Stan quickly becomes...
Since becoming a vaudeville team in 1922 George Burns and Gracie Allen have made audiences laugh in movies radio and television. The real-life married couple established their personalities in radio with The Burns and Allen Show and brought their comedy to television in 1950. For nine years on CBS every show opened with Burns puffing his trademark cigar regaling the audience with stories of their vaudeville days... and the latest antics of his beloved wife Gracie.
Jamie Demetriou (Fleabag, Paddington 2) is Stath an incompetent Greek-Cypriot lettings agent, working in the family business, Michael & Eagle Lettings. Set in North London, new comedy STATH LETS FLATS follows Stath's painfully funny attempts to prove himself to his father, and take over as manager, despite being rubbish at his job. Stath's hapless sister Sophie, played by Natasia Demetriou, isn't interested in letting flats she dreams of being a professional dancer, but holds a candle for the family's favourite employee, nervous negotiator Al. While Stath strives to outdo Michael & Eagle's top agent Carole, the company struggles against the threat of Smethwicks' the slick estate agents chain that have moved on to their patch.
Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war each man searches for his own answer - and the strength to triumph over an uncertain future with honour decency and courage.
Just prior to his career breakthrough M*A*S*H, Robert Altman made this memorably unsettling psychological thriller, which originally premiered at the Canned Film Festival. Frances Austen, a young, wealthy spinster, invites a mute teenager into her apartment after finding him freezing in the park next to where sh lives. Despite her best efforts, their lack of communication only increases her sense of loneliness, as her possessiveness spirals into frightening new realms. A remarkable central performance by Sandy Dennis anchors this fascinating, haunting tale, anticipation Altman's subsequent studies of female psychological breakdown, Images and 3 Women. Shot by Laszlo Kovacs (Easy Rider, Five Easy Pieces) with Altman's trademark long lenses and drifting zooms, as well as intriguing experimentation with sound, That Cold Day in the Park is a long-neglected gem from an American master. The masters of cinema series is proud to present its UK home video premiere in a new Dual-Format edition.
Sandra Bullock is an FBI agent who goes undercover as Miss New Jersey at a national beauty pageant after a terrorist group threatens to bomb the event.
Rhythm On The River (Dir. Victor Schertzinger 1940): Bing Crosby and Mary Martin play a pair of star-crossed ghostwriters he of melody and she of lyrics who discover that the man they write for is a fake but their love for each other is real. Rhythm On The Range (Dir. Norman Taurog 1936): Bing plays a singing cowboy out where the b-b-b-buffalo roam in this lighthearted musical western.
From producer of The Office Ash Atalla comes BBC3's latest sketch show Man Stroke Woman. With a cast featuring Nick Frost from Spaced and Daisy Haggard from Green Wing the show describes itself as 'a show about your girlfriend your boyfriend your kids and the girl you fancy in the accounts department'.
2009 marks the 30th anniversary of Nottingham Forest's first European Cup triumph masterminded by Brian Clough. A provincial football club broke and slipping towards Football League Division Three when he took charge had conquered England and Europe inside three years.
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
The ultimate depiction of workplace perdition has to be Whitbury Leisure Centre in The Brittas Empire, despite the later claim of The Office to the title. And while David Brent seems all too uncomfortably real, Chris Barrie's Gordon Brittas carried the gung-ho officiousness of mediocre middle-management to its surreal conclusion. The Brittas Empire could never quite make up its mind if it was a quasi-realistic sitcom or a fantasy comedy, and it's this uneasy mixture that invites you to question whether there's anything terribly funny about unplanned single parenthood, childcare problems, assault in the workplace and women who are addicted to prescription drugs (see also Waiting for God) because of their partners' behaviour. Then, just as you're pondering all this, Brittas comes out with another mouthful of managerial psychobabble that makes you realise that only this kind of tragi-comic exaggeration is robust enough to stand up to Barrie's monstrous creation. This second series treads a fine line between the merely bleak and the really rather nasty with exquisite precision. It opens with the news that Brittas has been killed abroad in an industrial accident, prompting his tranquillizer-addled wife to mourn him for less time than it takes her to remarry--except, of course, that Brittas is alive and well. Along the way, receptionist Carole attempts to murder Brittas with a JCB when she mistakenly thinks he's assaulted her baby, which she keeps in a cupboard under her desk. On the DVD: The Brittas Empire, Series 2 carries all seven episodes on two discs, together with several extras including a gallery, a profile and a Brittas Management Quiz (don't ask!). --Roger Thomas
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
Join Steve Blue and all their friends as they plan a backyard musical show! Pre-schoolers will help Steve and Blue get the show underway write an all new song with G-Clef – the voice of Ray Charles – and of course play Blue’s Clues. In Blue’s Big Musical Movie pre-schoolers will sing dance play and learn that they can be anything they want to be!
In this gripping classic Cary Grant stars as a dairy farmer whose kindness towards an unmarried woman (Loretta Young) and her son results in betrayal. Malcolm Trevor (Grant) and his wife (Marion Burns) are unable to conceive a child of their own. So when Malcolm's truck accidentally hits Letty's (Young) son (Henry Travers) the couple gladly take the boy into their home to raise as their own. Determined to take advantage of Malcolm's riches however Letty tries to blackmail him. In
Based on Neil Simon's own play, 1967's Barefoot in the Park is a perennially joyous film starring carefree Jane Fonda and staid lawyer Robert Redford as young newlyweds setting up home in Greenwich Village. Although the opening credits are fragrantly idyllic (aided by Neal Hefti's soundtrack, you can almost smell the blossom in Central Park), the film doesn't idealise apartment living in New York, à la Friends, far from it: Fonda and Redford's apartment is up several flights of stairs; there's a hole in the skylight and the bedroom is the size of a cupboard. All of this puts some strain on the marriage. When Fonda introduces fellow free spirit and ageing, behind-on-the-rent Lothario (Charles Boyer) to her somewhat inhibited mother (Mildred Natwick), the hapless Redford in particular is forced to come to terms with his own inhibitions. Although the second half of the film moves at a less cracking pace than the first, Barefoot in the Park is as exhilarating as a romantic weekend city break. Directo r Gene Saks, scriptwriter Neil Simon and composer Hefti would regroup in 1968 to make the similarly wonderful The Odd Couple. On the DVD: With the aid of filtering, the DVD recaptures the almost unreal colour quality common to films of this period, while the sound is faithful to the nuances of Hefti's soundtrack. The special features are miserly--subtitles, a choice of languages and the original trailer, though this at least conveys the engaging naiveté of the period--("The rarest, unsquarest, happiest motion picture in many a year!"). --David Stubbs
A fourth series of leisure centre management mishaps with Gordon Brittas. Episodes comprise: 1. Not A Good Day... 2. The Christening 3. Biggles Tells A Lie 4. Mr Brittas Changes Trains 5. Playing With Fire 6. Shall We Dance? 7. The Chop 8. High Noon
An orphaned boy learns responsibility commitment and friendship when he is hired byi a heartless wealthy sportsmani to train his handsome Irish setter Big Red. Soon the boy and the dog become inseparable much to thei owner's disapproval and the boy is fired. But the bonds of loyalty are tested when Big Red runs away and all hope is lost of ever finding him again. The strong bond that exists among man boy and dog lead them into a series of adventures setting the course for a lif
Enid is a film censor during Britain's infamous video nasty' era of the 80s. After her latest viewing has a disturbingly familiar storyline, she attempts to solve the past mystery of her sister's disappearance and embarks on a quest that dissolves the line between fiction and reality. Special Features New audio commentary by Director and Co-Writer Prano Bailey-Bond and Executive Producer Kim Newman New audio commentary by Prano Bailey-Bond, Director of Photography Annika Summerson, Editor Mark Towns and Sound Designer Tim Harrison New audio commentary by Kat Ellinger, Lindsay Hallam and Miranda Corcoran My Own Nasty: a new interview with Prano Bailey-Bond Penning a Nasty: a new interview with Co-Writer Anthony Fletcher The Censor: a new interview with Actor Niamh Algar Nasty Images: a new interview with Annika Summerson I'm Cutting It: a new interview with Mark Towns Nasty Sounds: a new interview with Composer Emilie Levienaise-Farrouch The Making of Censor Deleted Scenes Enid's Gaze: Alexandra Heller-Nicholas on Censor Screening Q&A with Prano Bailey-Bond and Emilie Levienaise-Farrouch hosted by Jed Shepherd Prano Bailey-Bond in conversation with BBFC compliance Officer David Hyman My Nasty Memories by David Gregory Ban the Sadist Videos! Parts One and Two feature length documentary English subtitles for the hearing impaired Limited Edition Contents Rigid slipcase with new artwork by James Neal Soft cover book with new essays by Anna Bogutskaya, Kat Ellinger, Tim Murray, Alison Peirse and Hannah Strong plus production photos 6 collectors' art cards
This melodrama adapted from a story by D.H. Lawrence sees two country girls Yvette (Joanna Shimkus) and her sister Lucille (Harriet Harper) return home after attending a provincial school. Yvette is smitten by the sight of a handsome gypsy (Franco Nero). Her stern matriarchal grandmother (Fay Compton) objects but Yvette continues to see the dashing young man who awakens her sexual curiosity. She is comforted by Mrs. Fawcett (Honor Blackman) and Major Eastwood (Mark Burns) two people living in sin much to the chagrin of the moralistic townsfolk.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy