Based on the novel by Peter Hedges (who adapted his own book) and directed by Lasse Hallström, What's Eating Gilbert Grape is the funny, moody tale of young Gilbert (Johnny Depp), who lives at home in a small town with his 500-pound Momma (beautifully played by non-professional Darlene Cates), his mentally retarded younger brother Arnie (Leonardo DiCaprio, utterly convincing), and his sisters. Not a lot happens--Arnie keeps climbing a water tower and getting stuck; Gilbert is involved with a married woman (Mary Steenburgen), then meets a nice new girl in town who's closer to his age (Juliette Lewis). And that's exactly what makes this movie so much more than your run-of-the-mill Hollywood product: it's not about some mechanical, formulaic plot; it's about these characters, and it allows you to spend some time with them and get to know them. Depp proved yet again that he's one of the most interesting, unpredictable, and risk-taking actors in American movies; while a pre-Titanic DiCaprio deservedly received an Oscar nomination. --Jim Emerson
The Corsican Brothers were bound so closely together that when one was hurt the other felt the pain; however Cheech and Chong shed new light on Dumas' classic story of the Revolution! Follow our heroes in this anything-goes comic romp through 18th Century France - a France in which the word ""pervert"" is taken as a compliment by the aristocracy in a court where depravity rules ... and with them it's OK! Together the Brothers battle against misfortune - never wavering from their mott
New Order Part One: While Sam and Teal'c go to the planet of the former human-form Replicators to contact the Asgard to cure Jack Daniel and Dr. Weir must deal with Goa'uld System Lords who wish the Ancients weapon they used to destroy Anubis. New Order Part Two: As the Replicators overwhelm the new Asgard homeworld SG-1 works to revive Jack create an Ancients weapon to stop the invaders and tries to find the missing Sam who is held captive by the humanform Replicator Fifth in a virtual reality. Lock Down: A Russian Air Force Colonel comes to join SGC as an alien creature shows up at the same time. The creature starts taking over members of the SGC. General O'Neill orders SGC to be locked down until the creature can be contained. Zero Hour: Five days in the life of SGC as Jack assumes full command of the base and has to deal with a rapidly growing alien plant the capture of SG1 by Ba'al arguing alien delegates and a tricky traitorous System Lord.
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. This fantastic collection includes 'The Thin Man' 'After the Thin Man' 'Another Thin Man' 'Shadow of the Thin Man' 'The Thin Man
Born on 29th January 1880 W.C. Fields found his break in acting by pretending to drown at an amusement park to attract media attention and visitors. A skilful juggler and a master pool player Fields was known as a distinguished comedian by the age of 19. His memorable voice and even more memorable quotes are priceless. Here he stars in six classic short films: The Pool Shark The Golf Specialist The Dentist The Fatal Glass of Beer The Pharmacist The Barber Shop
Available for the first time on DVD! Errant brain-dead millionaire twins Stew and Phil Deedle are sent by their father from the paradise of the North Shore to the woebegone wilderness of Camp Broken Spirit where their tender malleable selves will be transformed from ""surf bums"" into corporate-friendly high achievers. Heinous! They bail but a case of mistaken identity soon finds our heroes saving Old Faithful from a disgruntled Ranger's plan to re-route the geyser's flow onto his
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
When it comes to on-screen sex and violence it takes a lot to unnerve the French authorities, but Baise-Moi managed it. Three days after the film opened it was pulled from over 60 cinemas across the country, causing a major rumpus, and only allowed back after it had been reclassified X, a category normally reserved for hard-core porn. The title translates literally as "Fuck me", which pretty well sums up the brash, in-your-face style of the film. The classification was not inappropriate, given that the film features plenty of genuine, unsimulated sex. Anyone hoping for arousal, though, might do better to look elsewhere. Baise-Moi is written and directed by Virginie Despentes and Coralie Trinh Thi, working from Despentes' novel, and stars Karen Bach and Rafaella Anderson. Despentes is an ex-prostitute, while Trinh Thi, Bach and Anderson have all acted in porno movies, and what they give us here is sex as female vengeance, a screwing-and-killing rampage that turns the tables on a violent male world. The movie's been compared to Thelma and Louise, but a closer comparison might be with Henry, Portrait of a Serial Killer. As in most porno movies, the plot is the merest pretext. Nadine (Bach) is a part-time prostitute, Manu (Anderson) is a rape victim. When they meet up both have just killed, more by chance than design. On a whim they link up and take off across country, screwing and killing almost every man they meet. They kill a few women, too, just to even things up. The film's shot on crude digital video; technique is minimal and the acting is rudimentary. There's a certain raw energy that prevents the film from becoming totally depressing but the brief running time (77 minutes) comes as something of a relief. --Philip Kemp
Jesus of Montreal' is a surprising and dazzling tragi-comic satire on modern life based around a group of actors who gather together to perform a new interpretation of the Passion Play. Awarded the Grand Prix at Cannes in 1989 Denys Arcand's film has been a major succes throughout the world combining wild comedy with the absurd dramas of life around us.
"Gamer" is a high-concept action thriller set in a near future when gaming and entertainment have evolved into a terrifying new hybrid. Humans control other humans in massive multiplayer online games: people play people...for keeps.
The third and final collaboration between director Mike Nichols and screenwriter Buck Henry, following The Graduate and Catch-22, The Day of the Dolphin is a true one-off. A science-fiction thriller filmed in the Bahamas, and adapted from Robert Merle's best-selling novel, the film concerns a scientist (George C Scott, Hardcore) who is teaching dolphins to speak and finds himself embroiled in a shadowy government plot to assassinate the US president. Special Features 4K restoration Original stereo audio Selected scenes commentary with academic and film historian Sheldon Hall (2021) New interview with actor Jon Korkes (2021) Archival interview with screenwriter Buck Henry (2003) Archival interview with actor Leslie Charleson (2003) Archival interview with actor Edward Herrmann (2003) Original theatrical trailer Larry Karaszewski trailer commentary (2016): short critical appreciation Radio spot Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Neil Sinyard, archival articles and interviews, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies
James Van Der Beek (Dawson's Creek) leads the action in this exciting funny coming-of-age story about a small-town high schooler confronting the pressures and temptations of grid-iron glory. At first backup quarterback Jonathan 'Mox' Moxon (Van Der Beek) is nowhere close to being a football star. He's perfectly content to stay on the bench and out of the win-at-all-cost strategies of coach Bud Kilmer (Jon Voight in a powerful performance). But when the starting quarterback is inj
The new film from Academy award-winning director Pedro Almodovar narrates the reunion of two young men who discovered sensuality and a common hatred of priests at their Catholic school fifteen years earlier.
Jack London's classic tale of the Klondike Gold Rush as we follow the lives of the dog Buck and his master John Thornton.
The Titanic
This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colourful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasise the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh
After the tragic loss of his wife and daughter, a New York composer relocates to Seattle in hopes of a fresh start, only to find that his new home harbours a terrible secret. Product Features New 4K scan and restoration Audio Commentary with Director Peter Medak and Producer Joel B. Michaels Interview with Peter Medak by filmmaker Adrián GarcÃa Bogliano at Mórbido Fest 2018 Exile on Curzon St. - Peter Medak on his early years in swinging London The House on Cheesman Park - The Haunting True Story of The Changeling Audio commentary with Actors Marilyn Burns, Allen Danziger and Paul A. Partain, and Art Director Robert A. Burns The Music of The Changeling - an interview with Music Arranger Kenneth Wannberg Building the House Of Horror - an interview with Art Director Reuben Freed The Psychotronic Tourist Master of horror Mick Garris on The Changeling
Efficiently directed by Kathryn Bigelow and featuring some diverting action scenes, 1991's Point Break can be credited with anticipating the extreme-sports fad. A rash of daring bank robberies erupt in which the bad guys all wear the masks of worse guys--former presidents (nice touch). Johnny Utah (Keanu Reeves), an impossibly named former football star who blew out his knee and became a crime-busting federal agent instead, figures out that none of the heists occur during surfing season and all of them occur when, so to speak, surf's down. So obviously, he reasons, we're dealing with some surfer-dude bank robbers. He goes undercover with just such a group, led by a very spiritual guru-type Patrick Swayze, who has some muddled philosophies when it comes to materialism. Reeves' intelligent-sounding lines don't make him seem remotely intelligent, but the plot makes him look positively brilliant. --David Kronke
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