When frustrated movie studio mogul Adolph Zitz (Dom DeLuise) announces a talent search for a romantic leading man to rival the great Rudolph Valentino thousands of hopefuls decend upon Hollywood - including Rudy Valentine (Wilder) a neurotic baker from Milwaukee who knows as little about romance as he does about acting. But when his wife Annie (Carol Kane) leaves him for the real Valentino Rudy goes to outrageous (and hilarious) lengths to win the role of a lifetime...and win back the love of his life.
Funny Bones, directed by Peter Chelsom (Hear My Song), is a weird but intriguing comedy with a particularly dark edge. Oliver Platt plays a would-be comedian, the son of a major comedy star (Jerry Lewis); dad's reputation even overshadows his son's Las Vegas debut. After that flop the son tries to go back to his roots and heads across the Atlantic for his father's launch pad in Blackpool. There, he meets his previously unknown half-brother (Lee Evans), a bizarre comedy savant who teaches him a thing or two about taking risks to get laughs, and discovers a secret about how his father got started. Platt is likably lost and Lewis is perfectly overbearing, but the real find here is Evans, making his cinematic debut as the rubber-faced, protean comic with always surprising material. --Marshall Fine
IS IT A NIGHTMARE? OR IS IT THE SLAYER? One of the most sought-after titles for slasher fans everywhere, The Slayer finally rises from the ashes of obscurity in a brand new 4K transfer courtesy of Arrow Video. Two young couples set off to a secluded island for what promises to be a restful retreat. But the peace is short-lived: as a storm batters the island, troubled artist Kay begins to sense that a malevolent presence is here with them, stalking them at every turn. Is she losing her mind, or are her childhood nightmares of a demonic assailant coming to terrifying life? Previously only available on home video in truncated or full screen versions, The Slayer whose nightmares-seeping-into-reality theme predates a certain Wes Craven classic by several years comes lovingly restored from the original negative in a stunning transfer that will be a revelation to fans both old and new. SPECIAL EDITION CONTENTS: Brand new restoration from a 4K scan of the original negative High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Uncompressed Mono Audio Optional English subtitles for the deaf and hard of hearing Brand new interviews with cast and crew Original Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Lee Gambin
He chose his weapons. He selected his victims. He picked his nose. He changed into a girl. All in one absolutely disgusting movie! Ugly Joe's frustration at not being able to pick up girls attracts the curiosity of an old crackpot who teaches him a chant which changes him into a girl and back at will. But Joe plans to use the ritual to satisfy his lust for killing women...
Los Angeles 1991. It's been six years since Jack Deth wiped out the last of the Trancers zombie-like creatures whose mission is murder and he's happily settled with his new wife Lean (Helen Hunt). However his old adversaries are back and not content to let him rest...
Set in LA among the same narcissistic, vain and pop culture-obsessed generation already celebrated in Kevin Smith's Clerks and Doug Liman's Swingers, Free Enterprise is a smart-aleck comedy that consciously holds a mirror up to the lives of twenty- and thirtysomethings everywhere. Anyone who grew up in the shadows of Star Trek and Star Wars will find plenty to laugh about and identify with here. The loose premise follows two self-professed geeks: Mark (Eric McCormack), in a delightful spin on Logan's Run, is agonising about reaching his 30th birthday before he has achieved anything much at all, while his slacker pal Robert (Rafer Wiegel) neglects his daytime editing job to woo a comic-reading, nerdy yet totally babelicious wish-fulfilment girlfriend. The great joy of the movie, however, is not the constant parade of witty movie in-jokes, but the appearance of William Shatner as himself. He plays a washed-up, boozy actor desperately touting to anyone who will listen his idea for "William Shatner's William Shakespeare's Julius Caesar: The Musical" (words W. Shakespeare, music W. Shatner), displaying all the while a refreshing gift for comic understatement. Shatner brings real pathos and self-deprecating humour to the depiction of the gulf between the other characters' hero-worship of his on-screen persona and his subjective reality as a misunderstood actor. By the time he gets round to performing a mind-boggling bizarre rap version of Marc Anthony's soliloquy, the ageing Captain Kirk has redeemed himself, both in the eyes of the characters and the viewing audience. --Mark Walker
A scientific expedition must outrun a deadly new breed of anaconda when they set out on a trip to the island of Borneo.
Arnold Schwarzenegger wages an all-out war against an unstoppable enemy in this pulse-pounding action thriller - now in spectacular 3D for the first time ever! On a rescue mission deep within a Central American jungle a team of U.S. commandos find themselves hunted by a terrifying creature more powerful and deadly than any on Earth... because the Predator is not of this Earth.
RIFIFI (ri-f’ -fi) n. French argot. 1. Quarrel rumble free-for-all open hostilities between individuals or gangs rough and tumble confrontation between two or more individuals. 2. A tense and chaotic situation involving violent confrontations between parties. A seminal work of crime filmmaking that lead the young critic François Truffaut to declare “the best Film Noir I have ever seen” Jules Dassin’s Rififi [Du rififi chez les hommes] has influenced films as diverse as Reservoir Dogs and Ocean’s Eleven since its release. Following Tony le Stéphanois (Jean Servais) a master thief fresh out of jail wearing a harried look and suffering ill health he refuses to be involved with crime until he finds his girlfriend shacked up with a rival gangster. With little reason to keep living he plans a final job. Tony sets about finding his crew and meticulously planning the job; a robbery of the jewellery store Mappin & Webb. Rififi revolves around the central heist famed for its finite detail and incredible tension but the drama does not end at the heist like so many other crime films. Dassin’s film is a humanist tale that hinges on the loyalty among thieves and draws on the fatalistic doom laden lives common to crooks and thieves in pulp literature. An instant commercial success in Paris and worldwide the film was also very well received by the critics with Jules Dassin being awarded the best director prize at the prestigious Cannes Film Festival. Arrow Academy is proud to present Jules Dassin’s legendary film in 1080p high definition for the first time in the UK. FEATURES: High Definition restoration Uncompressed original mono PCM audio Newly translated English subtitles Introduction by French cinema critic and author Ginette Vincendeau Interview with Jules Dassin Q&A with Jules Dassin from BFI Southbank London Original Theatrical Trailer Reversible sleeve featuring two original artworks Collector’s booklet featuring new writing on the film by critic and filmmaker David Cairns Alastair Philips on source novel author Auguste Le Breton and the Série Noire a contemporary review by François Truffaut notes on the translation and the BBFC’s John Trevelyan on Rififi illustrated with original posters and stills
Episode titles: Bob's Pizza Wendy's Removal Service Lofty And The Rabbit Mr Beasley's DIY Disaster Roley To The Rescue. Plus the mini adventures: Wendy's Bright Plan Pilchard Sorts It Out Spud In The Clouds.
Fanny and Alexander is one of the more upbeat and accessible films from Ingmar Bergman. This autobiographical story follows the lives of two children during one tumultuous year. After the death of the children's beloved father, a local theatre owner, their mother marries a strict clergyman. Their new life is cold and ascetic, especially when compared to the unfettered and impassioned life they knew with their father. Most of the story is seen through the eyes of the little boy and is often told in dreamlike sequences. Colourful, insightful, and optimistic, this is far less grim than most of Bergman's work. It was awarded four of the six Oscars for which it was nominated in 1984, including Best Foreign Language Film. Though this was announced as his last film, Bergman continued to work into the late 1990s, though mostly for Swedish television.--Rochelle O'Gorman, Amazon.com
The Day After Tomorrow: Extremely concerned by the Earth's extremely rapid rate of climate change paleoclimatologist Adrian Hall (Quaid) races northward to a freezing New York to rescue his son as the rest of humanity streams south to escape the impending ice age... Independence Day: One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders - before it's the end of mankind.
The continuing adventures at the Barbershop where Calvin (Ice Cube) finds his premises under threat from a big name chain of barbers who are taking over the smaller family run ventures in the neighbourhood...
Josef von Sternberg's The Blue Angel is a crowning achievement of Weimar cinema an exquisite parable of one man's fall from respectability. Emil Jannings the quintessential German Expressionist actor stars as Professor Immanuel Rath the sexually repressed instructor of a boys prep school. After learning of the pupils' infatuation with French postcards depicting a local nightclub songstress he decides to personally investigate the source of such indecency. However as soon
Highlights from the 1992 Isle Of Man TT. Steve Hislop wins the Senior TT; the first British win in thirty years on a Abus Norton with a four second win over Carl Fogarty. Fogarty sets a new track record of 123.61mph. Commentators include: Richard Nicolls Peter Kneale and Steve Hislop.
Episodes from the multi-Emmy award winning TV show in which detectives Mary Beth Lacey and her partner Christine Cagney cop-operate in their personal and professional lives... Episodes Comprise: 1. Witness To An Incident 2. One Of Our Own 3. Beauty Burglars 4. High Steel 5. Hotline 6. Internal Affairs 7. Mr Lonelyhearts 8. Conduct Unbecoming 9. I'll Be Home For Christmas
9.79* tells the fascinating story of the controversial 100-metre race at the 1988 Summer Olympics in Seoul, South Korea, where the scandalous tale of illegal substance abuse changed the world of athletics forever. As well as highlighting the issues that the sport has had with drugs in recent times, this revealing documentary released in conjunction with the 25th anniversary of the race on 24th September, focuses on one of the greatest sporting rivalries of the 20th century between Canadian Be...
Stephen Neale is released into WWII England after two years in an asylum but it doesn't seem so sane on the outside either. On his way back to London to rejoin civilization he stumbles across a murderous spy ring and doesn't quite know who to turn to.....
The story of Rocky Balboa, as presented in this five-movie Rocky anthology, looks suspiciously like a barely fictional parallel to Sylvester Stallone's own career. Such a strong vein of autobiography is hardly surprising, really, since Stallone wrote all five movies and directed II, III and IV. The original was a feel-good patriotic update on the American Dream, mirroring Stallone's own journey as a lucky break drags a man from the gutter into stardom; Rocky II was the story of a man who is subsequently plagued by the need to prove that his first success wasn't a fluke, and represented Stallone's attempt to keep his career afloat amidst a sudden explosion of blockbuster movies and superstar actors; the third featured a rival to his position echoing the friendly battle kept up with Schwarzenegger for box-office dominance; Rocky IV appeared at the same time as Rambo: First Blood Part II and was a veritable shower of self-glorification; and the fifth entered old age as gracefully as it could with younger blood ready to pounce from all directions. Balboa may have been "a little punchy", but Stallone was clearly the brains behind the Rockymovies' success.On the DVD: For picture and sound, it's to the first disc connoisseurs should turn. Transfer and 5.1 soundtrack are a notch above instalments III and IV. Inexplicably, II and V are only in three-channel surround. Disc 1 is also the place for the extras. Although the others feature their own trailer and a half-heartedly animated menu, the first has a montage menu that matches the excellent packaging and links rather easily to a hidden feature ("Rocky Meets Stallone"). There's a fascinating 12-minute "behind the scenes" short with director John Avildsen showing fight test footage and two short tributes to the late Burgess Meredith and cinematographer James Crabe. The commentary might seem a little crowded, featuring Avildsen, producers Irwin Winkler and Robert Chartoff, Talia Shire, Burt Young and Carl Weathers. The best feature is a 30-minute interview with Stallone, who remembers writing from an 8x9 room in Philadelphia and being inspired by an Ali fight. There are confessions about injuries, casting and his dog Butkus! As a 25th Anniversary special edition, the first disc alone is excellent value. --Paul Tonks
ased on Liam O'Flaherty's popular novel this gripping thriller is set amongst a group of revolutionaries in the newly independent Ireland of 1922. When one of their number, Francis, kills the chief of police he goes on the run. But when he returns to say goodbye to his mother and former lover he is cruelly betrayed by his one-time friend, Gypo. Newly restored by the BFI National Archive, with a new score from acclaimed violist/composer Garth Knox and premiered at the 2016 BFI London Film Festival, The Informer is one of the finest British films of the 1920s and deserves a place alongside other silent greats such as Blackmail, A Cottage on Dartmoor and Piccadilly. This Dual Format Edition includes the silent version alongside the rare sound version which was produced at the same time Special Features: A new restoration presented in High Definition and Standard Definition The sound version of The Informer (1929, 84 mins) Restoration Demonstration (2016, 5 mins) Shaping the Silence (2017, 10 secs) A selection of Topical Budget films from newly independent Ireland: I Want Peace (1921) Is It The Dawn? (1921) Historic Unionist Conference At Liverpool (1921) Irish Peace Imperilled By Extremists (1921) Further Pictures Of The Irish Peace (1921) Surrender of Dublin Castle (1922) British Evacuate Ireland after Hundreds of Years of Occupation (1922) Dublin's Civil War (1922) Illustrated booklet with full film credits and essays by Bryony Dixon, Garth Knox and Michael Brooke
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