The Great Maximus (Claude Rains - Casablanca Lawrence of Arabia) has got a new act for the music halls where he makes his living. Working with his beautiful wife Rene (Fay Wray - King Kong) he poses as a mind reader. It's all a trick of course: he certainly doesn't have the gift for real. Or so he thinks... When he correctly predicts a terrible train crash Maximus becomes an instant celebrity. But his new-found fame and his friendship with sultry Christine Shawn (Jane Baxter) threatens his marriage. Worse is to come: he is accused not of foreseeing accidents but actually causing them...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Set in Brighton in 1951, Wish You Were Here contrasts an England of post-war conformity with the free-spirited nature of a girl, Lynda, on the verge of womanhood, played by the then 17-year-old Emily Lloyd, giving one of the great screen debuts. Filled with youthful energy, good-natured yet delighting in shocking the prudish world around her, Lynda is innocently flirtatious and eager to discover sex. She can't quite understand why everyone disapproves so much, and the film expertly balances uproarious comedy with drama in what is essentially a complex character study. The second, darker half has shades of Lolita, with the excellent Tom Bell in the older man role, while Lynda herself in some ways anticipates Laura Dern's Rambling Rose (1991). Director David Leland also wrote the Brighton thriller, Mona Lisa (1986), and Personal Services (1987) based on the true story of the madam, Cynthia Payne. It is on Payne's own early memories, as told to Leland, that the fictional Wish You Were Here is partly based, while Leland went on to further explore female sexual awakening in The Land Girls (1997), again exploring female sexual awakening --Gary S. Dalkin
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Statistically the Porters may just be an ordinary family. But there's nothing average about this razor-sharp comedy an endearingly demented portrait of modern family life by Andrew Marshall writer of the Emmy-winning Alexei Sayle's Stuff. Head of the household is Ben a dedicated central-heating engineer and easy-going husband and father. His idea of helping in the house is to change TV channels provided the remote control is within easy reach. Mainstay of the household is Bill a
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Eddie Weinbauer is a typical all-American teenager. At least he was until he fell under the evil spell of rock music. Now he's obsessed with his superstar idol Sammi Curr and as Halloween approaches Eddie begins to realise this isn't only rock n roll.. It's life or death!
Say it with FlowersThis 1934 Real Art production was made at Twickenham Film Studios. Directed by John Baxter, this was one of his earliest works. He was already showing his deft hand at understanding the working people, the sequence along a row of market traders was years ahead of its time. The story revolves around market flower sellers Kate Bishop (Mary Clare) and husband Joe Bishop (Ben Field) who fall on hard times and fellow traders decide to put on a benefit concert for them. Stars of the concert are Charles Coborn, (The Man That Broke The Bank Of Monte Carlo), Florrie Forde (Has Anyone Seen Kelly) and Marie Kendall, Grandmother of Kay Kendall. Enjoy this wonderfull slice of history. Picture and sound of excellent quality.Song of the RoadAnother classic from John Baxter who directed this 1937 UK film production. It stars Bransby Williams as old Bill, a horse and cart driver and Tod Slaughter, a fairground medicine man. The council whom Bill works for are turning to motor transport to replace the horse and cart. Bill, unable to accept the change, buys his horse and sets off to seek work in the country. He encounters many folk that he helps along the way. A lovely gentle film with some unique shots of the horse and rider through London. A great social document of a bygone age, with picture and sound of excellent quality following extensive restoration.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Mildred Hubble begins her tenure at Miss Cackle's Academy for Witches but the accident prone apprentice sure has a lot to learn... Based on the books by Jill Murphy episodes comprise: 1. The Battle Of The Broomsticks 2. When We Feast At The Midnight Hour 3. A Pig In A Poke
So Solid Crew's Asher D leads this gritty drama set in the tough streets of East London.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Created by Paula Milne, Angels chronicled the personal and professional lives of a group of student nurses, and controversially, tackled issues such as contraception, alcoholism and promiscuity as part of the nurses lives. Grittily authentic, each actress taking part was required to work on a real hospital ward to gain experience and thus contribute to the realism of the production. With its winning combination of the soap opera-like personal lives of the young nurses and the often starkly.
Mildred Hubble begins her tenure at Miss Cackle's Academy for Witches but the accident prone apprentice sure has a lot to learn... Based on the books by Jill Murphy episodes comprise: 1. A Mean Halloween 2. Double Double Toil And Trouble.
The third and final film in Vera Lynn's delightful wartime musical trilogy. ONE EXCITING EVENING is a splendid British musical where the songs just keep on coming! While trying to do a good ded and return a stolen wallet, amateur singer Vera Baker (Vera Lynn) gets mistaken for the new girlfriend of famous composer Michael Thorne (Donald Stewart). Now she's invited to sing at a top variety show for charity. It seems like a dream come true - but there's trouble ahead. Michael has a valuable Rembrandt painting in his possesion and a criminal gang is determined to steal it from him. Can Vera wow the audience and save Michael and his painting? Also known as 'You Can't Do Without Love', this musical comedy has been digitally transferred from a high quality original 35mm print and is available on DVD for the first time. The film includes no less than six musical numbers from Vera Lynn - 'It's Like Old Times', 'There's A New World Over The Skyline', 'One Love', My Prayer', 'You Can't Do Without Love' and 'It's So Easy To Say Good Morning' with dance band legend Bert Ambrose. There's also a rare opportunity to enjoy the RAF Dance Orchestra with Jimmy Miller. ABOUT THE DVD: The film is presented in BLACK & WHITE and FULL SCREEN format (4:3 Aspect Ratio) and runs for 80 minutes - the AUDIO is the original ENGLISH language and MONO - SUBTITLES are English (Hard of Hearing) only.
Clare Kramer stars as Taylor Brooks a sexy young undergraduate who is determined to become the first female member of the secret Skulls society. After she coerces the Council into including her in the initiation rites of the elite brotherhood Taylor soon finds herself engulfed in a sinister world of deception intimidation and murder...
Clare Balding powers her pedals on a two-wheel odyssey around Britain.There is something wonderfully liberating about travelling around the country on a bike, covering the miles exposed to the elements: the wind, the rain, the sunshine...In this six-part series Clare Balding sets out on a two-wheel odyssey to re-discover Britain from the saddle of a touring cycle.She follows the wheel tracks of passionate cyclist and author Harold Briercliffe whose evocative guide books of the late 1940s, snapped up by legions of holidaymakers, lovingly describe a Britain of a bygone era - a world of unspoiled villages, cycle touring clubs and sunny B roads!Carrying a set of Harolds Cycling Touring Guides for company and riding his very own bicycle, Clare embarks on six iconic cycle rides to try and find the world he described - if it's still there. As she tours the country, region by region, she discovers its not always picture-postcard perfect... Her first journey takes her to the rugged and beautiful Atlantic coast of north Devon - from Lynmouth, scene of Britain's worst flood disaster in the early 1950s, to Ilfracombe via Little Switzerland, and a hidden silver mine whose riches probably helped England win the Battle of Agincourt. Subsequent bike rides include cycling tours of The Welsh Borders, The Isle of Wight, West Yorkshire, The Cotswolds and the Scottish Highlands.
Fliss and Chris are a young happily-married couple whose whizz-kid friend Gavin moves in after splitting with his wife.
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