Made to re-launch television's most famous time traveller, Doctor Who: The Movie is an expensive feature-length episode which attempts to continue the classic series and work as a stand-alone film. Transporting the remains of the Master, Sylvester McCoy's Seventh Doctor is diverted to San Francisco in 1999. Regenerating in the form of Paul McGann, the Doctor gains a new companion in heart surgeon Dr Grace Holloway (Daphne Ashbrook) and must stop the Master from destroying the world. All of which might have been fine, had not the most eccentrically British of programmes been almost entirely assimilated by the requirements of American network broadcasting. Matthew Jacobs' screenplay is literally nonsense, dependent on arbitrary, unexplained events while introducing numerous elements that contradict established Doctor Who mythology. The Tardis is re-imagined as a bizarre pre-Raphaelite/Gothic folly, while the Doctor, now half-human, becomes romantically involved with his lady companion. From the West Coast setting to metallic CGI morphing, from the look of Eric Roberts as the Master to a motorcycle/truck freeway chase, director Geoffrey Sax borrows freely from James Cameron's Terminator 2: Judgment Day (1991). Doctor Who fans should feel relieved this travesty was not successful enough to lead to lead to a series, though McGann himself does have the potential to make a fine Doctor. This is the slightly more violent US TV edit, rather than the cut version previously released on video. On the DVD: There are two BBC trailers and a Fox promo "introducing the Doctor" to American audiences. The interview section features Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, director Geoffrey Sax and executive producer Philip Segal, twice. The main interviews are on-set promotional sound-bites. However, Segal's second interview was filmed in 2001 and finds him spending 10 minutes explaining why the programme turned out as it did, and coming very close to apologising for it. He also offers a two-minute tour of the new Tardis set. Alongside a gallery of 50 promotional stills is a four-minute compilation of behind-the-scenes "making of" footage. There are alternative versions of two scenes, though the "Puccini!" scene is so short as to be pointless. As usual with Doctor Who DVDs there are optional production subtitles and these offer a wealth of background information. Four songs used in the film are available as separate audio tracks, and John Debney's musical score can be listened to in isolation. Finally there is a commentary track by Geoffrey Sax, which contains some interesting material but does tend to state the obvious a lot. The sound is very strong stereo and the 4:3 picture is excellent with only the slightest grain. --Gary S Dalkin
Steve Catlin was known as a real lady-killer. But it's his new bride's mysterious death that causes his former wife Edie Ballew to question how accurate that nickname really is. With little more than a hunch and the help of an out-of-town detective Edie finds clues that reveal her cunning and smooth ex husband as a cold methodical killer. But can she warn his latest wife and can she convince the local police...
Robert DeNiro and Philip Seymour Hoffman star in this drama about a hardened cop who suffers a heart attack and undertakes singing lessons from his transvestite neighbour to aid his recovery.
Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
A spoilt rich kid, a troubled teen from the wrong side of the tracks, a carefree playboy and a dogged detective find themselves all caught up in the sex crime of the century in this steamy star-studded crime thriller from the director of Henry: Portrait of a Serial Killer. Popular and charming, student counsellor Sam Lombardo (Matt Dillon) is no stranger to being the focus of female attention within the moneyed cliques of Florida's Blue Bay. His fortunes are about to change dramatically, however, when one of the wealthiest students at his high school, sultry siren Kelly Van Ryan (Denise Richards), accuses him of rape. The charge looks sure to stick when another girl from the other end of the social spectrum, Suzie Toller (Neve Campbell), steps forward with her own allegations, but Detective Duquette (Kevin Bacon) smells something fishy, and the truth is as murky and dangerous as the alligator-infested swamps in the hinterlands of this affluent beach community. Presented in new 4K restorations of its original theatrical version and extended Unrated Edition', Wild Things is a classic piece of sexy late-90s neo-noir from director John McNaughton and writer Stephen Peters, whose serpentine plotting will keep you on the edge of your seat until the end credits roll. Product Features New 4K restorations of both the Original Theatrical Version and the Unrated Edition from the original camera negatives by Sony Pictures Entertainment High Definition Blu-ray (1080p) presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Exclusive new audio commentary by director John McNaughton and producer Steven A. Jones Commentary by director John McNaughton, cinematographer Jeffrey Kimball, producers Steven A. Jones and Rodney Liber, editor Elena Maganini and score composer George S. Clinton Exclusive new interview with John McNaughton Exclusive new interview with Denise Richards Making of documentary An Understanding Lawyer outtakes Trailer Illustrated collector's booklet featuring new writing on the film by Anne Billson and Sean Hogan Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley
With Wolfgang Sawallisch leading a starry cast featuring Lucia Popp Kurt Moll and Edita Gruberova this acclaimed 1983 live recording of August Everding's classic production of The Magic Flute is Mozart at his most inventive and inviting.
In the 1950s Bluebeard was the favourite tale of good little girls one of whom is Catherine who loves to frighten her older sister Marie-Anne by reading this fairy tale to her until she starts to cry. Catherine also puts herself in the fairy tale by becoming Princess Marie-Catherine Bluebeard's last wife the one who escapes the fate of all those he hanged before her because she is the virgin princess that the ogre cannot make up his mind to kill. This hesitation will doom him and allow the virgin to get the head of the giant.
The Overlanders
An acclaimed story of secrets passion and betrayal based on the novel by H.E. Bates.... A compelling tale of passion's dark secrets - critics applauded Feast Of July as one of the best films of the year! A mysterious young beauty Bella Ford searches hopelessly for the lover who betrayed her. Weary and alone she is offered shelter by the Wainwright family who help her find new hope ... and whose three handsome sons battle for her affections! But just when she is ready to begin h
Aaron Spelling's drama series about the lives careers trials and tribulations of a group of young people living in an apartment building in the trendy neighbourhood of Melrose Place. A spin-off of Beverly Hills 90210 Melrose Place starred Heather Locklear as the scheming Amanda Woodward head of her own advertising agency and owner of the apartment building. Episodes Comprise: 1. Pilot 2. Friends and Lovers 3. Lost and Found 4. For Love or Money 5. Leap of Faith 6. Second Chances 7. My Way 8. Lonely Hearts 9. Responsibly Yours 10. Burned 11. A Promise Broken 12. Polluted Affairs 13. Dreams Come True 14. Drawing the Line 15. House of God 16. The Whole Truth 17. Jake vs. Jake 18. A Melrose Place Christmas 19. Single White Sister 20. Peanut Butter and Jealousy 21. Picture Imperfect 22. Three's a Crowd 23. My New Partner 24. Bye Bye Billy 25. Irreconcilable Similarites 26. End Game 27. The Test 28. Pushing Boundaries 29. Pas de Trois 30. Carpe Diem 31. State of Need 32. Suspicious Minds
In the 1950s, Bluebeard was the favourite tale of good little girls, one of whom is Catherine, who loves to frighten her older sister Marie-Anne by reading this fairy tale to her until she starts to cry. Catherine also puts herself in the fairy tale by becoming Princess Marie-Catherine, Bluebeard's last wife, the one who escapes the fate of all those he hanged before her because she is the virgin princess that the ogre cannot make up his mind to kill. This hesitation will doom him, and allow the virgin to get the head of the giant.
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'The Fly' is a remake of the 1958 horror classic about a brilliant scientist who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly incredibly agile super strong and driven to insanity by appetites he cannot control. In 'The Fly 2' Martin Brundle son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. Wh
When Audrey fforbes-Hamilton has to endure the humiliation of being forced by bankruptcy into selling Grantleigh Manor her feathers are ruffled further when the new owner Richard de Vere turns out to have made his million by selling groceries! More details to be confirmed.
Hot on the heels of her acclaimed success in The Good Life, Penelope Keith undertook a role that would futhher confirm her place as one of Britain’s leading comic actors: the role of Audrey fforbes-Hamilton in To The Manor Born. Series Three first broadcast in 1981, along with such challenging issues as the closing of the train station, other people’s honey and large modern art sculpture, takes the relationship between businessman Richard De Vere and Audrey to new and unexpected levels. The once-successful businessman suddenly finds that he has everything to lose, and the only thing that might save him is the selling of Grantleigh Manor. Quite how this new challenge resolves itself kept viewers of the series, when originally broadcast, gripped until the now famous closing episode of this, the final series. Special Features: Cast Filmographies Subtitles
Ealing Studios' first foray into overseas production proved a resounding hit with this wartime Western shot entirely on location in Australia. Chips Rafferty stars as the tough cattle drover determined to keep his animals alive under threat of imminent invasion in this enormously successful drama from celebrated documentarian Harry Watt. The Overlanders is presented here as a brand-new remaster from original film elements in its original fullscreen aspect ratio. Australia, 1942. Under threat of Japanese invasion the government initiate a scorched earth policy and Dan McAlpine is ordered to shoot his cattle. Refusing point blank, Dan and his helpers are determined to drive the herd 2,000 miles over some of the toughest country in the world. SPECIAL FEATURE: Extensive image gallery
Ealing Studios' first foray into overseas production proved a resounding hit with this wartime Western shot entirely on location in Australia. Chips Rafferty stars as the tough cattle drover determined to keep his cattle alive under threat of imminent invasion in this enormously successful drama from celebrated documentarian Harry Watt. The Overlanders is presented here as a brand-new High Definition transfer from original film elements in its original fullscreen aspect ratio. Australia, 1942. Under threat of Japanese invasion the government initiate a scorched earth policy and Dan McAlpine is ordered to shoot his cattle. Refusing point blank, Dan and his helpers are determined to drive the cattle 2,000 miles over some of the toughest country in the world. Special Features: Image gallery
When they learn of a secret covenant on the status of Hong Kong signed by Mao in 1944 Chinese factions the British government Hong Kong businessmen AND the Mafia all try to be the first to take hold of it. Tough man Sean Dillon pressured by Brigadier Ferguson into working for the British does it his own way. But we see a new twinkle in his eye when he looks at sweet Su Yin... And can it be that pretty Inspector Hanna Bernstein is beginning to grow fond of Sean? Based on Jack Higgins' novel.
A Young Boy's Hero. A Married Woman's Desire. Russell Crowe stars as East Driscoll a bachelor horsebreaker who won't settle down. He becomes the idol of Alan a young boy with polio who dreams of riding just like his hero. As Alan struggles with the hardships of growing up he meets Grace an older English aristocrat for whom he develops feelings. The situation gets further complicated when the married Grace falls for the much younger East and Alan unwillingly is caught in the middle...
Jacques Rivette's award-winning critically acclaimed film stars Michel Piccoli in one of his finest performances as an artist who ten years previously abandoned his masterpiece entitled 'La Belle Noiseuse' (The Beautiful Troublemaker) a painting of his wife (Jane Birkin). When he encounters the beautiful and fascinating Marianne (Emmanuelle Beart) he is inspired to return to the unfinished canvas using her as his new model. But disturbing tensions develop as the work progresse
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