The Horrifying power of Frieza! The battle to decide the fate of the universe begins! On the distant Planet Namek, the seven magic Dragon Balls have been brought together and the dragon Porunga summoned. Now, Goku and the Z-fighters are all that stand between the evil Frieza and his wish for immortality! Having survived their encounters with Frieza's dreaded minions, Goku and his friends are now left to contend with the ruthless tyrant himself. Despite their recent victories, however, the Z-fighters are ill prepared to face the terrifying reality of Frieza's power. To defeat this seemingly invincible foe and restore peace to the universe, there is but one hope - a Super Saiyan must emerge! Box Contents includes: Season 3 of Dragon Ball Z on Blu-ray, 1x Poster, 4x Art Cards packaged in an exclusive collectors slip case.
It's the complete six-season classic that gave sitcoms street smarts all 147 episodes, nearly 57 hours in one big box set! Before shooting into the showbiz stratosphere with four Grammy Awards® and box-office hits Independence Day, Men in Black and I Am Legend, music and movie icon Will Smith first rose to stardom as a West Philadelphia kid who gets the uplift of a lifetime when he's sent to live with rich relatives on the West Coast. Talk about your culture clashes...and your audience pleasers: Fresh Prince regularly showed a flawed and conflicted African-American household that, despite internal differences, pulled together and made life work and laughter ring out. Over seven years, Smith...emerged as something more: a first-rate comedian with a deadpan stare...so spontaneous, so much at ease in front of the camera, that it's frequently hard to tell which of his lines are scripted and which are ad-libbed (Ken Tucker, Entertainment Weekly). From beginning to end, this prince gives you the royal comedy treatment!
A sonic time scan draws the TARDIS to the Fetch Priory on Earth. There the Doctor and Leela discover an impossibly old human skull that is the key to a nightmare from the Time Lords' past. A murderous monster stalks the priory grounds; and within someone is intent on unleashing a malevolent creature that feeds on death itself... This story was originally broadcast on BBC1 between 29th October - 19th November 1977
Henry Horatio Hobson (Academy Award -Winner Charles Laughton) is the owner of a well-established boot shop in nineteenth century Salford Lancashire and the father of three daughters. The oldest Maggie (Brenda De Banzie) shoulders both home and business responsibilities while Hobson whiles the time away at the local pub. The younger sisters are both being courted by neighbours but Hobson refuses to give the couples settlements. Maggie becomes tired of his oafish behaviour and decides to take matters into her hands by seeking a husband. Much to the hilarity and consternation of her father aged spinster Maggie sets her sights on shy Will Mossop (John Mills) Hobson's master boot-maker. Mossop is at first stunned by the suggestion but eventually agrees to Maggie's authoritative persuasion and together they set up a rival boot shop. A timeless masterpiece that marked a temporary return to David Lean's period adaptations of Dickens (Great Expectations Oliver Twist). The film went on to win multiple awards. This film has been digitally restored to its former glory. Special Features: New and exclusive interviews with Prunella Scales and screenwriter Norman Spencer
From renowned provocateur Paul Verhoeven (Elle, Basic Instinct), Benedetta is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair. Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling's shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta. Premiering at the 2021 Cannes Film Festival, Verhoeven's intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.
The creator of Hamilton and the director of Crazy Rich Asians invite you to a cinematic event, where the streets are made of music and little dreams become big. Lights up on Washington Heights. The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tightknit community. At the intersection of it all is the likeable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. In the Heights fuses LinManuel Miranda's kinetic music and lyrics with director Jon M. Chu's lively and authentic eye for storytelling to capture a world very much of its place, but universal in its experience.
Made to re-launch television's most famous time traveller, Doctor Who: The Movie is an expensive feature-length episode which attempts to continue the classic series and work as a stand-alone film. Transporting the remains of the Master, Sylvester McCoy's Seventh Doctor is diverted to San Francisco in 1999. Regenerating in the form of Paul McGann, the Doctor gains a new companion in heart surgeon Dr Grace Holloway (Daphne Ashbrook) and must stop the Master from destroying the world. All of which might have been fine, had not the most eccentrically British of programmes been almost entirely assimilated by the requirements of American network broadcasting. Matthew Jacobs' screenplay is literally nonsense, dependent on arbitrary, unexplained events while introducing numerous elements that contradict established Doctor Who mythology. The Tardis is re-imagined as a bizarre pre-Raphaelite/Gothic folly, while the Doctor, now half-human, becomes romantically involved with his lady companion. From the West Coast setting to metallic CGI morphing, from the look of Eric Roberts as the Master to a motorcycle/truck freeway chase, director Geoffrey Sax borrows freely from James Cameron's Terminator 2: Judgment Day (1991). Doctor Who fans should feel relieved this travesty was not successful enough to lead to lead to a series, though McGann himself does have the potential to make a fine Doctor. This is the slightly more violent US TV edit, rather than the cut version previously released on video. On the DVD: There are two BBC trailers and a Fox promo "introducing the Doctor" to American audiences. The interview section features Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, director Geoffrey Sax and executive producer Philip Segal, twice. The main interviews are on-set promotional sound-bites. However, Segal's second interview was filmed in 2001 and finds him spending 10 minutes explaining why the programme turned out as it did, and coming very close to apologising for it. He also offers a two-minute tour of the new Tardis set. Alongside a gallery of 50 promotional stills is a four-minute compilation of behind-the-scenes "making of" footage. There are alternative versions of two scenes, though the "Puccini!" scene is so short as to be pointless. As usual with Doctor Who DVDs there are optional production subtitles and these offer a wealth of background information. Four songs used in the film are available as separate audio tracks, and John Debney's musical score can be listened to in isolation. Finally there is a commentary track by Geoffrey Sax, which contains some interesting material but does tend to state the obvious a lot. The sound is very strong stereo and the 4:3 picture is excellent with only the slightest grain. --Gary S Dalkin
The creator of Hamilton and the director of Crazy Rich Asians invite you to a cinematic event, where the streets are made of music and little dreams become big. Lights up on Washington Heights. The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tightknit community. At the intersection of it all is the likeable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. In the Heights fuses LinManuel Miranda's kinetic music and lyrics with director Jon M. Chu's lively and authentic eye for storytelling to capture a world very much of its place, but universal in its experience.
In 1996, a Doctor Who TV movie starring Paul McGann as the Eighth Doctor, was envisioned to launch the franchise into an exciting new chapter. But whilst the film found success in the UK, attempts to freshen up established lore resulted in a decidedly frosty reception from transatlantic audiences. Now, a quarter of a century later, screenwriter Matthew Jacobs prepares to venture back into the legendary sci-fi universe, to reassess his relationship with the franchise and the American fandom who vilified him. Featuring original cast of the controversial movie, including Paul McGann (The Three Musketeers, Queen of the Damned), Eric Roberts (Inherent Vice, The Dark Knight, The Expendables), and Daphne Ashbrook (Star Trek: Deep Space Nine), this funny and emotionally perilous documentary not only revisits a pivotal moment in Doctor Who history, but highlights the unity and creative freedom within the fandom, as Jacobs ultimately, and unexpectedly, finds himself a kindred part of this close-knit, yet vast, family of fans.
May the farce be with you in this hysterically funny space oddity created by comic genius Mel Brooks that will send you into hyperspace with fits of laughter! Lampooning everything from 'Star Wars' to 'Planet Of The Apes' and 'Alien' this is an outrageous send-up of epic sci-fi movies. Fearless and clueless space heroes Lone Starr (Bill Pullman) and his half-man/half-dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clutches of Dark Helmet (Rick Moranis). On the way to the rescue in their Winnebago they confront the huge gooey Pizza The Hutt (voiced by Dom De Luise) sassy robot Dot Matrix (voiced by Joan Rivers) and a wise little creature named Yogurt (Mel Brooks) who teaches them the mystical power of 'The Schwartz' in order to bring peace - and merchandising rights - to the entire galaxy!
Henry Horatio Hobson (Academy Award -Winner Charles Laughton) is the owner of a well-established boot shop in nineteenth century Salford Lancashire and the father of three daughters. The oldest Maggie (Brenda De Banzie) shoulders both home and business responsibilities while Hobson whiles the time away at the local pub. The younger sisters are both being courted by neighbours but Hobson refuses to give the couples settlements. Maggie becomes tired of his oafish behaviour and decides to take matters into her hands by seeking a husband. Much to the hilarity and consternation of her father aged spinster Maggie sets her sights on shy Will Mossop (John Mills) Hobson's master boot-maker. Mossop is at first stunned by the suggestion but eventually agrees to Maggie's authoritative persuasion and together they set up a rival boot shop. A timeless masterpiece that marked a temporary return to David Lean's period adaptations of Dickens (Great Expectations Oliver Twist). The film went on to win multiple awards. This film has been digitally restored to its former glory. Special Features: New and exclusive interviews with Prunella Scales and screenwriter Norman Spencer
Wild Things is the kind of lurid, trashy thriller that you'll either dive into with unabashed pleasure or turn away from in prudish disgust; it's entirely your choice, but we suggest the former option since it's obviously much more fun. The plot's so convoluted it's hardly worth describing, except to say that it's set in humid Florida and involves a respected high school teacher (Matt Dillon--yes, Matt Dillon as a teacher!) who is faced with accusations of rape by a student (Denise Richards, from Starship Troopers) who had been giving him the kind of attention most people would consider improper for such a "nice" young lady. Another student (Neve Campbell) raises a similar charge against the teacher, and that's when a police officer (Kevin Bacon) begins to investigate the allegations. Just when you think the movie's gone overboard with its shameless sex and absurdly twisted plot, in drops Bill Murray as an unscrupulous lawyer (of course) to spice things up with insurance scams and welcomed comic relief. As directed by John McNaughton (who has a way of making just the right moves with this kind of film noir melodrama), Wild Things is a bona fide guilty pleasure--the kind of movie you may be ashamed to enjoy, but what the heck, you'll enjoy it anyway. --Jeff Shannon
Hot on the heels of her acclaimed success in The Good Life Penelope Keith undertook a role that would further confirm her place as one of Britain's leading comic actors: the role of Audrey Fforbes-Hamilton in To The Manor Born. Series One first broadcast in 1979 finds Audrey mourning the death of her husband but more importantly mourning his inability to handle his financial affairs. Forced to sell her beloved Grantleigh Manor she is equally distressed to find it bought by upstart businessman Richard De Vere a man with no concept of the history or the valued place of the Estate in the community. Audrey must roll her sleeves up. It's time for the ex-Lady of the Manor to put the new Lord in his place or vice versa. A battle of wits is about to take place that will find the winner To The Manor Born.
The Fly (Dir. David Cronenberg 1986): This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over. The Fly 2 (Dir. Chris Walas
From renowned provocateur Paul Verhoeven (Elle, Basic Instinct), Benedetta is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair. Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling's shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta. Premiering at the 2021 Cannes Film Festival, Verhoeven's intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.
May the farce be with you in this hysterically funny space oddity created by comic genius Mel Brooks that will send you into hyperspace with fits of laughter! Lampooning everything from 'Star Wars' to 'Planet Of The Apes' and 'Alien' this is an outrageous send-up of epic sci-fi movies. Fearless and clueless space heroes Lone Starr (Bill Pullman) and his half-man/half-dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clu
A genius he may have been, but Peter Sellers' film work often demonstrated appalling lapses of taste, as with the weak wartime farce Soft Beds, Hard Battles. Little more than a vehicle for a range of Sellers racial stereotypes and an excuse to feature a succession of scantily clad young women, the film centres on a Parisian brothel during the Second World War and its various clients from all the countries involved. Thus Sellers is given reign to trot out his comedy Frenchman, Englishman, German and Chinaman-none of which come across as anything other than hugely dated. The plot is weak and the hopelessly erotic air gives a feel of Confessions of a Window Cleaner in uniform or "'Allo 'Allo: The Movie". With so many better examples of Sellers' work available, this must surely be close to the bottom of anyone's list. On the DVD: Soft Beds, Hard Battles's picture and sound are bright and bawdy, with some degree of digital remastering obviously having taken place. There is a 10-minute selection of material deleted from the original cinematic print but these are merely odds and sods that cannot save Soft Beds, Hard Battles from being little more than a woefully outdated curio. --Phil Udell
From renowned provocateur Paul Verhoeven (Elle, Basic Instinct), Benedetta is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair. Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling's shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta. Premiering at the 2021 Cannes Film Festival, Verhoeven's intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.
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