From Studio Ghibli, the folks behind "Spirited Away", comes a new fantasy animation as a wizard and a young prince embark on an epic adventure.
With a reputation synonymous with law and order, Commissioner James Gordon is one of the crime world's greatest foes. Everyone knows the name. But what is known of Gordon's rise from rookie detective to Police Commissioner? And what did it take to navigate the layers of corruption that secretly ruled Gotham City, the spawning ground of the world's most iconic villains -- the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker? GOTHAM is the origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop's rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city's highest- profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes hauntingly intense 12-year-old son, Bruce (David Mazouz), toward whom the young detective feels an inexplicable kinship. Moved by the boy's profound loss, Gordon vows to catch the killer. As he navigates the often-underhanded politics of Gotham's criminal justice system, Gordon encounters imposing gang boss Fish Mooney (Jada Pinkett Smith), and many of the characters who will become some of DC Comics' most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor). Although the crime drama follows Gordon's turbulent and singular rise through the Gotham City police department, it also focuses on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee) -- a friendship that will last them all of their lives and will play a crucial role in helping the young boy eventually become the crusader he's destined to be.
A harrowing, if limited, 1993 thriller, Desperate Justice stars Lesley Ann Warren as Carol, a mother whose young daughter is raped by the caretaker of her school and left in a coma. The culprit is quickly rounded up; however, the case against him is dismissed for lack of rock-solid evidence. In a moment of blind fear and rage, Carol metes out summary justice of her own--and must face up to the consequences. Desperate Justice is suitably restrained in dealing with the violence central to its subject matter. While competently enough scripted and acted to retain the viewer's interest and sympathy, it has a slightly fuzzy, sucrose feel about it that acts as a general anaesthetic against the inevitably disturbing subject matter. The final scenes in particular achieve a tidy, somewhat predictable sense of "closure" so beloved by Americans. Despite its made-for-TV air, Desperate Justice has just enough about it to ensure a passable late night 90 minutes over a mug of Horlicks. On the DVD: This is not the sort of movie that was ever designed to benefit from DVD enhancement. Picture format is 4:3. As well as trailers, there are included here items entitled "About the film" and "About the stars", which turn out to be perfunctory text-only blurbs. --David Stubbs
The Duke cousins Vance and Coy come to Hazzard to embark on a new series of adventures while Bo and Luke race the NASCAR circuit. The Duke family is back for more down-home adventure in The Dukes of Hazzard: The Complete Fifth Season now on DVD in this 4-disc 22 episode collector's set. Episodes Comprise: 1.The New Dukes 2.Dukes Strike It Rich 3.Lawman of the Year 4.Coy Meets Girl 5.The Hazzardgate Tape 6.Big Daddy 7.Vance's Lady 8.Hazzard Hustle 9.Enos in Trouble 10.Th
This beautifully animated film will captivate any adult or child who has ever been touched by the magical stories of Roald Dahl. The fantasy dream world of the BFG has been wonderfully brought to life by award-winning British animators Cosgrove Hall and now looks and sounds even better on DVD. When little Sophie is taken from her orphange bed one night it's just the beginning of a thrilling adventure with The Big Friendly Giant. As they catch dreams together in Dream Country and blow them into children's bedroom trouble appears in the shape of The Bloodbottler and Fleshlumpeater - big bad giants who like to gobble children for breakfast! It's up to Sophie and The BFG to persuade the Queen Of England to help them stop the giants and thwart their fiendish plans...
Cuba Gooding Jr. (Jerry Maguire Pearl Harbor) and Clifton Collins Jr. (Capote Mindhunters) hit the streets as gang members-turned-cops in this raw hard-edged story about a day in the life of two corrupt cops going for one final score. Featuring Cole Hauser (The Cave Pitch Black) and Aimee Garcia (D.E.B.S. Cadet Kelly) Dirty showcases a darker side of the men in blue where cops are as crooked as the criminals they seek to eradicate.
Billy Cook makes his feature film debut in this drama about a young man trapped between two worlds: gypsy and non-gypsy. When Owen McBride (Cook) witnesses a violent crime, he risks his own life to rescue a stranger from the brink of death at the hands of a bloodthirsty gang. Billy is forced to go into hiding to escape the unwanted company of the gangsters who appear to be tracking his every move. As Billy seeks refuge with his father, Blackberry (David Essex), he takes a job as a wild horse ...
Orlando Bloom stars as a stranger in a strange land in this epic Crusades adventure.
With the original conspiracy plot arc fallen into a muddle of loose ends no-one could possibly fathom, once-hungry lead actors on the verge of big screen careers and making demands for more time off or shots at writing and directing, and the initial wish list of monsters-of-the-week long exhausted, it's a miracle The X Files is still making its airdates, let alone managing something pretty good every other show and something outstanding at least once every four episodes. Season seven opens with a dreary two-parter ("Sixth Extinction" and "Amor Fati") and winds up with the traditional incomprehensible cliffhanger ("Requiem"), but along the way includes a clutch of shows that may not match the originality of earlier seasons but still effortlessly equal any other fantasy-horror-sf on American television. Highlights in this clutch: "Hungry", a brain-eating mutant story told from the point of view of a monster who tries to control his appetite by going to eating disorder self-help groups; "The Goldberg Variation", a crime comedy about a weaselly little man who has the gift of incredible good luck, which means Wile E Coyote-style doom for anyone who crosses him; "The Amazing Maleeni", guest-starring Ricky Jay in a rare non-fantastic crime story about a feud between stage magicians that turns out to be a cover for a heist; "X-Cops", a brilliant skit on the US TV docusoap Cops with Mulder and Scully caught on camera as they track an apparent werewolf in Los Angeles (season-best acting from David Duchovny and Gillian Anderson); "Theef", a complex revenge drama with gaunt Billy Drago as a hillbilly medicine man stalking a slick doctor; "Brand X", a horror comic tale of corruption in the tobacco industry; "Hollywood AD" (written and directed by Duchovny), in which Tea Leoni and Garry Shandling are cast as Scully and Mulder in a crass movie version of a real-life X file; and "Je Souhaite", a deadpan comedy about a wry, cynical genie at the mercy of trailer trash masters who haven't an idea what to wish for. Among the disasters are: "Fight Club", a grossly laboured comedy; "All Things", Gillian Anderson's riotously pretentious religious-themed writing-directing debut; "En Ami", written and understood by William B Davis, the cigarette-smoking villain; and the very silly "First Person Shooter", the lamest killer video-game plot imaginable courtesy of distinguished guest writer William Gibson. Still essential, despite the occasional pits, but yet again you go away thinking that the next season had better come up with some answers. --Kim Newman
This is the true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from a camp set up as part of an official government policy to train them as domestic workers and integrate them into white society.
When Jimmy and his half Native American girlfriend Lily are murdered by a rampaging satanic cult led by Luc Crash and his demonic bride he is traumatised to find himself reincarnated as 'The Crow' an immortal being of Native American folk law and the 'killer of killers'. With revenge burning in his broken heart and whilst he tries to come to terms with his new dark powers Jimmy comes to realise what he can do and what he must do - as he confronts the onslaught of gang members Fam
Iconic writer, director, actor, comedian, and musician Woody Allen allows his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy-winning, Oscar-nominated filmmaker Robert Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography.Beginning with Allen's childhood, Woody Allen: A Documentary chronicles the trajectory and longevity of Allen's career - from teen writer to TV scribe, from standup comedian to award-winning writer-director averaging one film-per-year for more than 40 years. Exploring Allen's writing habits, directing, and relationship with his actors first-hand, new interviews with A-listers, writing partners, family and friends provide insight and backstory to the usually inscrutable filmmaker.
A young wannabe writer haunted by his mother's death his wife's desertion and his boring research job on a magazine succumbs to booze cocaine and the late-night New York club scene...
BAFTA-winning director Ray Butt (Only Fools and Horses) takes the helm for the final two series of Spike Milligan s anarchic sketch show, recorded in front of and occasionally featuring a wide-eyed studio audience. Qs 8 and 9 were made in quick succession in 1979 and 1980 after the BBC initially delayed re-commissioning the series until the Monty Python team departed TV-land. This was despite the impact the original Q5 of 1969 had on the world of alternative comedy. At a time when Kenny Everett and Not the Nine O Clock News were further testing the limits of TV comedy, the former Goon leads a cast of co-performers including John Bluthal, Bob Todd, Julia Breck, Alan Clare and a self-parodying David Lodge in yet more surreal, outrageous and determinedly under-prepared sketches. Running gags and familiar tropes prevail, with Adolf Hitler, Arab sheiks, idiot Boy Scouts and the Royal Family subject to scattergun ridicule, while musical interludes from Spike, pianist Ed Welch and occasional guest singers age the shows a little more harshly than the main man s virulently anti-PC humour.
Nada (Roddy Piper) arrives in Los Angeles, finds work on a construction site and a bed in a homeless camp. He notices the extent to which the people around him seem obsessed with television and obtaining material wealth, and one night, when he stumbles ac
Legacy In Blumhouse's continuation of the cult hit The Craft, an eclectic foursome of aspiring teenage witches gets more than they bargained for as they lean into their newfound powers. Craft Sarah has always been different. So, as the newcomer at St. Benedict's Academy, she immediately falls in with the high school outsiders. But these girls won't settle for being a group of powerless misfits. They have discovered THE CRAFT, and they are going to use it.
In 1975's Carry On England, a mixed-sex anti-aircraft battery is set up during World War II by way of an experiment. The sex is indeed pretty mixed, although the drafting in of Patrick Mower and Judy Geeson rather demonstrates the need for at least some of the cast to be attractive in order to make this odd premise feasible. For the most part, of course, it's tits-out sex-comedy slapstick all the way, but there's a nicely ambivalent performance from Kenneth Connor, who portrays the wartime British officer class as being pretty much bonkers, a telling interpretation, which Stephen Fry was to perfect years later in Blackadder Goes Forth. The location is of course typically Carry On cheap-and-cheerful, but its inevitable drabness, together with the indistinguishable khaki uniforms, tends to put a bit of a dampener on the adult-panto atmosphere that the best Carry Ons deliver. The cast commendably manage to transcend this, though, so there's still plenty of fun to be had. --Roger Thomas
In the not too distant future, Todd Hewitt (Tom Holland) discovers a mysterious girl named Viola (Daisy Ridley). She has crash-landed on his planet, where the women have disappeared and the men are afflicted by The Noise, a force that puts all their thoughts on display. In this dangerous landscape, Viola's life is threatened and, to protect her, Todd must discover his inner power and unlock the planet's dark secrets in this thrilling action-adventure based on the best-selling novel The Knife of Never Letting Go. Extras: Audio Commentary with Director Doug Liman, Producer Alison Winter and Editor Doc Crotzer A Director's Noise Inner Thoughts with Patrick Ness The Source of the Silence Citizens of Prentisstown The Music of Chaos Walking Deleted Scenes with Optional Audio Commentary
Johns Barlow defined the nations very notion of a no-nonsense, sharp-tongued police chief not averse to thrashing suspects into submission, while Windsor°Ûªs Watt played mellower mind games with the villains. Together with their Special Operations squad, they tackle fictional Thamesford°Ûªs most monstrous crimes and puzzling cases. Unafraid to address problematic social issues of the day, the series, like its predecessors Z-Cars and Softly Softly, provided a startling window on police methods and the simmering tensions and resentments on the streets of 1970s Britain. Created by BBC crime stalwart Elwyn Jones, other popular returning characters include fellow Softly Softly stalwart DS Harry Hawkins (Norman Bowler), dog handler PC Snow (Terence Digby), cheery Sergeant Evans (David Lloyd Meredith) and troubled Chief Constable Cullen (Walter Gotell). Following the edgy tradition set by the earlier shows, most of these episodes were originally broadcast live
Unavailable at all for nearly three decades, then issued in a VHS edition in 1996, the Rolling Stones' legendary Rock and Roll Circus finally gets the full treatment with this DVD release documenting the 1968 event. The Stones were reportedly unhappy with their performance (hence the long delay), and it isn't their finest moment; performing "Jumping Jack Flash" and a variety of songs from their then-new Beggars Banquet album, Keith Richards is game, but Jagger's preening (especially on "Sympathy for the Devil") is over the top, and guitarist Brian Jones looks dissolute and well on his way to his death the following year. A certain weirdness permeates some of the other musical acts as well: Jethro Tull lip-syncs unconvincingly, Taj Mahal and band were obliged to perform before the circus set was completed and the audience had arrived, and John Lennon's outing with impromptu supergroup the Dirty Mac (with Richards, Eric Clapton, and drummer Mitch Mitchell) is hampered by Yoko Ono's caterwauling, although their version of the Beatles' "Yer Blues" is cool. Still, the Who are brilliant, Marianne Faithfull is beautiful, the various circus acts are fun, and the crowd clearly loves it. The DVD comes with some fascinating bonus features, including three extra songs by Mahal, some lovely classical piano by Julius Katchen, and a "quad split-screen" version of "Yer Blues". Best of all are a new interview with the Who's Pete Townshend and the various commentary tracks added for the DVD--especially those by Tull's Ian Anderson, director Michael Lindsay-Hogg, and Stones Jagger, Richards, and Bill Wyman (who dryly attributes Jagger's reluctance to issue the show to his dissatisfaction with his own performance, not the band's). Flaws notwithstanding, this is a treat. --Sam Graham
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