When a young couple stumble upon a bizarre chair their attempts at sexual adventure turn into a nightmare. Years after the event one of the couple is struggling to come to terms with what went on and a reknowned Cambridge professor attempts to soothe his anguish with experimental treatment. Ultimately they return to the scene of the crime to discover the dreadful truth about The Devil's Chair...
Forensic anthropologist Dr. Temperence Brennan who works at the Jeffersonian Institution and writes novels as a sideline has an uncanny ability to read clues left behind in a victim's bones. Consequently law enforcement calls her in to assist with murder investigations when the remains are so badly decomposed burned or destroyed that the standard identification methods are useless. Brennan often finds herself teamed with Special Agent Seely Booth (Boreanaz) a former Army sniper who mistrusts science and scientists when it comes to solving crimes...
Four Rooms is an unbearable quartet of stories written and directed by hot filmmakers Quentin Tarantino (Pulp Fiction), Robert Rodriguez (El Mariachi), Allison Anders (Gas Food Lodging), and Alexandre Rockwell (In the Soup), which only proves that even the smart guys can really blow it sometimes. The anthology is linked by the hotel in which all the events are taking place, and by Tim Roth as a bellboy flitting from scene to scene. Nobody overcomes the insufferable air of self-congratulation that permeates this exercise in forced hipness. Others involved include Bruce Willis, Madonna, Lili Taylor, Ione Skye, Jennifer Beals, and Antonio Banderas.--Tom Keogh, Amazon.com
Sign up for more manic misadventure with the buffoons in blue this time featuring rising stars Sharon Stone as a reporter who strikes sparks with Mahoney (Steve Guttenberg) and David Spade as a loopy skateboarder. Cmdt. Lassard (George Gaynes) decides to toughen up neighborhood watch groups by training them to be Citizens on Patrol or COPs. And guess who the instructors are? The same grads who thought the Fs on their own report card meant ""Fantastic."" When rival officer Lt. Harris (G.W. Bailey) sees the blue leading the beleaguered he decides the time is ripe to discredit the Academy. But leave it to our hapless heroes to save the day - bumblingly - by taking to the skies on biplanes and balloons for a frantic finale. All aboard!
There's more to terror than meets the eye... Christian Slater stars in the action-packed sequel to the box office hit Hollow Man as a volunteer soldier/assassin who goes mad after he turns invisible. A driven Seattle detective Frank Turner and the molecular biologist Maggie Dalton he's been assigned to protect find themselves on the run from an undetectable soldier gone rogue. He will destroy everything in his path in order to find the serum to save his life and punish the unscrupulous scientists and agents of the government responsible for this creation....
Based on the novel A Fragment of Fear by former MI5 spy John Bingham, 7th Baron Clanmorris, this stylish cine-trip from Vanishing Point director Richard C. Sarafian features David Hemmings and Gayle Hunnicutt (then real-life husband and wife) falling into a waking nightmare of murder, mystery and paranoia. Special Features High Definition remaster Original mono audio The Writer as Auteur (2017, 14 mins): an analysis of the life and work of screenwriter Paul Dehn by author and broadcaster David Kipen First Assistant Director William P. Cartlidge on Fragment of Fear' (2017, 10 mins): a frank and revealing insight into the film's production Original radio spots Original theatrical trailer Image gallery: original promotional material New and improved English subtitles for the deaf and hard of hearing
With an all-star cast, Born Equal is a major drama from Bafta-winning writer and director Dominic Savage, exploring aspects of poverty, race, inequality, homelessness, immigration, and class in modern Britain by following the stories, at times intertwining, of several people living in London. Mark (Colin Firth) is a wealthy city worker whose conscience and guilt about his luxurious lifestyle prompt him to try to help those less fortunate. Michelle (Anne-Marie Duff) is a pregnant mother with a young child, who has escaped an abusive husband, Yemi (David Oyelowo), his wife Itshe (Nikki Amuka-Bird) and their young daughter, Adanna, who have fled the threat of violence in their native Nigeria and Robert (Robert Carlyle), newly released from prison and embarking on a search for his mother and to try and rebuild his life. This is a touching, thought-provoking film that is reflective of modern day Britain. A magnificent cast - Daily Express. The direction was fresh, bordering on beautiful - The Times. A very good film -The Independent. About the Actor Colin Firth ( The Kingsman, The Kings Speech, Bridget Jones and Mamma Mia ) Robert Carlyle ( Trainspotting and The Full Monty. )
Boris Karloff's legendary performance has become a landmark in the annals of screen history. As The Mummy Im-Ho-Tep he is accidentally revived after 3 700 years by a team of British archaeologists. It is revealed in a flashback that he was a high priest embalmed alive for trying to revive the vestal virgin whom he loved after she had been sacrificed. Alive again he sets out to find his lost love. Today over 50 years after The Mummy was first released this brooding dream-like film remains a masterpiece not only of the genre but for all time.
German filmmaker Volker Schlöndorff's 1985 production of Arthur Miller's most famous play Death of a Salesman appeared squarely and quite hauntingly in the middle of the go-go economy of the Reagan-Bush years. Miller's story, set during the post-war boom period of the late 1940s, concerns an ageing travelling salesman named Willy Loman (Dustin Hoffman), who despairs that his life his been lived in vain. Facing dispensability and insignificance in a heated, youthful economy, Willy is not ready to part with his cherished fantasies of an America that loves and admires him for personable triumphs in the marketplace. But the reality is far more pitiable than that, and the measure of Willy's self-delusion and contradictions is found in his two sons, one (Stephen Lang) a ne'er-do-well gliding on inherited hot air and repressed feelings, and the other (John Malkovich) a mousy, retiring sort unable to reconcile--or forgive--the difference between his father's desperate impersonation of success and the truth. Schlöndorff's remarkable cast explores Miller's rich subtext to great effect, though Hoffman--despite giving us a new model of Willy to contrast with Lee J Cobb's definitive portrayal a generation before--is a bit insect-like and shrill in his approach. Malkovich, Lang, and Kate Reid (as Willy's long-suffering wife) are perfect, however, and the production is atmospheric and strong. --Tom Keogh, Amazon.com
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Golden Globe winner David Duchovny is back as the impulsive, talented novelist and screenwriter who returns to L.A. for all 12 episodes from the riveting fifth season. His career may be in the fast lane, but Hank is still stalled when it comes to women. Although he pines for the life he had with former lover Karen (Natascha McElhone) and daughter Becca (Madeleine Martin), his destructive ex-girlfriend has plans for their future and he can't seem to keep his hands off a bevy of new Hollywood b...
Made-for-TV comedy drama based on the novel by Sue Townsend. Following the election of the Republican Party, the United Kingdom's new Prime Minister, Jack Barker (David Walliams), carries out his campaign promise to abolish the country's monarchy. Stripped of their vast wealth, the Royal Family is forced to relocate to a council estate in the Midlands, where they struggle to fit in and adjust to their new surroundings.
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Swharz (David L. Thompson), uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master's reputation once and for all. The most personal film in the career of Lucio Fulci, A Cat in the Brain is essential viewing for any self-respecting fan. This nightmarish satire on Italian horror cinema is a fascinating insight into one of horror cinemas most endearing figures. Re-discover this neglected gem today, thanks to this stunning HD presentation from 88 Films!
Carry On Girls was the last really successful film in the epic series of British film comedies. It's studded with gems of cameo performances and boasts a tremendously innuendo-laden Talbot Rothwell script which is easily the equal of any of its predecessors. The setting, a beauty contest to raise the profile of the dismal resort Fircombe-on-Sea, is ripe for politically incorrect activity of the sort that could only be conducted by Sid James at the height of his lecherous powers. Enter Bernard Bresslaw in a corset, Wendy Richard as Ida Downs, Barbara Windsor as Miss Easy Rider and a host of other semi-clad lovelies and watch as the whole thing rises to a slapstick climax of frisky old colonels, bikinis, bosoms and itching powder. In the smaller roles, Joan Hickson (BBC television's Miss Marple) is hilarious as an elderly woman who believes she is a man-magnet, and the always under-used Patsy Rowlands excels as the downtrodden mayor's wife, a worm who finally turns. But in many ways this is June Whitfield's film: as the terrifying reactionary councillor Mrs Prodworthy, with a butch lesbian sidekick, she plots the downfall of her male colleagues with classic lines. "Rosemary, get the candle", she orders as Patsy Rowlands requests initiation. --Piers Ford
He was once a man. Now he's a hell spawn battling the forces of evil on Earth - and in himself. Using his strange powers he fights to uncover the truth about his identity and fulfil his destiny. One of the comic book industry's most popular and intriguing characters Spawn explodes on the screen in a maelstrom of fantastic imagery with action romance and high-level espionage...
From the producers of Buffy the Vampire Slayer and Angel comes a dark and pulse beating adventure, set in a world where supernatural beings (GRIMMs) gorge on the City of Portland.
Portland homicide detective Nick Burkhardt is back – but not exactly himself – as Grimm returns for another 22 hair-raising episodes. With his abilities manifesting in new and unusual ways Nick is stronger than ever with his partner Hank and reunited love Juliette by his side as he tracks down Wesen criminals with renewed determination. But things are changing all around him. As Captain Renard embroils himself with the birth of a royal child and Monroe and Rosalee’s relationship intensifies the ties between humans and the Wesen world will become even more irrevocably intertwined. Experience all the spine-tingling chills sinister surprises and fabled creatures back-to-back and uninterrupted in Grimm: Season Three. Bonus Features: Deleted Scenes Gag Reel Behind the Scenes Grimm Guides Featurettes
""Just the good ole' boysNever meanin' no harmBeats all you never saw been in trouble with the law since the day they was bornStraightenin' the curvesFlattenin' the hillsSomeday the mountain might get 'em but the law never willMakin' their way the only way they know howThat's just a little bit more than the law will allowJust the good ole' boysWouldn't change if they couldFightin' the system like a true-modern day Robin Hood."" - The Ball
WHEN WAS THE LAST TIME YOU WERE REALLY SCARED!!!? From Dario Argento, maestro of the macabre and the man behind some the greatest excursions in Italian horror (Suspiria, The Bird with the Crystal Plumage), comes Deep Red arguably the ultimate giallo movie. One night, musician Marcus Daly (David Hemmings, Blow Up), looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems Aided by a throbbing score from regular Argento-collaborators Goblin, Deep Red (aka Profondo Rosso and The Hatchet Murders) is a hallucinatory fever dream of a giallo punctuated by some of the most astonishing set-pieces the sub-genre has to offer.
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