A subterranean rumbling resonates in the heart of a forest. Hidden by foliage a metal grate reveals underground passageways which lead to the cellars of five houses scattered throughout a great park. The park is cut off from the outside world by a huge wall with no door. In one of these houses a group of girls aged between seven and twelve gathers around a coffin. The coffin lid opens revealing a six-year-old girl. Her name is Iris. Bianca the eldest of the group introduces I
Rowan Atkinson is Johnny English, an inept office-bound junior intelligence worker suddenly thrust into the spotlight when the Crown Jewels are stolen from the Tower of London and a plot is uncovered that threatens world security.
Featuring all the episodes from Series 1 to 4 including: 'Rooksby' 'Black Magic' 'Charisma' 'Night Out' 'All Our Yesterdays' 'The Prowler' 'Permissive Society' 'Food Glorious Food' 'A Body Like Mine' 'The Perfect Gentleman' 'The Last Of The Big Spenders' 'Things That Go Bump In The Night' and 'Moonlight And Roses'. Includes the unreleased episode 'Stand Up And Be Counted'.
Let the world change you ... And you can change the world. Based on the journals of both Alberto Granado (Rodrigo de la Serna) and Ernesto Guevara (Gael Garcia Bernal), the man who would become 'Che', The Motorcycle Diaries follows a journey of self-discovery, tracing the origins of a revolutionary heart. With a highly romantic sense of adventure, the two friends leave their familiar surroundings in Buenos Aires on 'The Mighty One' - a rickety 1939 Norton 500. Although the bike breaks down in the course of their eight month journey, they press onward, hitching rides along the way. As they start to see a different Latin America in the people they meet on the road, the diverse geography they encounter begins to reflect their shifting perspectives. They continue to the heights of Machu Picchu, where the majestic ruins and the extraordinary significance of the Inca heritage have a profound impact on the young men. When they arrive at a leper colony deep in the Peruvian Amazon, the two are beginning to question the value of progress as defined by economic systems that leave so many people beyond their reach. Their experiences at the colony awaken within them the men they will later become. Directed by Walter Salles, The Motorcycle Diaries is a beautiful and tender insight into the life of Che Guevara, one of the most memorable and iconic figures of the 20th Century.
Lon Chaney, the man of a thousand faces, was best known for playing Quasimodo and the Phantom of the Opera. But the former role in The Hunchback of Notre Dame was clearly the most ambitious of his illustrious career, full of such longing and anguish. It's as though his entire being was consumed by this ugly outcast with a heart as big and beautiful as Notre Dame itself. And the makeup is still astonishing. The rest of this unrequited love story is pretty effective as well, with the re-creation of medieval Paris a standout for its lavishness. Like all great silent films, it delivers a poetry of life that is abstract and tangible at the same time. --Bill Desowitz
Odd teaming of man-of-integrity A-list studio director Sidney Lumet (Twelve Angry Men, Serpico, The Verdict) with muckraking, lively independent screenwriter Larry Cohen (It's Alive, God Told Me To, Q: The Winged Serpent), the court-room drama Guilty As Sin relies rather heavily on the plot of Jagged Edge. Jack Warden reprises Robert Loggia's grumpy but decent private-eye role exactly, while ice-maiden lawyer Rebecca De Mornay is ensnared in a web of duplicity and violence by her client (Don Johnson), accused of murdering his wife. It hasn't got the gravitas of Lumet's best or the maniacal energy of top-rate Cohen film, but as a no-brain thriller it offers a couple of edgy, interesting star performances, with Johnson in particular cutting loose from his image with a display of razor-edged smiling charm as the killer gigolo. --Kim Newman
Robert DeNiro plays the ageing master thief persuaded to take on one final job by criminal mastermind Marlon Brando and young hotshot Edward Norton.
The hilarious smash hit comedy returns starring an award winning cast; David Walliams (Gangsta Granny Mr Stink Come Fly With Me Little Britain) Catherine Tate (Catherine Tate’s Nan The Catherine Tate Show Doctor Who) Philip Glenister (Mad Dogs Ashes to Ashes Life on Mars) and Frances da la Tour (Harry Potter Rising Damp Vicious). It may be start of a new year at Greybridge School but the teaching staff is as dysfunctional as ever. Series 2 features the arrival of Dr Dalton (Jimmy Akingbola; Rev Holby City Silk) an unwelcome visit from Offsted a challenging parents evening and a member of staff goes to meet his maker…
Fog & Crimes S3
Cube: Six Strangers awaken from their daily lives to find themselves trapped in a surreal prison - a seemingly endless maze of interlocking cubical chambers armed with lethal booby traps. None of these people knows why or how they were imprisoned. But it soon emerges that each of them has a skill that could contribute to their escape. Who created this diabolical maze and why? There are unanswered questions on every side whilst personality conflicts and struggles for power em
A gripping thriller following Detective Galban as he sets out to find the truth behind his partner's death.
Aristocrats cherish, experts rule, art dealers hunt, collectors crave and museums battle for Rembrandt. 350 years after the grand master of intimacy s death, entire nations are more than ever obsessed with his paintings. My Rembrandt is an epic art thriller into the super exclusive world of the Old Masters collectors.
Set in 1956 the drama follows WPC 56 Gina Dawson (Jennie Jacques) through the trials of being the first female officer to serve in her Midlands home town. On her first day she’s packed into a broom cupboard tasked with making the tea and told not to distract the men... But the team has some serious crime to deal with. A child’s skeleton has been found and a woman attacked on her way home. Stung and humiliated by her colleagues Dawson sets out to prove her worth...
The day WWII ends Jimmy (De Niro) a selfish and smooth-talking musician meets Francine (Minelli) a lounge singer. From that moment on their relationship grows into love as they struggle with their careers and aim for the top...
The story of a man with small parts. The second series sees Andy (Gervais) experience the highs he has longed for with his newly written sitcom 'When The Whistle Blows'. However while the show achieves high ratings Andy's creative integrity is under threat from the catchphrase-riddled mainstream appeal of it all. The answer; artistic credibility and celebrity friends which leaves poor Maggie out in the cold now working as a background artist on Andy's breakthrough venture. As before a slew of high-profile celebrities pop up for some hilarious cameos including Sir Ian McKellen Robert De Niro and Orlando Bloom amongst others all willing and able to humiliate themselves!
For the first time ever, this comprehensive collection of the works of the acclaimed, maverick filmmaker Ruben Ãstlund boasts his complete feature filmography to date. Along with his two Palme d'Or-winning films The Square and Triangle of Sadness, the collection also includes three of his earlier short films, six bespoke invitation cards and an exclusive, specially-created card game endorsed by the filmmaker himself. 6 films 3 short films exclusive card game: Ãstlund's Ordinary Disasters 6 collectable luxury invitation cards. Product Features Hard cover box set in a canvas slipcase 6 Feature Films: The Guitar Mongoloid, Involuntary, Play, Force Majeure, The Square, Triangle of Sadness 3 Short Films: Family Again, Autobiographical No. 6882, Incident by a Bank New masterclass and interviews with Ruben Ãstlund. Interviews, making of videos, featurettes, casting tapes and theatrical trailers.
Before Robert Rodriguez' El Mariachi, Mexicans in North American action films were typically maids, drug dealers or prison inmates. Even if the Cisco Kid was a friend of yours, you handled a dust cloth or a Mac-10 if you lasted in Hollywood longer than a New York minuto. But when El Mariachi crossed the border in 1992, things changed. Granted, it still involved a drug lord in a shoot-em-up but this time the good guy was a Mexican. Austin-based Rodriguez made El Mariachi for a fistful of pesos and a little help from his friends. He wrote, directed, coproduced, edited and operated the camera. Plus, he assembled a cast that had never acted before to work por nada. Desperado continues the outrageous action adventure. Working with a much bigger budget, Rodriguez returns the nameless mariachi to non-stop action. Again thrust into a world he never made, the hero takes his guitar-case arsenal deep into the criminal labyrinth of Bucho (Joaquim de Almeida), el gran chingon of the Mexican drug lords. With an amigo (Steve Buscemi) and a beautiful bookstore owner (Salma Hayek), el mariachi confronts an outrageous cast along the way, including a bartender (Cheech Marin), a drug-deal, pick-up guy (Quentin Tarantino) and the original mariachi (coproducer Carlos Gallardo) as a new-found compa'. Antonio Banderas has the lead this time, and if he's not quite up to the challenge, it's probably because he's Spanish, not Mexican, a distinction not lost by anyone raised on what the popular media now calls "ethnic food." That said, Desperado is not to be missed. Using intelligence, romance and humour--as well as plenty of explosive, surreal violence--Rodriguez again showcases the timeless struggle between the forces of darkness and light. And, in the process, he's recasting the mould for the contemporary action hero--kids now argue about who gets to play the Mexican. --Stephan Magcosta, Amazon.com
Rehab for anything can be a real bitch. Especially if an unorthodox treatment is sought but not followed to the letter. The result could well be psychological damage with horrific consequences. Enter Julia Shames (THE HUMAN CENTIPEDE (FIRST SEQUENCE) star Ashley C. Williams), a meek and mild clinician at a thriving plastic surgery business, who dates the wrong guy and ends up being drugged and gang-raped by his friends. Catatonic after suffering such brutal trauma she hears about a new kind of therapy being whispered about for her damaged condition as practised by the mysterious Dr. Sgundud. What that restorative cure entails takes Julia into a whole new shadowy area of her personality, one that teaches her how not to become a victim anymore and transforms her into an empowered Angel of Vengeance.
Great ExpectationsThe key ingredient in this modern-day version of Charles Dickens's classic is director Alfonso Cuarón, who made the glowing, estimable A Little Princess. If you saw that (and you should), understand that Expectations has those ingredients (great sense of time, place, and timing) but adds modern music and sex appeal; the latter personified by the long-legged Gwyneth Paltrow. Finnegan Bell (Ethan Hawke as an adult, Jeremy James Kissner at age 10) is the new version of Dickens's Pip. He's a child wise beyond his years, befriending an escaped convict (Robert De Niro) in the warm waters of Florida's Gulf Coast. Finn is also the plaything for Estella (Paltrow as an adult, Raquel Beaudene at age 10), the niece of the coast's richest and most eccentric lady, Ms. Dinsmoor (a fun and flamboyant Anne Bancroft). The prudish Estella likes Finn (catch the best first kiss scene in many a moon) but has been brought up to disdain men; she'll break hearts. As the object of Finn's desires, Estella unfortunately is a one-dimensional character, yet what a dimension! Clad in Donna Karan dresses and her long, sun-kissed hair, Paltrow is luminous. She and Hawke make a very sexy couple. Mitch Glazer's script does better by Finn. He's a blue-collar worker with a gift for drawing (artwork by Francesco Clemente). Following his Uncle Joe's (Chris Cooper) honest ways, Finn grows up as a fisherman, thoughts of Estella and art drifting away in the hard work. When a mysterious benefactor allows him to follow his dream, Finn finds himself in New York, preparing for a once-in-a-lifetime art exhibit--and in the arms of the engaged Estella. Filled with cinematographer Emmanuel Lubezki's golden-drenched light, the film has an irresistible, wildly romantic look. Dinsmoor's place is certainly gothic, Estella and Finn's longing encounters glamorous. Cuarón uses an MTV-friendly soundtrack with a confident touch. Songs by Tori Amos and the band Pulp--along with Patrick Doyle's silky score--create passionate scenes. It all ends far too swiftly with a seemingly tacked-on ending (reflecting the book, as it happens) but the film is splendid storytelling. It's a stylish, sweet valentine. --Doug Thomas Oliver TwistIf Charles Dickens were alive to see Roman Polanski's faithful adaptation of Oliver Twist, he'd probably give it his stamp of approval. David Lean's celebrated 1948 version of the Dickens classic and Carol Reed's Oscar-winning 1968 musical are more entertaining in some ways, but Polanski's rendition is both painstakingly authentic (with superb cinematography and production design) and deeply rooted in the emotional context of the story. Both Polanski and Dickens had personal experiences similar to those of young Oliver (played here by Barney Clark)--Polanski in the Nazi-occupied ghettos of Poland during World War II, and Dickens during his hard-scrabble youth in Victorian London--and this spiritual kinship lends a certain gravitas to the tale of a tenacious orphan who escaped from indentured servitude in London society and is taken in by Fagin (Ben Kingsley) and his streetwise gang of pickpockets. As the evil Bill Sykes, who exploits Oliver for his own nefarious needs, Jamie Foreman is no match for Oliver Reed (in the '68 musical) in terms of frightening menace, but even here, Polanski's direction hews closer to Dickens, while the screenplay by Ronald Harwood (who also wrote Polanski's The Pianist) necessarily trims away subplots and characters for the sake of narrative economy. All in all, this Oliver Twist rises above most previous versions, and with the benefit of Kingsley's nuanced performance, Polanski arrives at a compassionate conclusion that captures the essence of Dickens' novel in a way that viewers of all ages will appreciate for many years to come.-- Jeff Shannon Nicholas NicklebyWhile it necessarily streamlines the Charles Dickens classic, this delightful adaptation of Nicholas Nickelby captures the essence of Dickens in all of its Victorian splendor and squalor. With Charlie Hunnam (the U.K. Queer as Folk) doing noble work in the title role, this quintessentially Dickensian tale begins with the death of Nicholas's father, and the subsequent scheme by his cruel uncle (Christopher Plummer, perfectly cast) to separate Nicholas from his now penniless sister and mother. Stuck in a squalid school run by the evil Mr. and Mrs. Squeers (Jim Broadbent, Juliet Stevenson), Nicholas escapes with his loyal friend Smike (Billy Elliott's Jamie Bell), whose lineage will determine the greedy uncle's fate. As he did with Jane Austen's Emma, writer-director Douglas McGrath has crafted a prestigious production that shifts effortlessly between comedy and tragedy without compromising its warm, inviting tone. His dialogue rings true throughout, inspiring a stellar cast including Nathan Lane, Alan Cumming, Edward Fox, and Timothy Spall. Dickens himself would almost certainly have approved. --Jeff Shannon
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