As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualise the public's collective dream of Chicago gangsters". In other words, this lavish reworking of the vintage TV series is a rousing pot-boiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the film pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper Caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia) and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment and the train-station shootout partially modelled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fuelled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the film gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon, Amazon.com
TBC
70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin. Click Images to Enlarge
The film follows the surf and skateboarding trends that originated in California during the '70s.
A weekend away visiting parents becomes a living nightmare for Alex and her best friend Marie when a deranged killer breaks in, slaughters family members and kidnaps Alex. Hiding to evade capture Marie sets off on a white knuckle pursuit to save her friend. Product Features UHD presented in HDR10+ proved by Director Alexandre Aja New audio commentary by Dr Lindsay Hallam An Experiment in Suspense: a new interview with Alexandre Aja The Man in the Shadows: a new interview with Writer Grégory Levasseur The Darker the Better: an interview with Cinematographer Maxime Alexandre The Great French Massacre: an interview with Special Effects Artist Giannetto De Rossi Only the Brave: Alexandra Heller-Nicholas on High Tension Archive 'Making of' featurette Archive Interview with Cécile De France Archive Interview with Maïwenn Archive Interview with Philippe Nahon Rigid slipcase with new artwork by James Neal 70-page book with new essays by Anna Bogutskaya, Prince Jackson, Stacie Ponder and Zoë Rose Smith 6 collectors' art cards
New York, 1955, Private Detective Harry Angel has a new case on his hands. Washed up crooner Johnny Favorite has gone missing. Anybody that might be holding clues is being killed. Informants and witnesses are being murdered one by one. The bodies are piling up, time is running out and Harry Angel is being kept awake at night by strange satanic visions. From the mean streets of New York to the backwoods of New Orleans, Harry suddenly finds himself being dragged into a world of sex, murder, voodoo and death. This is no ordinary case, and Harry is no ordinary detective. Directed by Alan Parker (Midnight Express, Mississippi Burning) and starring Mickey Rourke (Sin City, The Wrestler), Robert De Niro (Taxi Driver, Heat), Lisa Bonet (High Fidelity) and Charlotte Rampling (Red Sparrow), Angel Heart is a deeply disturbing film with an incredibly unsettling atmosphere. A prime example of late eighties neo-noir, it successfully manages to blend elements of detective fiction with dark horror.
It's Christmas Eve, and Arnold needs to find a Turbo Man action figure, the craze of the season. Only they're sold out, of course. So the race is on, and the Austrian Oak must do fierce battle with other shoppers and merchants alike, all for the prize toy with which to purchase his son's affections. All of which is unwittingly very sad, on the content level. But the film supposes itself to be amiable enough, on its own shabby terms, even when it climbs out of the screen and starts gnawing at your furniture. If the humour were to get broader it would make HDTV obsolete. The tone can only be termed good-naturedly mean-spirited. Goofy carnival music runs continuously in the background so we never forget that what we're seeing is, er, um, funny. All the action is composed of comic violence, like an unhip Warner Bros. cartoon. Do the filmmakers actually consider this cynical foray to be indicative of the Christmas spirit? Apparently so, because the resolution has Arnold winning quite inadvertently, and offers no clear alternative to the competitive commercialism that drives the film's attempts at humour. In a key scene that's meant to be touching, Arnold and his chief rival Sinbad sit down for a heart-to-heart in which we learn that receiving much-wanted Christmas presents in our formative years is responsible for our success in adulthood. You get that Turbo Man, you'll be a billionaire; don't get it, you'll be a loser. Such is the formidable challenge of parenthood, to cater to the child's whims while it can still make a difference. This is what's wrong with America. --Jim Gay, Amazon.com
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
If Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama and the sets are appropriately striking: one is tempted to believe at first the characters are lost inside a computer chip. --Tom Keogh
Analyze This: De Niro deftly spoofing the wiseguy roles that have been a staple of his estimable career plays powerful New York crime family racketeer Paul Vitti. Crystal always one joke ahead of sleeping with the fishes is shrink Ben Sobel who has just days to resolve Vitti's emotional crisis and turn him into a happy well-adjusted gangster. Yes Sobel is a family psychiatrist. But surely this isn't the kind of family he had in mind! Analyze That: They locked up
Robert DeNiro plays the ageing master thief persuaded to take on one final job by criminal mastermind Marlon Brando and young hotshot Edward Norton.
Anaïs Nin (Maria de Medeiros) is a young woman in 1930s Paris whose husband is slowly defecting from art to working in a bank, leaving her very bored. When the then-unpublished Brooklyn writer Henry Miller (Fred Ward) enters her life, she embarks on a journey of seduction and sexual exploration that eventually leads from the writer to his wife, June (Uma Thurman), who finances her husband's life in Paris so he may praise her beauty in his writing. Unhappy with her husband's writing and her lovers' affair, June enters a jealous rage, forcing Henry into suffering-artist mode and Nin back to her husband. Despite having one of the more erotic scenes of the 1990s, between Nin and June, the film does not live up to its subject, largely due to a mediocre screenplay and flawed direction. The strength of the original material and Medeiros' strong performance make it worth viewing. -- James McGrath, Amazon.com
In this 10 disc collection features Five classic gangster films; American Gangster:Academy Award winners Denzel Washington and Russell Crowe team with director Ridley Scott (Gladiator) in this powerful, epic story. Armed with ruthless tactics and a strict sense of honour, crime boss Frank Lucas (Washington) rules Harlem’s chaotic drug underworld. When outcast cop Richie Roberts (Crowe) sets out to bring down Lucas’s multimillion-dollar empire, it plunges both men into a legendary confrontation. Carlito's Way: Oscar winner Al Pacino gives an electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his highpowered attorney (Academy Award winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honour. In a life-or-death battle, Carlito takes on therelentless forces that refuse to let him go.Casino:Robert De Niro, Sharon Stone and Joe Pesci star in director Martin Scorsese’s riveting look at how blind ambition, white-hot passion and24-carat greed toppled an empire. Las Vegas, 1973, is the setting for this fact-based story about the Mob’s multimillion-dollar casinooperation, where fortunes and lives were made and lost with a roll of the dice.Mean Streets:Mean Streets announced Martin Scorsese’s arrival as a new filmmaking force – and marked his first historic teaming with Robert De Niro. It’s a story Scorsese lived, a semi-autobiographical tale of the first-generation sons and daughters of New York’s Little Italy. Harvey Keitel plays Charlie, working his way up the ranks of a local mob. Amy Robinson is Teresa, the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of FilmCritics, De Niro is Johnny Boy, a small-time gambler in big-time debt to loan sharks.Scarface:Directed by hit-maker Brian DePalma and produced by Martin Bregman who brought both Carlito’s Way legends to the screen, Scarface follows the violent career of a small-time Cuban refugee hoodlum who guns his way to the top of Miami’s cocaine empire. With its intense screenplay by Academy Award Winner Oliver Stone, driving musical score by Giorgio Moroder, and superb insights into Miami’s Latin lifestyle, Scarface joins the ranks of Hollywood’s greatest underworld dramas, as it lays bare the sordid power of the American drug scene.
Now in High Definition. The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray Superboy Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon.
A superior sexploitation thriller showcasing fiery performances from both Herbert Lom (as a sinister pimp) and Diana Dors (as one of his workers), Passport to Shame was the feature directorial debut for BAFTA-nominated Alvin Rakoff. With camerawork from Nicolas Roeg and a memorable performance from Odile Versois as the innocent caught up in a life of crime, it is presented here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. Vicki, a young French girl on the run from the Parisian police, arrives in London. Believing herself to be safe, she is horrified to discover that Nick - a violent, scheming pimp - has designs on making her the latest acquisition to his girls of the night ... Special Feature: Image gallery
DESPERATE AND DETERMINED TO SURVIVE Two convicts break out of Stonehaven Prison in the dead of winter, boarding a freight train with the intention of getting as far away as possible before their notoriously sadistic warden finds out. But the brakes fail and the driver has a heart attack, sending hundreds of tons of metal hurtling through the snowy Alaskan wastes at terrifying and unstoppable speed. Based on a script by Akira Kurosawa (Seven Samurai), with hardboiled prison slang added by real-life ex-con Edward Bunker (Mr Blue in Reservoir Dogs), this riveting thriller also boasts Oscar-nominated performances from Jon Voight and Eric Roberts with Voight playing spectacularly against type as a criminal so vicious that he served much of his sentence welded into his cell. Combining electrifying action with constant psychological tension (the only surviving member of the train crew is a young, inexperienced woman), Runaway Train is one of cinema's great thrill-rides. SPECIAL FEATURES: High Definition Blu-ray presentation of the film Original Uncompressed Stereo Audio Optional English SDH Subtitles for the deaf and hard of hearing Running on Empty An Interview with director Andrei Konchalovsky From Thespian to Fugitive Star Jon Voight shares his memories of his Academy Award-nominated role Sweet and Savage: Eric Roberts recalls his Academy Award-nominated performance The Calm Before the Chaos Co-star Kyle T. Heffner remembers Runaway Train Trailer with commentary by Rod Lurie Original Trailer Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson
A doctor uncovers stories of crime, revenge, love and friendship when he stars work in Sao Paulo's infamous prison Carandiru.
One of the most iconic films int he history of French cinema arrives on DVD and Blu-Ray in a deluxe box set. A landmark in French Cinema Jean-Jacques Beineix's erotically charged and visually intoxicating film also heralded the arrival of a new screen icon Beatrice Dalle. Laid-back handyman Zorg spends his time doing odd jobs on beach-front chalets making chilli and harbouring dreams of becoming a writer. His life is turned upside down with the arrival of a beautiful but volatile Betty. They begin a romance fuelled by intense passion but as Betty turns increasingly violent and self-destructive Zorg tries desperately to halt her slide into insanity. Special Features: 'The Making of Betty Blue' - A Second Sight Produced Documentary Featuring new Interviews with Jean-Jacques Beineix Beatrice Dalle Jean Hughes Anglade Claudie Ossard Gabriel Yared Jean-Francois Robin Beatrice Dalle Screen Tests
A documentary about the life of art icon Peggy Guggenheim. She became a central figure in the modern art movement and collected not only art, but artists. Her colorful personal history included trysts, affairs and marriages with such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, which is today enshrined in her famous Venetian palazzo.
Shocking and highly controversial at the time of release, The Snake Pit broke new ground in Hollywood cinema for its depiction of mental illness and its treatment. Olivia de Havilland (Gone with the Wind; The Heiress), delivers an astounding performance as a young bride who suffers a breakdown and finds herself committed to an asylum. Director Anatole Litvak (Sorry, Wrong Number; Anastasia) had to fight to persuade producer Darryl Zanuck to back the film, but the result remains one of the most potent and powerful films to tackle the subject and was an influence on later works such as Sam Fuller's Shock Corridor (1963), Robert Rossen's Lilith (1964) and Miloš Forman's One Flew Over the Cuckoo's Nest (1975). Extras: 4K remaster from original negative Original mono audio Audio commentary with author and film historian Aubrey Solomons The Battles of Olivia de Havilland (2019): critic and film historian Pamela Hutchinson discusses the revered actor's illustrious career Neil Sinyard on The Snake Pit' (2019): a new appreciation by the author and film historian Theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Lindsay Hallam, an overview of contemporary critical responses, and film credits World premiere on Blu-ray All extras subject to change
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