He Tamed The West But Could He Tame Her? Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls gunfire an Indian attack the engagement of his only daughter and the return of Mrs. McLintock!
A road trip goes terrifyingly awry when a family become stranded in a government atomic zone.
Acclaimed story of an unambitious civil servant who escapes the harsh realities of a totalitarian future with frequent daydreams. Jonathan Pryce and Robert De Niro star with Michael Palin and Bob Hoskins in this chilling black comedy directed by former Monty Python member Terry Gilliam.
Ryan Gosling (Drive The Place Beyond The Pines) directs an all-star cast in this gripping thriller about love family and the fight for survival in the face of danger. In the virtually abandoned town of Lost River Billy (Christina Hendricks- Drive TV’s ‘Mad Men’) a single mother of two is swept into a dark and macabre underworld in a desperate quest to save her home and hold her family together. Meanwhile her teenage son Bones (Iain De Caestecker – ‘Agents Of S.H.I.E.L.D.’) discovers a mystery about the origins of the town that triggers his curiosity and sets into motion an unexpected journey that will test his limits and the limits of those he loves. Featuring stand out supporting performances from Matt Smith (TV’s ‘Doctor Who’) Eva Mendes (The Place Beyond The Pines) and Saoirse Ronan (The Grand Budapest Hotel) LOST RIVER is both a dark crime thriller and a stylish and atmospheric depiction of the destruction of small-town America.
Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975 a clan of scruffy rebellious teens found a way to turn this dearth to their advantage using the sloping bowl of empty suburban swimming pools to create a new underground sport - skateboarding. The development explosion and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary Dogtown and Z-Boys. Peralta one of the original skaters who came to be known as the Z-Boys has penned this dramatized account of his own story a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves.
Gemma Jones stars as Louisa Trotter a cook for the upperclass at a fancy hotel. Very similar in style to 'Upstairs Downstairs' this classic British TV series first aired in 1976.
Heat: When Al Pacino and Robert De Niro square off 'Heat' sizzles. Written and directed by Michael Mann 'Heat' includes dazzling set pieces and a bank heist that USA Today's Mike Clark calls 'the greatest action scene of recent times.' It also offers 'the most impressive collection of actors in one movie this year' (Newsweek). The Deer Hunter: This powerful motion picture tracks a group of steelworker pals from a Pennsylvania blast furnace to the cool hunting grounds of the Alleghenies to the lethal cauldron of Vietnam. Robert DeNiro gives an outstanding performance as Michael the natural leader of the group. 'The Deer Hunter' is a searing drama of friendship and courage and what happens to these qualities under hardship; it is a shattering emotional experience you will never forget. GoodFellas: When Martin Scorsese one of the world's most skilful and respected directors reunited with two-time Oscar winner Robert De Niro in 'GoodFellas' the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack critics and filmgoers alike declared GoodFellas great.
"Steep" is a feature documentary about bold adventure, exquisite athleticism and the pursuit of a perfect moment on skis. It is the story of big mountain skiing, a dangerous and exhilarating sport that barely existed 35 years ago.
The First New Horror Creature Before he turned his hand to lycanthropes in An American Werewolf in London shuffling zombies in the Thriller music video and hostile extra-terrestrials in Men in Black special effects legend Rick Baker lent his talents to the creation of another memorable horror creature. Step forward The Incredible Melting Man! When spacecraft Scorpio V returns to Earth following a mission to Saturn two of the crew are dead and the third astronaut Steve West is in a critical condition. Critical that is until he rises from his hospital bed to bite chunks out of a nurse before escaping into the surrounding countryside. The authorities set about trying to track Steve down before he claims any other victims but they don’t know the really bad news yet - Steve is also highly radioactive! The Incredible Melting Man offers up a wealth of show-stopping B-movie moments in its relatively modest running time – chief among them the scene in which a disembodied head floats down a river only to smash messily on the rocks further downstream – but the real star of the show here is Baker’s ultra-icky special effects work which let you see the Melting Man’s transition in all its gooey glistening glory. Special Edition Contents: High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature transferred from original film elements Original Mono audio (uncompressed PCM on the Blu-ray) Optional English subtitles for the deaf and hard of hearing Audio Commentary with William Sachs Super 8 digest version of the film Interview with Writer/Director William Sachs and Make-up Effects Artist Rick Baker Interview with Make-up Effects Artist Greg Cannom Reversible sleeve featuring original and newly commissioned artwork Collector’s booklet featuring new writing on the film and more!
It's hard to think of a couple better suited to play the romantic leads in Donizetti's comedy L'Elisir d'amore than husband-and-wife team Roberto Alagna and Angela Gheorghiu. Both are charming on stage, and both have voices to die for: Gheorghiu's dark liquid tones are particularly spine-tingling, and her coloratura abilities awe-inspiring, and though Alagna has mainly concentrated on the more spinto (powerful) roles of the tenor repertoire, in 1996 when this live production was recorded his voice was just a little fresher and lighter and thus perfect for the bel canto gracefulness of Donizetti's writing. His performance of "Una furtiva lagrima", for example, is meltingly sung and free from all temptation to overplay the high notes. Frank Dunlop's 1920s-set production doesn't quite produce the belly laughs some stagings manage (in Dulcamara's patter song, for example), but has a certain small-town wistful charm nonetheless. The orchestral accompaniment under Donizetti expert Evelino Pidò is spot on, and never falls into the banal "oom-pah" trap that such simple writing can often lead to. Overall, it's a production of great charm. On the DVD: L'Elisir d'amore comes to disc with a 52-minute film on the history of the opera and its recording, with contributions from Alagna and Gheorghiu, and subtitles in English, French, German, Spanish and Chinese. The Lyon opera house is particularly well set up for video recording, and Brian Large does a sophisticated job of capturing a live performance: it's hard to believe at some points that the cameras aren't actually on stage in the middle of the action. Just occasionally this leads to the singers not knowing where to look and seeming a trifle lost, but generally the performances work superbly well on the small screen. --Warwick Thomson
""If you're smart you'll come down - if you're dumb you'll be dead..."" This fast paced crime/noir thriller is reminiscent of some of Bogart's best films of the 30's. Bogart plays a tough District Attorney who goes after an organized gang of killers based on the real life 'Murder Inc.' case. Bogart trades bullet for bullet when his chief witness falls mysteriously to his death and is given 24 hours to rebuild his case.
RESTORED! REJUVENATED! REBORN! By the end of the 1960s the boom in Old World gothic horror had begun to wane in the face of present day terrors like the Vietnam war. In response, American filmmakers brought horror out of the past and into the present, and the classic movie monsters packed their bags and headed for the New World. Count Yorga, Vampire was among the first to successfully transpose the classic vampire, cloak and all, to a modern day setting as the Count played unforgettably by Robert Quarry arrives in the United States and settles in a Southern California mansion with his mysterious brides. A drive-in favourite from the moment it was released, a sequel soon followed. The Return of Count Yorga ups the ante and sees the sardonic Count on the streets of San Francisco, his sights set on an orphanage as a potential source of sustenance. Director Bob Kelljan (Scream Blacula Scream) delivers a one-two punch of classic cult cinema mixing chills, thrills, style, and suspense with a knowing wit that revels in the genre trappings. Presented in all new restorations by Arrow Films from new scans of the original camera negative, The Count Yorga Collection is a full blooded feast to die for! Product Features Brand new 2K restorations by Arrow Films of Count Yorga, Vampire and The Return of Count Yorga from new 4K scans of the original 35mm camera negatives High Definition Blu-Ray (1080p) presentations of both films Original lossless mono audio Optional English subtitles for the deaf and hard of hearing Illustrated perfect bound collector's book featuring new writing by film critic Kat Ellinger and horror author Stephen Laws, plus archive contributions by critic Frank Collins and filmmaker Tim Sullivan Limited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Heather Vaughan Fold-out double-sided posters for both films featuring original and newly commissioned artwork by Heather Vaughan Twelve double-sided, postcard-sized lobby card reproduction artcards Reproduction pressbook for Count Yorga, Vampire DISC ONE COUNT YORGA, VAMPIRE Brand new audio commentary by film critic Tim Lucas Archival audio commentary by film critics David Del Valle & C. Courtney Joyner The Count in California, a brand new appreciation by Heather Drain and Chris O'Neill I Remember Yorga, a brand new interview with Frank Darabont in which the award-winning filmmaker talks about his love for Count Yorga, Vampire A Vampire in L.A., a brand new interview with actor Michael Murphy Fangirl Radio Tribute to Robert Quarry, an archival episode featuring host Jessica Dwyer in conversation with Tim Sullivan filmmaker, Yorga fan and friend of Robert Quarry Theatrical trailer Radio spots Image galleries DISC TWO THE RETURN OF COUNT YORGA Brand new audio commentary by film critic Stephen R. Bissette Archival audio commentary by David Del Valle & C. Courtney Joyner The Count and the Counterculture, a brand new interview with film critic Maitland McDonagh Chamber-music of Horrors, a brand new interview with David Huckvale about the scores for both films Archival interview with film critic Kim Newman Theatrical trailer Radio spots Image gallery
Short stories from Jim Jarmusch that all have coffee and cigarettes in common.
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Kurt Russell hits new heights in laconic action heroes with his portrayal of Sergeant Todd, born and bred to be a soldier in a futuristic army. Raised to kill mercilessly, living only for battle, he finds himself at the twilight of his career (and so-called life) when a regiment of genetically enhanced warriors threatens to make his brand of soldiering obsolete. Despite his extensive skills, he is no match for the best of breed of the new order and he's left for dead on a planet that serves only as a junk heap. There he encounters a ragtag group of castaways and in his own strange and silent way slowly begins to learn how to be less a killer and more a human. All is disrupted, though, when the genetic regiment arrives on the trash planet and decides to eradicate the local human "trespassers". Though Todd had been overmatched before, this time he has more than ever to fight for--a home and friends. Soldier is one of those rare sci fi movies that relies more on plot and action than special effects (though the trash planet is effectively wrought). The pace of action in the last half of the film is relentless and exciting and Russell's portrayal of the old warrior as he warms to human emotions relies more on expression than words--in fact, he barely utters more than a half-dozen lines. --Todd Nelson
A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.
Red Lights centres on a psychologist (Sigourney Weaver), and her assistant (Cillian Murphy), whose study of paranormal activity leads them to investigate a world-renowned psychic (Robert De Niro).
During an otherwise routine babysitting gig, a high-school student is harassed by an increasingly threatening prank caller.
Three classics form Jacques Rivette. Secret Defense is a gripping and fascinating dark Hitchcock style thriller about a scientist who is murdered by a family friend. In Vasavoir the theatre world is the setting. The characters all quick-witted well-read and cultured types revolve around each other in a delightful potpourri of theatre romance and theft. Histoire de Marie et Julien is a fascinating film and rather more interesting for its unusual stylistic approach to genre filmmaking dealing with death re-birth time and memory and is regarded as one of Rivette's long-lost phantom films.
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