Enter an exciting world where you will discover how to be a hero the Hi-5 way! So become a true team player with the team from Hi-5... Ready Set GO! Kellie has a rock climbing adventure and climbs a mountain to save Chats! Tim discovers that with the right music he can be a super hero too! Charli becomes a cheerleader with a new Hi-5 Cheer! Kathleen floats in the sky on a hot air balloon adventure! And Nathan becomes a game showhost in What's that Action?
She's the ultimate tough and sexy heroine. She's Soul Cinema superstar Pam Grier and whether delivering her justice with a shotgun a razor or just her bare hands she doesn't miss a beat in this no-hold-barred tale of retaliation from exploitation writer/director Jack Hill. Grier is Coffy nurse by day and avenging angel by night. When she discovers that her little sister has been doped up - and freaked out - by a greedy drug pusher she not only puts an end to his miserable days b
John Rambo (Sylvester Stallone) has gone to ground at a Buddhist temple in Thailand when Colonel Sam Trautman (Richard Crenna) seeks him out for a new mission: supplying weapons to oppressed rebels in Afghanistan. When Rambo refuses, Trautman leaves for Afghanistan without him but is quickly taken hostage by Soviet forces. With his friend facing imminent death, Rambo volunteers to mount a solo rescue attempt Features: Rambo takes the 80s Part 3 Full Circle Alternate Beginning Deleted Scenes Interview with Sylvester Stallone Trautman & Rambo Original Trailer
Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
Set in rural Spain just after Franco's victory in the Spanish Civil War Victor Erice's debut film The Spirit Of The Beehive is a remarkable story of a child's innocence amid post-war traumas. Ana Torrent gives a stunning performance as a young girl adjusting to the new Fascist rule. When a travelling cinema comes to town and shows the Boris Karloff film Frankenstein Ana starts to worry about the fate of the Monster. Goaded on by her sister who tells her the Monster lives on the
Set in seven countries across three continents Mondovino weaves together the family succession saga of Napa Valley power brokers with the bitter rivalry of two aristocratic Florentine dynasties and the inter-generational struggle of a Burgundian family trying to preserve its few acres of vineyards. It also connects these stories - and several others - to the exploits of a gleeful 'flying winemaker' from Bordeaux who preaches the gospel of modernity and globalization from the hills o
The Fly: A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to save the man she loves. Return Of The Fly:
Four Films 1936-1938 brings together a quartet of 1930s features by Sacha Guitry, the celebrated French filmmaker, playwright and actor of the stage and screen, each based on his earlier works. Indiscretions (Le Nouveau testament) follows a holier-than-though physician who is scuppered by his own hypocrisy. My Father Was Right (Mon père avait raison) tells off a man who, after being left by his wife for another man, raises his son to be wary of women. Let's Dream (Faisons un rêve ) is another story of mistrust, between husband, wife and lovers. And the history of one of France's most famous streets is retold in Up the Champs-Ãlysées (Remontons les Champs-Ãlysées), featuring multiple performances from Guitry himself. Available for the first time on Blu-ray this set presents some of Guitry's earliest and most enjoyable works.
The Adventures of Rocky & Bullwinkle suffers from a problem common among live-action movies that are based on beloved cartoon characters--the humans are never as flexible, unpredictable, or just plain goofy as their animated counterparts. In this blend of animation and live action, Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterised Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialised. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall Fine, Amazon.com
“New Year’s Eve” celebrates love, hope, forgiveness, second chances and fresh starts, with intertwining stories told amidst the pulse and promise of New York City on the most dazzling night of the year. Extras The Magic of Times Square New Year's Eve Secrets of the Stars Jon Bon Jovi and Lea Michele Rock New Year's Eve Deleted Scenes with Garry Marshall Gag Reel
Starring Milla Jovovich (Resident Evil franchise) and Pierce Brosnan (Bond franchise), SURVIVOR is a gripping thriller about State Department employee Kate Abbott (Jovovich), newly posted in the American embassy in London. Kate is charged with stopping terrorists from getting into the U.S. which puts her directly in the line of fire: targeted for death, framed for crimes she didn't commit, discredited and on the run. Now she must find a way to clear her name and stop a large-scale terrorist attack set for New Year's Eve in New York's Times Square.
The true story of Vincent Lamarca, whose father was executed for a 1950s kidnapping of a child, grew up to become a police officer, only to see his own son become a murderer.
Branded as a video nasty in the UK, director Luigi Cozzi s Contamination takes the premise of Ridley Scott s classic Alien and peppers it with exploding guts galore and a dangerously infectious soundtrack from celebrated Italian prog-rockers Goblin (Deep Red, Suspiria). A cargo ship drifts up the Hudson River. Its crew: all dead, their bodies horribly mutilated, turned inside out by an unknown force. Its freight: boxes upon boxes of glowing, pulsating green eggs. It soon becomes clear that these eggs are not of this planet, and someone intends to cultivate them here on Earth. But who? And to what end? Starring Italian horror veteran Ian McCulloch (Zombie Flesh Eaters), Contamination is an ultra-violent sci-fi epic that really gets under the skin. In space, no one can hear you scream but on Earth, the terror rings loud and clear!
In this 10 disc collection features Five classic gangster films; American Gangster:Academy Award winners Denzel Washington and Russell Crowe team with director Ridley Scott (Gladiator) in this powerful, epic story. Armed with ruthless tactics and a strict sense of honour, crime boss Frank Lucas (Washington) rules Harlem’s chaotic drug underworld. When outcast cop Richie Roberts (Crowe) sets out to bring down Lucas’s multimillion-dollar empire, it plunges both men into a legendary confrontation. Carlito's Way: Oscar winner Al Pacino gives an electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his highpowered attorney (Academy Award winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honour. In a life-or-death battle, Carlito takes on therelentless forces that refuse to let him go.Casino:Robert De Niro, Sharon Stone and Joe Pesci star in director Martin Scorsese’s riveting look at how blind ambition, white-hot passion and24-carat greed toppled an empire. Las Vegas, 1973, is the setting for this fact-based story about the Mob’s multimillion-dollar casinooperation, where fortunes and lives were made and lost with a roll of the dice.Mean Streets:Mean Streets announced Martin Scorsese’s arrival as a new filmmaking force – and marked his first historic teaming with Robert De Niro. It’s a story Scorsese lived, a semi-autobiographical tale of the first-generation sons and daughters of New York’s Little Italy. Harvey Keitel plays Charlie, working his way up the ranks of a local mob. Amy Robinson is Teresa, the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of FilmCritics, De Niro is Johnny Boy, a small-time gambler in big-time debt to loan sharks.Scarface:Directed by hit-maker Brian DePalma and produced by Martin Bregman who brought both Carlito’s Way legends to the screen, Scarface follows the violent career of a small-time Cuban refugee hoodlum who guns his way to the top of Miami’s cocaine empire. With its intense screenplay by Academy Award Winner Oliver Stone, driving musical score by Giorgio Moroder, and superb insights into Miami’s Latin lifestyle, Scarface joins the ranks of Hollywood’s greatest underworld dramas, as it lays bare the sordid power of the American drug scene.
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Thatrical Trailers Featurette
In 'Grudge Match ' De Niro and Stallone play Billy 'The Kid' McDonnen and Henry 'Razor' Sharp two local Pittsburgh fighters whose fierce rivalry put them in the national spotlight. Each had scored a victory against the other during their heyday but in 1983 on the eve of their decisive third match Razor suddenly announced his retirement refusing to explain why but effectively delivering a knock-out punch to both their careers. Thirty years later boxing promoter Dante Slate Jr. seeing big dollar signs makes them an offer they can't refuse: to re-enter the ring and settle the score once and for all. But they may not have to wait that long: on their first encounter in decades their long-festering feud erupts into an unintentionally hilarious melee that instantly goes viral. The sudden social media frenzy transforms their local grudge match into a must-see HBO event. Now if they can just survive the training they may actually live to fight again.
This glorious 1995 production of Wagner's festival opera highlights the central debate about the artist, his inspiration and the academic rules that have to be worked with, or around, by setting it not in the Middle Ages so much as in a high-Victorian world of frock coats and cravats. Wolfgang Brendel's impressive performance as Hans Sachs has both the authority of the great poet trying to make everyone understand the virtues of good sense and a middle way, as well as the emotional appeal of a man whose decision to make Eva's choice between him and Walther is for once a real struggle: Brendel plays him as a man young enough to be a credible rival to the young minstrel-knight. Gosta Windbergh in turn brings real passion not only to the "Prize Song" itself but to the whole opera, not least to the aristocratic/bohemian distrust of the bourgeois world of the master singer for which Sachs ends up rebuking him. Schulte's performance as Beckmesser conveys the meanness and pettiness without buying wholly into the viciousness with which Wagner humiliates his comic villain and through him all of his own enemies. Conductor de Burgos manages to keep the massive scale of this longest of comic operas human and humane--this never becomes a sinisterly intense or vast performance. --Roz KaveneyOn the DVD: This two-disc set comes equipped with scene selection and subtitles in German, French and English, as well as menus in those languages and Spanish. --Roz Kaveney
1969: Dr Malcolm Sayer (Robin Williams) takes up a post at Bainbridge Hospital New York. Among his patients he discovers a group of forgotten survivors of the 1916 Sleeping Sickness epidemic - a virus that turned its victims into living statues. He is particularly drawn to one of these victims Leonard Lowe (Robert de Niro). With a new experimental drug Dr Sayer discovers a vital key to awakening in himself long dormant capacities for love and friendship. Inspirational and critically acclaimed Awakenings is based on a true and haunting story.
French director Michel Deville invites audiences to read between the lines with this sublime fantasy based on a selection of works by author Raymond Jean. The delectable Miou Miou earned a Cesar nomination for her playing of the dual roles of Constance a woman who shares her love of literature with her boyfriend and Marie a character in the book in which she is immersed... Winner of the Prix Louis Delluc the rich and boldly mesmerising 'La Lectrice' is a treat for both eyes and
Fifteen Minutes partners Robert De Niro and Saving Private Ryan's Edward Burns in a thriller satire on America's "reality TV" industry. De Niro plays celebrity detective Eddie Fleming, who must reluctantly work with arson investigator Jordy Warsaw (Burns) when a grisly fire is discovered to conceal a murder. This is the work of Emil (Karel Roden) and Oleg (Oleg Taktarov), East European psychos bent on a maniacal spree of killings. All of these are videotaped by Emil, who renames himself after his hero Frank Capra, in a perverse tribute to the US of A, where "no one is responsible for what they do!". Soon the duo decide to sell their footage to Kelsey Grammer's creepily shameless frontline TV journalist. As a pair of loons whose scariness is just the right side of cardboard villainy, Roden and Taktarov steal the movie as well as their camcorder. However, the central theme of voyeurism and video murder was dealt with far more effectively in the 1992 Belgian movie Man Bites Dog and, while the action tears along in explosive fashion, it does so at the expense of both plausibility and the anti-media satire, which seems hitched crudely onto the bumper of what is essentially a satisfying but conventional blockbuster thriller. --David Stubbs
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