Dirty Harry: Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why - and also why Clint Eastwood's reputation as a premier film star and moviemaker is secure. A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other no matter what the ""system"" prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. Thirty years after its arrival the original remains one of the most gripping police thrillers ever made. Magnum Force: Underworld figures are being murdered all over San Francisco. One by one criminals who have eluded prosecution are getting the justice they deserve justice you'd think Detective Harry Callahan might approve of with a tight-lipped smile. But if you think so you've misjudged Harry - and so have the killers. Written by future directors John Milius and Michael Cimino this Dirty Harry sequel stars Clint Eastwood in his signature role of Callahan here facing an unexpected kind of lawbreaker: one who carries a badge. Sharpshooting rookie motorcycle policemen have turned vigilante. Their real enemy is the system. But the system is what Harry is sworn to protect. And he does - with Magnum Force! The Enforcer: When detective Harry Callahan stops a liquor store hostage standoff in his own no-nonsense way he gets busted back to personnel. But not for long. When terrorists rob an arms warehouse and go on a blood-soaked extortion spree San Francisco's leaders quickly seek out Callahan: The Enforcer. Clint Eastwood takes dead aim again in this third of his five Dirty Harry films. Presaging her four-time Emmy-winning stint as half of TV's Cagney and Lacey Tyne Daly co-stars as Harry's new partner who has two jobs: nailing the terrorists - and winning hard-boiled Harry's confidence. Stoked with brisk humor and hard-hitting mayhem The Enforcer carves another winning notch in the handle of Harry's .44 magnum. Sudden Impact: Sensitive to outcries of police brutality the superiors of San Francisco Detective Harry Callahan have sent him on an out-of-town assignment until things cool down. But wherever Harry goes things just get hotter. Clint Eastwood hits the mark again in Sudden Impact. Callahan's older dirtier and the world hasn't gotten better. Which means this fourth Dirty Harry movie (which Eastwood also directs) is explosively exciting as Callahan tracks a traumatized rape victim (Sondra Locke) coldly gunning down her bygone attackers. Through the five Callahan films the lawman always struck a powerful chord. But Sudden Impact is particularly potent fueled by the line that became a national catchphrase: ""Go ahead. Make my day."" The Dead Pool: Fame isn't detective Harry Callahan's style. He dislikes being g
Director Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the US president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding heartbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff Shannon, Amazon.com
3 Movie Box Set
In this third installment of the Dirty Harry series Detective Callahan wages war on a terrorist group and his by-the-books superiors. His partner for this mission is a determined female officer who refuses to be bullied by male-chauvinist cops.
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Includes the following five great Clint Eastwood movies: Tightrope: By day Wes Block is a conscientious cop raising his two daughters alone. By night he indulges his bizarre sexaul tastes in the sleazy New Orleans twilight world. When a psychopathic sex murderer invades his dark domain Block's profession and personal lives violently conflict... The Rookie: Undercover cop David Ackerman is delighted with his promotion; that is until he meets his partner Nick Pulov
Titles Comprise: The Christmas Miracle All I Want For Christmas Stalking Santa
Clint Eastwood is Detective Harry Callahan in Sudden Impact the third sequel to Dirty Harry. This is probably the most violent film of the series. Here the brutal but effective Callahan is looking for a killer who shoots her male victims in the genitals. Jennifer Spencer (Sondra Locke) is tracking down the people responsible for raping her and her sister 10 years earlier killing them one by one. Callahan is on the case but will he stop her from meting out her own brand of justice which is uncomfortably close to his own? Eastwood himself produced and directed this action-packed film.
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
The Good The Bad And The Ugly Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. The Magnificent Seven Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic 'Seven Samurai'. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Alamo At the Alamo a crumbling adobe mission 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle 'The Alamo' is a visually stunning and historically accurate celebration of courage and honour. John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history.
Tim Allen makes an impressive screen debut in Disney's well-written seasonal film The Santa Clause. Divorced toy company executive Scott Calvin is pleased to have his son Charlie for Christmas, though the boy himself isn't happy about it. But when Santa Claus accidentally topples off the roof of the house and falls with a thud in the snow, Scott finds himself taking the merry old elf's place and earning new respect in his son's eyes. When the night ends, the reindeer take them to the North Pole, and Scott discovers that by donning the fabled red suit, he's inadvertently agreed to become the next Santa Claus. It's an enjoyable, straightforward family film, anchored by the affable charisma of Allen.--Bret Fetzer Considering how lame a sequel it could have been, The Santa Clause 2 makes for a pleasant seasonal diversion. It's got the familiar smell of Disney marketeering, and more than a few parents will object to this further embellishment of the St Nick legend, but Tim Allen's amiable presence provides ample compensation. According to the "Missus Clause" in his North Pole contract, he can't continue to be the real Santa until he gets married. It's all as sweet as spiced eggnog, with that warmed-over feel of a mandated sequel, but the Christmas spirit does prevail with the sound of sleigh bells and Allen's rosy-cheeked "Ho, ho, ho!". --Jeff Shannon
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
Catapulted to international prominence by Sergio Leone's spaghetti westerns Clint Eastwood leapt from TV lead to world class movie star. Then with Dirty Harry came super stardom. But even that was not enough. His goal was to get behind the camera - to make great films. To achieve this end he has produced directed and starred in such classics as Play Misty For Me High Plains Drifter Pale Rider and The Unforgiven. Meanwhile Clint continues to explore to take risks - always seeking to redefine his image as a loner who when the chips are down cares. Including clips from his best pictures here is his life told by Clint himself.
This is the life story of one of the most influential and controversial film directors in the history of Hollywood John Milius. From his childhood aspirations to join the military to his formative years at the USC Film School his legendary work on films such as ‘Apocalypse Now’ ‘Jaws’ ‘Conan The Barbarian’ ‘Dirty Harry’ and ‘Red Dawn’ to his ultimate dismissal from Hollywood due to his radical beliefs and controversial behaviour.
Joe Kidd which concerns a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang finale which has a locomotive being driven through a saloon where the bad guys are hiding.
From the producer of The Devil's Rejects - Back in the 1970s several patients in an experimental sleep study reported seeing shadowy intruders. These patients - and hundreds of others - died in their sleep soon after. Doctors called the phenomenon 'Sudden Unexplained Nocturnal Death Syndrome'. They refused to discuss the shadows. Now a struggling late-night radio host (Dallas Roberts of The Grey and Rubicon) and a skeptical CDC investigator (Alison Eastwood) have begun researching a disturbin...
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