It was the perfect wedding except for two things ...the bride's parents The wedding from hell just sparked a match madeiin heaven! Happily divorced for 14 years Lilly and Dan still have one thing in common they hate each other with nuclear capacity. But after a knock-down drag-out fight at their daughter's wedding their pent-up hostility suddenly turns to unbridled passion! Now the two unlikely lovebirds are on the run - with their frantic daughter her new stuffed-shirt
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
A collection of 5 films based on murder mystery novels by Mary Higgins Clark. Includes: 1. A Crime Of Passion 2. Before I Say Goodbye 3. Try To Remember 4. The Cradle Will Fall 5. I'll Be Seeing You
Set in Mexico a nun called Sara is rescued from three cowboys by Hogan (Clint Eastwood) who is on his way to do some reconnaissance for a future mission to capture a French fort. The French are chasing Sara but not for the reasons she tells Hogan so he decides to help her in return for information about the fort defences. Inevitably the two become good friends but Sara has a secret..
Titles Comprise: High Plains Drifter: Clint Eastwood's second film as a director (following the highly successful Play Misty For Me) High Plains Drifter returns the actor to his familiar scene of the Old West and his familiar role of 'The Man With No Name'. Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. Trouble is coming to town and The Stranger is going to be at the centre of it. Coogans Bluff: This Eastern-Western set in sixties New York tells of an Arizona sheriff who accompanies his extradited prisoner and loses him in the concrete canyons of Manhattan. Eastwood's enigmatic dangerous westerner must find him meeting pimps crooks hippies and cops along the way. Joe Kid: Waking up in the local jail after a night of hard drinking gunslinger Joe Kidd (Eastwood) is not at his best as he comes before the judge to be reprimanded. But he soon finds himself caught in the middle of a dispute between some land workers and land barons and must decide which of them has right on their side. Although the answer is far from clear his choice will be instrumental in deciding the outcome. Play Misty For Me: A laid-back jazz DJ (Eastwood) with a taste for goodlooking cars and women enjoys what he thinks is a onenight stand with an attractive brunette (Jessica Walter) who admits she's one of his biggest fans. But the one night becomes a recurring nightmare as she pursues him relentlessly turning his carefree existence into a living hell that threatens to destroy everything that matters to him.
Alan Rickman and Sigourney Weaver star in this movie about a two people touched by loss - one a quiet, brooding man, the other a highly functioning autistic woman.
High Plains Drifter (1973): Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. After committing three murders and one rape in the first 20 minutes The Stranger is hired by the town to protect it from three gunmen just out of jail. The Stranger then paints the entire town bright red renames it Hell and supplies Divine retribution in a fiery climax. Joe Kidd (1972): Concerning a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a hired gun who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang finale which has a locomotive being driven through a saloon where the bad guys are hiding. The Beguiled (1971): Set in the Deep South during the Civil War The Beguiled stars Eastwood as John McBurney a severely wounded soldier who is near death when discovered by a teenage girl. She takes him to the mansion that serves as her boarding school where he slowly begins to regain his health under the care of headmistress Martha Farnsworth (Geraldine Page) and the dozen or so girls who live there. As McBurney gets better he begins to charm the girls all of whom are starved for affection because of the war's claim on their men. At length powerful undercurrents of jealousy saturate the atmosphere as the girls and even the headmistress begin to vie for McBurney's attention. He first becomes involved with one of the oldest of the girls Edwina Dabney (Elizabeth Hartman) but ultimately finds it difficult to resist the charms of some of her schoolmates. His promiscuity becomes his undoing.
The acclaimed computer-generated animation series 'Xcalibur' brings the stuff of Arthurian legend kicking and screaming into the 21st century as an adventure-packed flight of the imagination. Now you can experience the excitement and artistry of this ground-breaking series as all 40 episodes of 'Xcalibur' come to DVD in a Special Collector's 10-disc box set. Shortly before his death King Edwynn entrusts the magical Sword of Justice Xcalibur to Prince Erwann instructing him to hid
The Clint Eastwood War Collection: Flags of Our Fathers Letters from Iwo Jima Heartbreak Ridge Kelly's Heroes
Obsessed by the world of pool Johnny could be one of the best. But his mentor and ""trainer"" Joe is holding him back from his dream. Johnny eventually breaks from Joe which leads to violence. After an ultimatum from his girlfriend Tara Johnny finally commits to a ""real"" job in the construction business. Joe is bent on revenge for the beating he took and soon he has a new protg Brad who is just as good if not better then Johnny. The two play a high-stakes game of pool which en
The Good, The Bad and The Ugly Clint Eastwood ("the man with no name") is good, Lee Van Cleef (named Angel Eyes Sentenza here) is bad, and Eli Wallach (Tuco Benedito Pacifico Juan Maria Ramirez) is ugly in the final chapter of Sergio Leone's trilogy of spaghetti Westerns (the first two were A Fistful of Dollars and For a Few Dollars More). In this sweeping film, the characters form treacherous alliances in a ruthless quest for Confederate gold. Leone is sometimes underrated as a director, but the excellent resolution on this DVD should enhance appreciation of his considerable photographic talent and gorgeous widescreen compositions. Ennio Morricone's jokey score is justifiably famous. The DVD includes about a quarter-hour of footage not seen in the original release. -- Amazon.com The Gunfighter Numerous films have used The Gunfighter as a title, but if you're looking for the film classic of that name, this is the one. Gregory Peck followed his powerful performance in Twelve O'Clock High (also for director Henry King) with an arguably even stronger portrayal: Jimmy Ringo, celebrated shootist just stepping into middle age and mortally weary of having to defend his legend every time he turns around. His trail takes him to a small town where an old comrade, Mark Strett (the great Millard Mitchell), now serves as marshal, and where Ringo's estranged wife and the son he has never seen also reside, under an assumed name. Over one night and one day, hoping against hope, he dares to dream of a normal life. But there are avengers not far behind, and other threats yet to be counted. Although critically praised, The Gunfighter was a box-office disappointment. Darryl F. Zanuck blamed the soup-strainer moustache Henry King had Peck grow for the role, but perhaps the film's virtues of intelligence and restraint weighed against it. The Gunfighter properly deserves the credit (awarded to High Noon two years later) for ushering in the "adult Western," that '50s subgenre that emphasized psychological intensity over action and spectacle. (Most of The Gunfighter unfolds at the Palace Bar where Ringo waits for his family to be brought to him.) In any event, latter-day audiences should have no trouble appreciating the solid performances, literate writing, and impeccable Fox craftsmanship, including the final studio assignment for ace cinematographer Arthur Miller. --Richard T. Jameson, Amazon.com The Alamo John Wayne drew on what he learned from John Ford, Howard Hawks, and practically everyone who directed him during his long career when he made his own directorial debut on this labour of love. The Alamo is a sprawling, unabashedly patriotic epic of the sacrifice made by 187 men defending the Alamo from Santa Ana's bigger and better equipped army. Wayne stars as Col. Davy Crockett, the straight-talking, fun-loving frontiersman turned senator, with Laurence Harvey as the stiff, by-the-book Col. William Travis and Richard Widmark as the legendary Jim Bowie who bristles under Travis's military protocol. The mix of regular army soldiers, Texican irregulars, scouts, and civilians makes for a volatile melting pot, but they all come together in a time of crisis in this metaphor for Wayne's heroic vision of America. Wayne spared no expense in this, one the last of the old fashion Westerns, re-creating the Alamo in exacting detail and corralling a cast of Western icons and old friends, including Richard Boone, Chill Wills (who earned an Oscar nomination), Hank Worden, Denver Pyle, Ken Curtis, and Olive Carey, in addition to teen heartthrob Frankie Avalon and Wayne's son Pat. Even old pal and spiritual godfather John Ford lent a hand shooting second-unit footage. Wayne is no Ford, but despite himself (and a talky script), he delivers an entertaining film full of intriguing characters and excellent action scenes, earning the film an Oscar nomination for Best Picture in 1960. Remember the Alamo! --Sean Axmaker, Amazon.com
Meg Galloway a bush pilot in a small Alaska town learns that the father she thought abandoned her when she was a child was actually murdered. Nate Burke the new police chief just arrived from Baltimore and battling his own demons works with Meg. As they fall in love they must find the killer who is still among them.
This two-disc Special Edition presents the restored, extended English-language version of Leone's The Good, the Bad and the Ugly, now clocking in at almost three hours (actually 171 minutes on this Region 2 DVD as a result of the faster frames-per-second ratio of the PAL format). It includes some 14 minutes of previously cut scenes, with both Clint Eastwood and Eli Wallach returning to the editing suite in 2003 to add their voices to scenes that had never before been dubbed into English (Wallach's voice is noticeably that of a much older man in these additional sequences). The extra material contains nothing of vital importance, but it's good to have the movie returned to pretty much the way Leone originally wanted it. The anamorphic widescreen picture is now also accompanied by a handsome Dolby 5.1 soundtrack, making this the most complete and satisfactory version so far released. Film historian Richard Schickel provides an authoritative and engaging commentary on Disc 1. On the second disc there are featurettes on Leone's West (20 mins), The Leone Style (24 mins), Reconstructing The Good, the Bad and the Ugly (11 mins) and a documentary about the historical background of the Sibley campaign, The Man Who Lost the Civil War (15 mins). In addition, there's a two-part appreciation of composer Ennio Morricone, Il Maestro, by film-music expert John Burlinghame. Tuco's extended torture scene can be found here, along with a reconstruction of the fragmentary "Socorro Sequence". In short, exemplary bonus features that will satisfy every Leone aficionado. --Mark Walker
A fascinating 5 disc set of half hour profiles spotlighting the personal lives and extraordinary careers of 50 legendary Hollywood leading men.Dashing Errol Flynn! Handsome Paul Newman! Versatile Jack Nicholson! are just a few of the great movie actors featured in this definitive collection.From the early classic era of John Barrymore James Cagney and Cary Grant to more contemporary heart throbs such as Warren Beatty Mel Gibson and John Travolta 'Hollywood Biographies: The Leading Men' tells their amazing stories through rare film clips television appearances photographs and interviews. Over 20 hours of footage on 5 DVD 9s all packaged in space saving slimpac boxes with an overall box width for the entire collection of just 4cms.
This two-disc Special Edition presents the restored, extended English-language version of Leone's The Good, the Bad and the Ugly, now clocking in at almost three hours (actually 171 minutes on this Region 2 DVD as a result of the faster frames-per-second ratio of the PAL format). It includes some 14 minutes of previously cut scenes, with both Clint Eastwood and Eli Wallach returning to the editing suite in 2003 to add their voices to scenes that had never before been dubbed into English (Wallach's voice is noticeably that of a much older man in these additional sequences). The extra material contains nothing of vital importance, but it's good to have the movie returned to pretty much the way Leone originally wanted it. The anamorphic widescreen picture is now also accompanied by a handsome Dolby 5.1 soundtrack, making this the most complete and satisfactory version so far released. Film historian Richard Schickel provides an authoritative and engaging commentary on Disc 1. On the second disc there are featurettes on Leone's West (20 mins), The Leone Style (24 mins), Reconstructing The Good, the Bad and the Ugly (11 mins) and a documentary about the historical background of the Sibley campaign, The Man Who Lost the Civil War (15 mins). In addition, there's a two-part appreciation of composer Ennio Morricone, Il Maestro, by film-music expert John Burlinghame. Tuco's extended torture scene can be found here, along with a reconstruction of the fragmentary "Socorro Sequence". In short, exemplary bonus features that will satisfy every Leone aficionado. --Mark Walker
Contesting land ownership Mexicans invade a small New Mexico town. A ruthless land baron hires a bounty hunter to track down their leader.
Dolores has everything she wants for her birthday - a party a fine cake with 18 candles and Stephen the handsome stranger who is more than a guest. He's a present to keep daddy's little girl happy - and he's a prisoner...
Dorothy found the rainbow; Judy spent her life looking for it. 'Life With Judy' follows the amazing life story of American icon Judy Garland. Based on New York Times best seller from daughter Lorna Luft 'Life With Judy' is a deeply moving testament to the healing powers of embracing one's past facing one's demons and charting a course of self-love and discovery.
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