The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Sir Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone's life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours.
I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked nine-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. The Sixth Sense, M Night Shyamalan's third feature, sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart
Winner of four Academy Awards, including best picture, director, supporting actor and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarised everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalised a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colourful role for Richard Harris, Unforgiven is arguably Eastwood's crowning directorial achievement. --Jeff Shannon
The Gathering Storm is a fictionalised portrayal of Winston Churchill and his wife Clementine during their wilderness years of the 1930s. It deservedly won numerous awards, including an Emmy, BAFTA and Golden Globe in recognition of Albert Finney's wonderful central performance. Equally deserving were those for all aspects of the production design: period wardrobe, set dressing and use of location are equally impressive, apparently ensuring that this production has everything going for it in its depiction of pre-War Britain. The snag is that its restriction to TV movie format, a mere 90 minutes, excludes a lot of historical context that ought not to have been left out. Seeing Churchill's adoration of his wife (Vanessa Redgrave) or the family woes troubling Ralph Wigram (Linus Roache) is all very emotionally dramatic, but it uses precious screen time that might have been better devoted to highlighting the political situation abroad, or indeed the monarchy's situation at home. The enterprise smacks a little too much of sentimental contrivance, lionising Churchill in rose-tinted retrospect. True, some attempt is made to acknowledge the personality traits that excluded him both from office and popularity prior to Germany's re-building, but like so much else pertinent to the machinations of anticipating the war, these are glossed over for familial feel-goodery and button-pushing poignancy. This is a film that's easy to admire, but ought not to be mistaken for well-rounded history. On the DVD: The Gathering Storm doesn't look or sound quite as crisp and clear as you'd hope for a recent TV-movie transfer. That's down to some obvious grain in the picture, and the 2.0 surround audio that tends to lose quieter dialogue moments. There are extensive cast and crew biographies that will no doubt help international viewers place the naggingly familiar British faces. There's also the accumulatively enthusiastic commentary from director Richard Loncraine and producer Frank Doelger, which happily points many of them out. --Paul Tonks
Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
In the spy-crazed film world of the 1960s, Len Deighton's antihero Harry Palmer burst onto the scene as an antidote to the James Bond films. Here was a British spy who had a working-class accent and horn-rimmed glasses and above all really didn't want to be a spy in the first place. As portrayed by Michael Caine, Palmer was the perfect antithesis to Sean Connery's 007. Unlike that of his globetrotting spy cousin, Palmer's beat is cold, rainy, dreary London, where he spends his days and nights in unheated flats spying on subversives. He does charm one lady, but she's no Pussy Galore, just a civil servant he works with, sent to keep an eye on him. Eventually he's assigned to get to the bottom of the kidnapping and subsequent "brain draining" of a nuclear physicist, all the while being reminded by his superiors that it's this or prison. Things begin to get pretty hairy for Harry. Produced by Harry Saltzman in his spare time between Bond movies, the film also features a haunting score by another Bond veteran, composer John Barry. --Kristian St. Clair, Amazon.com
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Teenager Chris Parker (Elisabeth Shue) agrees to babysit after her ""dream"" date stands her up. Expecting a dull evening Chris settles down with the three kids for a night of TV and boredom. But when her frantic friend Brenda calls and pleads to be rescued from the bus station in downtown Chicago the evening soon explodes into an endless whirl of hair-raising adventures!
A Star is Born, stars four-time Oscar nominee Bradley Cooper ( American Sniper, American Hustle, Silver Linings Playbook ) and multiple award-winning, Oscar-nominated music superstar Lady Gaga, in her first leading role in a major motion picture. Cooper helms the film, marking his directorial debut. In this new take on the tragic love story, he plays seasoned musician Jackson Maine, who discovers-and falls in love with-struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer... until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons. Extras: The Road to Stardom: Making A Star Is Born Jam Sessions and Rarities: Baby What You Want Me to Do (Jam Session) Jam Sessions and Rarities: Midnight Special (Jam Session) Jam Sessions and Rarities: Is That Alright by Lady Gaga Music Videos: Shallow Lady Gaga and Bradley Cooper Music Videos: Always Remember Us This Way by Lady Gaga Music Videos: Look What I Found by Lady Gaga Music Videos: I'll Never Love Again by Lady Gaga
Edward Woodward gives an electrifying performance as a reluctant professional killer working for British Intelligence. Callan became a national phenomenon in the late 1960s making Woodward one of the highest profile actors on television and paving the way to his eventual career in America on shows like The Equalizer. Created by James Mitchell (When the Boat Comes In) and exploring the dingy twilight world of the professional spy Callan was the antithesis of James Bond (back in the days of Connery and Moore) and presented until that point television's most realistic portrayal of government espionage. This set contains the original Armchair Theatre pilot play A Magnum for Schneider along with all the remaining black and white episodes from series one and two - unseen in nearly forty years and available on any format for the first time.
In Marvel Studios' Thor: Ragnarok, Thor is imprisoned on the other side of the universe without his mighty hammer and finds himself in a race against time to get back to Asgard to stop Ragnarokthe destruction of his homeworld and the end of Asgardian civilizationat the hands of an all-powerful new threat, the ruthless Hela. But first he must survive a deadly gladiatorial contest that pits him against his former ally and fellow Avengerthe Incredible Hulk! Thor: Ragnarok thunders into U.S. theaters on November 3, 2017.
It's 1666, and medieval England is in the grip of the Great Plague. But when the Doctor and his companions arrive, they discover an even greater threat: the entire planet is in danger. As the Grim Reaper stalks the countryside, the Doctor uncovers an alien menace intent on wiping out humanity and claiming our planet for themselves. The Terileptils have arrived - and only the Doctor can stop them... Special Features: Commentary with Peter Davison, Janet Fielding, Sarah Sutton, Matthew Waterhouse and Director Peter Moffatt Grim Tales: Brand-new 45-minute documentary. Former companion Mark Strickson takes Peter Davison, Janet Fielding and Sarah Sutton back to the original filming locations while other cast and crew members discuss their memories of the story. The Television Centre of the Universe Part 1 - Peter Davison, Mark Strickson and Janet Fielding return to the BBC Television Centre and meet up with old friends and colleagues to reminisce on their time in the iconic building. Doctor Forever - The Apocalypse Element - Examining the world of Doctor Who on audio. Including interviews with Colin Baker, Russell T Davies, Mark Gatiss and many others. Film Trims - Shots and sequences cut from the finished programme Directing Who - Peter Moffatt Writing a Final Visitation Scoring the Visitation - Interview with Composer Paddy Kingsland Subtitle Production Notes Radio Times Listings and BBC Sales Sheet Photo Gallery Coming Soon Trailer Isolated Music Score Easter Egg Digitally Remastered Picture Sound and Quality
In Marvel Studios' Thor: Ragnarok, Thor is imprisoned on the other side of the universe without his mighty hammer and finds himself in a race against time to get back to Asgard to stop Ragnarokthe destruction of his homeworld and the end of Asgardian civilizationat the hands of an all-powerful new threat, the ruthless Hela. But first he must survive a deadly gladiatorial contest that pits him against his former ally and fellow Avengerthe Incredible Hulk! Thor: Ragnarok thunders into U.S. theaters on November 3, 2017.
Ralph Bakshi's 1978 animated adaptation of The Lord of the Rings is a bold, colourful, ambitious failure. Severely truncated, this two-hour version tackles only about half the story, climaxing with the battle of Helm's Deep and leaving poor Frodo and Sam still stuck on the borders of Mordor with Gollum. Allegedly, the director ran out of money and was unable to complete the project. As far as the film does go, however, it is a generally successful attempt at rendering Tolkien's landscapes of the imagination. Bakshi's animation uses a blend of conventional drawing and rotoscoped (traced) animated movements from live-action footage. The latter is at least in part a money-saving device, but it does succeed in lending some depth and a sense of otherworldly menace to the Black Riders and hordes of Orcs: Frodo's encounter at the ford of Rivendell, for example, is one of the movie's best scenes thanks to this mixture of animation techniques. Backdrops are detailed and well-conceived, and all the main characters are strongly drawn. Among a good cast, John Hurt (Aragorn) and C3PO himself, Anthony Daniels (Legolas), provide sterling voice characterisation, while Peter Woodthorpe gives what is surely the definitive Gollum (he revived his portrayal a couple of years later for BBC Radio's exhaustive 13-hour dramatisation). The film's other outstanding virtue is avant-garde composer Leonard Rosenman's magnificent score in which chaotic musical fragments gradually coalesce to produce the triumphant march theme that closes the picture. None of which makes up for the incompleteness of the movie, nor the severe abridging of the story actually filmed. Add to that some oddities--such as intermittently referring to Saruman as "Aruman"--and the final verdict must be that this is a brave yet ultimately unsatisfying work, noteworthy as the first attempt at transferring Tolkien to the big screen but one whose virtues are overshadowed by incompleteness. --Mark Walker
Marvel Studios presents “Avengers: Age of Ultron ” the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program things go awry and Earth’s Mightiest Heroes including Iron Man Captain America Thor The Incredible Hulk Black Widow and Hawkeye are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges it is up to The Avengers to stop him from enacting his terrible plans and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s “Avengers: Age of Ultron” stars Robert Downey Jr. who returns as Iron Man along with Chris Evans as Captain America Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill the team must reassemble to defeat James Spader as Ultron a terrifying technological villain hell-bent on human extinction. Along the way they confront two mysterious and powerful newcomers Wanda Maximoff played by Elizabeth Olsen and Pietro Maximoff played by Aaron Taylor-Johnson and meet an old friend in a new form when Paul Bettany becomes Vision.
Sitcom legend Mollie Sugden stars as Ida Willis, a fear-inspiring housekeeper who finds herself in an unexpected situation when her domestic agency sends her to work for Robert Price, a handsome doctor, and his model wife, Angie: once installed in the couple's London flat, she realises that Robert is, in fact, the son she gave up for adoption as a baby! Once she's over the shock, Ida starts to make her maternal presence felt, giving Robert's adoptive mother some unwelcome competition and ensuring that life will never be the same again for the Prices... Devised and scripted by You're Only Young Twice creators Pam Valentine and Michael Ashton, That's My Boy was an enduring success for Yorkshire Television, running for five series and two Christmas specials. Featuring guest turns from Victor Maddern, Deryck Guyler, Duncan Preston, Carol Hawkins and Kenneth Connor, among others, this set contains every episode made.
Highly popular and more than a little controversial Johnny Speight's classic sitcom satirised the less acceptable aspects of conservative working-class culture and the yawning generation gap, creating a sea change in television comedy that influenced just about every sitcom that followed. As relevant today as when first transmitted, Speight's liberal attitude to comedy shone a light on some of the more unsavoury aspects of the national character to great effect. Starring Warren Mitchell as highly opinionated, true-blue bigot Alf Garnett, Till Death Us Do Part sees him mouthing off on race, immigration, party politics and any other issues that take his fancy. His rantings meet fierce opposition in the form of his left-wing, Liverpudlian layabout son-in-law Mike, while liberal daughter Rita despairs and long-suffering wife Else occasionally wields a sharp put-down of her own. Though all colour episodes exist, many early black and white episodes were wiped decades ago. The recent recovery of the episode Intolerance, however, alongside off-air audio recordings made on original transmission allow us to present a near-complete run of the series from beginning to end.
Leading a phenomenal cast including Val Kilmer, Kelly McGillis, Anthony Edwards, Meg Ryan and Tim Robbins, Tom Cruise soars as Maverick, the young, in-your-face U.S. fighter pilot with a need for speed, a lot to prove, and even more to learn. Forever ranking with the best action films of all time, Top Gun remains a high-octane adrenaline rush. Product Features The Legacy Of Top Gun On Your Six - Thirty Years Of Top Gun Danger Zone: The Making Of Top Gun (6-part Documentary) Commentary By Filmmakers And Naval Experts Tom Cruise Interviews Multi-angle Storyboards Best Of The Best: Inside The Real Top Gun Behind-the-scenes Featurette Survival Training Featurette And More
The Award winning musical about Bohemian life, love and AIDS in New York comes to the screen.
Get ready to roll out with the Autobots and their human allies as they defend the world from the evil Decepticons. This limited edition must-have collection includes six unique Steelbooks containing the blockbuster TRANSFORMERS movies on 4K Ultra HD⢠and special features on bonus Blu-ray⢠discs - housed together in a striking magnetic slipcase. Transformers From director Michael Bay and executive producer Steven Spielberg comes a thrilling battle between the AUTOBOTS⢠and the DECEPTICONSâ¢. When their epic struggle comes to Earth, all that stands between the evil DECEPTICONS⢠and ultimate power is a clue held by Sam Witwicky (Shia LaBeouf). Join the fight for mankind in the extraordinary adventure that features some of the most spectacular action and effects sequences of any movie of its kind and will appeal to the kid in all of us. Transformers: Revenge of the Fallen The battle for Earth continues in this action-packed blockbuster from director Michael Bay and executive producer Steven Spielberg. When college-bound Sam Witwicky (Shia LaBeouf) learns the truth about the ancient origins of the Transformers, he must accept his destiny and join Optimus Prime® and Bumblebee® in their epic battle against the Decepticonsâ¢, who have returned stronger than ever with a plan to destroy our world. Transformers: Dark of the Moon A mysterious event from Earth's past threatens to ignite a war so big that the Transformers alone will not be able to save the planet. Sam Witwicky (Shia LaBeouf) and the Autobots⢠must fight against the darkness to defend our world from the Decepticons'⢠all-consuming evil in the smash hit from director Michael Bay and executive producer Steven Spielberg. Transformers: Age of Extinction From director Michael Bay and executive producer Steven Spielberg comes the hugely entertaining * Transformers: Age of Extinction. With humanity facing extinction from a terrifying new threat, it's up to Optimus Prime and the Autobots to save the world. But now that our government has turned against them, they'll need a new team of allies, including inventor Cade Yeager (Mark Wahlberg) and the fearsome Dinobots! Transformers: The Last Knight From Director Michael Bay and Executive Producer Steven Spielberg comes the best 'Transformers' yet. * Our world's greatest hero becomes our fiercest enemy when Optimus Prime launches a mission to save Cybertron by destroying Earth. Now Bumblebee and Cade Yeager (Mark Wahlberg) must lead the Autobots against their former ally in the ultimate battle to save mankind from annihilation. Bumblebee Cybertron has fallen. When Optimus Prime sends Bumblebee to defend Earth, his journey to become a hero begins. Charlie Watson (HAILEE STEINFELD), a teenager trying to find her place in the world, discovers and repairs the battle-scarred robot, who's disguised as a Volkswagen Beetle. As the Decepticons hunt down the surviving Autobots with the help of a secret agency led by Agent Burns (JOHN CENA), Bumblebee and Charlie team up to protect the world in an action-packed adventure that's fun for the whole family.
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