The 4400, which began as a five-week mini-series, is built around a deceptively simple, dramatically rich premise. What if all the people, who had ever been abducted by aliens, were suddenly returned to Earth? What would happen? Although they look exactly as they did when they left, they have no knowledge of where they were or why they were taken. Now some even have special powers, like clairvoyance. As with ABC's Lost, which centres on the survivors of a plane crash, The 4400 features a large cast of characters and a host of mysteries to be solved. If the special effects, which are kept to a minimum, can be a little cheesy at times, the concept--and the skillful execution of the concept--easily makes up for it. Produced by Francis Ford Coppolla's American Zoetrope and created by Scott Peters (The Outer Limits), The 4400 is set in Seattle, where the 4400 are returned. The principal characters include Dennis Ryland (Peter Coyote of E.T.), the local supervisor of Homeland Security. He's joined by agents Tom Baldwin (Joel Gretsch of Taken), whose nephew was one of the returnees, and Diana Skouris (Jacqueline McKenzie of Romper Stomper), who takes in one of the youngest returnees. Guest stars include Michael Moriarty (Law and Order) in "Pilot" and Lee Tergeson (Oz) in "Becoming." Billy Campbell (Once and Again) also appears in several episodes as Jordan Collier, a real-estate magnate and returnee who becomes an advocate for others like himself, many of whom are having problems adjusting to a changed world. Like Lost, one of the biggest success stories of 2004, The 4400 debuted to strong ratings and was renewed for a full season. --Kathleen C. Fennessy
A visually haunting film, set at the foot of the Australian ski fields, this is the story of a young girl's sensory journey.
Karl his brother David and their father Frank are all stranded in Dinotopia after a plane accident. It's here that dinosaurs and humans live in perfect harmony but beneath the surface dangers are brewing....
Sarah Wolfe was the only living survivor from the massacre at the Vanacutt Mansion but no one believed her claims that ghosts were responsible for the gruesome murders that took place there. Now her recent and questionable suicide leaves her sister Ariel no choice but to devote herself to finding out who - or what - was responsible for her death. Ariel discovers that Sarah sent her the diary of the sadistic Dr. Vanacutt just before she died offering clues to the diabolical evil that resides within the house. But the diary also makes Ariel a target in a deadly treasure hunt that leads a group of unwitting victims back to the Vanacutt Mansion reawakening the terror imprisoned within the house on the hill. This time the house and the evil spirits inside are out to make sure that no one leaves alive.
H. G. Wells' fantastic account of life on the moon is vividly brought to the screen by special effects master Ray Harryhausen in this amazing sci-fi epic featuring extraterrestrial creatures. Told mostly in flashback the movie starts with preparations for a modern mission to the Moon being interrupted by an old man's ramblings about a flight he and two companions took to the moon many decades earlier...
Toy Story John Lasseter's Toy Story poses the universal and magical question of what do toys do when they are not being played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he is the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film". In other words, the film is great. Toy Story 2 Like the handful of other great film sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out that Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular 1960s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. This is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior and two action sequences that book end the film are dazzling. A hoot for kids and adults, the film is packed with spoofs, easily accessible in-jokes and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living for forever. --Doug Thomas, Amazon.com
Season Five finds Dexter struggling with the guilt over Rita's death. He seeks solace in his old killer ways and embarks on an unexpected and surprising relationship with the mysterious Lumen (Julia Stiles). Season Six finds America's favourite serial killer with a new lease on life and death. An outbreak of gruesome killings based on the Book of Revelations and the emergence of the Doomsday Killer puts Dexter and Miami Homicide on the hunt for a new beast of biblical proportions. In Season Seven, Dexter has a chance for possible romance with a beautiful fellow murderer; Deb (Jennifer Carpenter) learns how difficult it is to keep her brother's secrets; Batista pursues a dream away from the force; Quinn loses his heart; and LaGuerta gets closer to pinning the Bay Harbor Butcher killings on Dexter. In the Final Season, Dexter's estranged sister Deb tries to cope with her guilt in her brother's crimes, while an emotionally vulnerable Dexter comes face-to-face with a psychopathologist who knows the code that has motivated his every murder, finishing Dexter's twisted journey with a bloody amazing send-off that will haunt fans forever.
The notorious serial killer Jigsaw is back for more deadly fun and games.
Like the hit album that inspires its name, Supernatural Live brings journeyman guitarist Carlos Santana back into the mainstream by surrounding him with younger superstars eager to bask in his formidable musical presence. Resuscitating stardom through sheer proximity can translate to forced pairings or superfluous music-making, but credit Santana himself with minimising such missteps: a fusion artist before the term was coined, the erstwhile Mexican street musician long ago extended his technical reach and broadened his stylistic palette by hungrily assimilating different styles of music. Accordingly, he shifts gears easily, whether soloing behind Dave Matthews, trading lines with legendary saxophonist Wayne Shorter, or spicing up a hip-hop excursion with Lauryn Hill. Santana justifiably taps into the late 90s breakout for Latin pop, hardly surprising in light of his early identification with "Latin-rock" via his 1968 recording debut. His early reworking of Tito Puente's classic "Oye Como Va" thus pops up as the set closer, while the concert kicks off with a frenetic, horn-powered "(Da Le) Yaleo", given added spectacle by a swaying corps of female dancers in feathered headgear. Elsewhere, the guitarist hosts a procession of the stars that added their marquee value to the Supernatural album, including Rob Thomas (the massive hit, "Smooth", here performed as a medley with "Dame Tu Amor") and Everlast. But a duet with label colleague Sarah McLachlan on "Angel" yields the concert's only anticlimax--on a ballad built from spare piano and a poignant lyric, Santana's innate taste leaves him little to contribute beyond a delicate tracery of classical guitar. Production values are excellent, with crisp camera work and sound mixing. A special remote camera, mounted on the neck of Santana's guitar, presents his intricate fretwork in nifty close-ups that are wisely held to just a few songs. --Sam Sutherland, Amazon.com
Lethal, professional hitwoman Mary (Taraji P. Henson) works for the most notorious crime family in town, headed by Benny (Danny Glover). When Mary shoots a protected mobster in order to save a young boy, she must take on a rogues' gallery of crime figures, from the Russian Mafia to those closest to her, including her former lover. Armed with her wits and a closet full of guns Mary must do whatever it takes to be the last woman standing in this energetic and explosive action thriller. Features: Mary's World featurette The Beginning of the End featurette If Looks Could Kill featurette
The Van Veeteren detective series is based on the best-selling crimes novels by one of Sweden's most popular mystery writers Håkan Nesser. Set in the fictitious city of Maardam in a made-up country that could be anywhere in Northern Europe the series follows the murder cases of retired chief inspector Van Veeteren and his two crime squad protégés Münster and Moreno. Episodes Comprise: CaramboleFollowing a clandestine meeting with his lover a man kills a young boy in a hit and run but does not escape unseen. The ensuing blackmail drama claims further victims including Van Veeteren's son Erich. Van Veteran's attempts to involve himself in the investigation put his relationship with Münster and Moreno under strain especially as a picture of Erich begins to emerge that Van Veeteren refuses to accept. In the end Van Veeteren has to use himself as bait to lure the killer into the open. The Swallow The Cat The Rose and DeathMünster comes across the strangled body of a young woman in her home and surprises the murderer who is still on the premises. Though the murderer escapes a rare book is found at the scene with a dedication by the killer. When another victim is uncovered Van Veeteren s literary expertise is put to the test as it becomes clear they are dealing with a serial murderer who kills using names taken from 19th century crime novels. Which name will he use for his next victim? Case GVan Veeteren's only unsolved case comes back to haunt him when the daughter of a murdered private detective comes to see him. A brutal wife killer who went into hiding years before has resurfaced under an assumed name or so it seems and Van Veeteren has personal reasons for wanting him caught. Always one step ahead of his friends on the police force Van Veeteren has to face the killer alone in a final twist that surprises even this master detective.
In 1564 Ivan suddenly changed his methods of ruling and moved his family to his estate at Uglich outside Moscow. As a result of the pilgrimage to this country retreat by the populous of Moscow Ivan is persuaded to return to the city. Taking advantage of this mass support he now has the backing to make his rule more powerful and decisive than ever. The boyars were forced to to accept some drastic changes including the formation of wo different goverenments in Russia so that Ivan cou
Colin Farrell and Robin Wright Penn star in this drama about two friends re-uniting in New York to create a new kind of family.
The ABCs of Death is perhaps the most ambitious anthology film ever conceived with productions spanning fifteen countries and featuring segments directed by over two dozen of the world's leading talents in contemporary genre film including the directors of House of the Devil Hobo with a Shotgun A Serbian Film Tokyo Gore Police You're Next and four British Directors - Ben Wheatley (Sightseers) Simon Rumley (Red White and Blue) Jake West (Doghouse) and Leeds based Lee Hardcastle who with his claymation short won a competition to be the final Director. Inspired by children's educational books the motion picture is comprised of twenty-six individual chapters; each helmed by a different director assigned a letter of the alphabet. The directors were then given free rein in choosing a word to create a story involving death. Provocative shocking funny and ultimately confrontational The ABCs of Death is the definitive vision of modern horror diversity. This alphabetical arsenal of destruction orchestrated by what has been described as a stunning roll call of some of the most exciting names in horror across the world. Special Features: Filmmaker Commentary A Is For Apocalypse - Oil Burns Visual Effects B Is For Bigfoot - Making of C Is For Cycle - Deleted Scenes D Is For Dogfight - Making of H Is For Hydro-Electric Diffusion – Behind the Scenes The Making of Bertie the Bulldog & Frau Scheisse and Finished Short vs. Behind the Scenes I Is For Ingrown - Making of J Is For Jidai-Geki - Behind the Scenes R Is For Removed - Behind the Scenes Photo Gallery T Is For Toilet - Behind the Scenes V Is For Vagitus - Deleted Scene Behind the Scenes and Animatics W Is For WTF! - Behind the Scenes Bonus Flubs! and Star-Beast Outtakes Do You Know Your ABC’s Trailer
"Make it Happen" is the uplifting story of how hard work and determination can make any dream come true.
The Dirty Dozen are sent on a dangerous mission to intercept and eliminate a cadre of idealistic young Nazi officers being sent to the Middle East in preparation for the establishment of a Fourth Reich after the war's imminent end...
Documentary focusing on the annual Hahnenkamm ski race in the Austrian town of Kitzbühel and its iconic downhill course the Streif. The film follows international skiers Aksel Lund Svindal, Max Franz, Hannes Reichelt, Erik Guay and Yuri Danilochkin over the course of a year as they prepare for the 2014 edition of the race, its 75th anniversary. The documentary also follows Kitzbühel's preparations for the competition and includes highlights from past races.Technical Specs: Languages(s): German, EnglishSubtitles: EnglishInteractive Menu
A COP TELLS HIS STORY. WITH THE STING OF REALISM AND EXCITEMENT THAT MADE IT A TOP BESTSELLER. Richard Fleischer's gritty and fateful portrait of LA cops adapted from Joseph Wambaugh's autobiographical bestseller, is anchored by superb performances from George C. Scott as a world-weary older cop who quietly fears becoming obsolete, and Stacy Keach as the young rookie he takes under his wing. INDICATOR LIMITED EDITION SPECIAL FEATURES: Cop Stories: The Making of Richard Fleischer's The New Centurions' (2016, 44 mins) featuring interviews with actor Stacy Keach, writer Joseph Wambaugh, technical advisor Richard E. Kalk and assistant cameraman Ronald Vidor. Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing ¢ Limited edition exclusive booklet with a new essay by Nick Pinkerton ¢ Limited Dual Format Edition of 3,000 copies UK Blu-ray premiere
The numbes don't lie but the players just might... After finding a wallet in the street Tepper (Erik Palladino) calls the owner the owner in order to return it. After making the call however he discovers that the lottery ticket inside is a $6 million winner. To add to things his friends are on their way over for their weekly poker night and the group tradition is to bet their lottery tickets. When the wallet's owner shows up and joins the game who will walk out as the wi
This underrated teen comedy from 1998 is guilty of being a proud underachiever, and it doesn't bring anything new to the genre, but look closely and you'll find the makings of a much better movie buried under all the keg-party antics. The basic story is typical for this kind of comedy. A young, aspiring writer named Preston (Ethan Embry) has been lusting after class beauty Amanda (Jennifer Love Hewitt, from TV's Party of Five) for four years of high school, but he's never had the nerve to tell her. Now that they're about to graduate he has finally worked up the courage to write her a soul-baring love letter. At the raucous graduation keg party that takes up most of the movie's 98 minutes, Preston agonises while Amanda's selfish jock ex-boyfriend tries to win her back, and delivering his love letter turns out to be more difficult than he ever imagined. What's interesting about Can't Hardly Wait has little to do with its attractive leads, however. The most engagingly real and entertaining characters are the misfits who show up in the sub-plots, including a geek (Charlie Korsmo) who turns into the life of the party and a pair of old friends (Seth Green, Lauren Ambrose) who confront each other about their mutual needs and insecurities. There are some really good scenes between these two and this modest movie has a few other pleasant surprises up its sleeve. That doesn't make it particularly good but it does make it an agreeable waste of time. --Jeff Shannon
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