It''s exam time at Waterloo Road and it''s not only the pupils who are being tested. Corruption is rife in the tendering process to build a new training centre at the school with Headteacher Rachel Mason coming under pressure from a blackmailing builder to secure his interest in the bid. What is the secret she''s trying to hide - and how much will it cost the school? On a romantic front Assistant Teacher Davina Schackleton finds herself the object of attention of more than one man and French Teacher Steph Haydock is using her talents to seduce a Frenchman Claude Legard into parting with his money - but all in a good cause. Bullying becomes an issue when young Teacher Jasmine Koreshi intervenes in what should have been an obvious case but finds herself accused of assault instead. The pupils continue to create as many challenges for others as they face themselves when a group of eco-warriors decide to make the school greener at any cost a young student faces deportation leading to an immigration crisis and one young girl falls victim to a predatory supply teacher. Spring Term at Waterloo Road is as unpredictable as the weather - sometimes sunny often stormy but always with the promise of great things to come.
Falling in love, as the world falls apart. David McKenzie's Glasgow-set tale of love in a time of apocalypse sees a welcome reteaming of Young Adam's director and star, Ewan McGregor.
BOYS ON FILM comes of age with ten uplifting and powerful tales recounting the lives of everyday heroes fighting for their own identities and the right for us all to be ourselves. This selection includes the powerful docudrama The Colour Of His Hair starring Josh O Connor (God s Own Country), the breath-taking Egyptian animation Half A Life, An Evening, the touching sequel to An Afternoon (from Boys On Film 14), and Iris Prize 2017 winner, Mother Knows Best. TEN SHORT FILMS DANIEL (UK, 2015, 14 mins) Directed by Dean Loxton. Starring Henry Garrett (Poldark) BUDDY (The Netherlands, 2015, 12 mins) Directed by Niels Bourgonje HALF A LIFE (Egypt, Indonesia, USA, Netherlands, 2017, 12mins) Directed by Tamara Shogaolu UNDRESS ME (Sweden, 2013, 15 mins) Directed by Victor Lindgren. THE COLOUR OF HIS HAIR (UK, 2017, 23 mins) Directed by Sam Ashby. Starring BAFTA-nominated Josh O Connor (God s Own Country) SILLY GIRL (UK, 2016, 5 mins) Directed by Hope Dickson Leach (The Levelling). Starring Clara Baxendale (My Mad Fat Diary) and Jason Barker (A Deal with the Universe). AN EVENING (Denmark, 2016, 10 mins) Directed by Søren Green AIDS: DOCTORS AND NURSES TELL THEIR STORIES (UK, 2017, 26 mins) Directed by Alejandro Medina IT S CONSUMING ME (Germany, 2012, 3 mins) Directed by Kai Staenicke (B. Golden) MOTHER KNOWS BEST (Sweden, 2016, 13 mins) Directed by Mikael Bundsen
An explosive, and sometimes surreal, journey through London and the metropolis Meanwhile City charting the path of four disparate characters
All episodes of this tense British crime drama series starring Trevor Eve Tara Fitzgerald Claire Goose and Sue Johnson. The programme follows the work of a special police team who investigate cold cases usually murders that took place a number of years ago and were never solved. The team uses evidence which has just come to light as well as contemporary technology to examine previous evidence.
Steven Seagal stars as a tough cop who sets out to expose the corruption in his inner-city police department, with the help of a local crime lord.
From the writer of Let the Right One In comes a mesmerising and genre-defying dark fairytale set in modern-day Sweden. Tina is a customs agent with a nose for trouble. She can literally smell human emotions, which is a handy talent for sniffing out suspicious border crossers. But when a mysterious male traveller's scent confounds her, she's faced with hugely disturbing insights about who she is and what she wants. Academy Award® nominated and winner of Un Certain Regard at Cannes 2018, Border is like nothing you've ever seen before.
Werner Herzog: He has taken his camera to parts of the world no other director would dare to go and told stories in ways no one had ever even considered. These five masterpieces which blur the line between 'fiction' and 'documentary' illustrate why Werner Herzog is the most daring visionary and dangerous filmmaker of our lives. Even Dwarfs Started Small (1970): Featuring a cast composed entirely of little people (the first time that had been done since the 1938 western
Highly acclaimed eleven-part series directed by Edgar Reitz, originally produced for German television over a two-year period at the beginning of the 1980s. The series chronicles over 60 years of turbulent German history from 1919 to 1982, including the economic meltdown that followed World War 1, the rise and fall of the Nazis and World War 2, and the subsequent rebuilding of Germany in two halves, East and West. The tale unfolds in a small fictional rural village and follows the fortunes of a woman called Maria (Marita Breuer) who at the start of the series is a young girl, and by the end is an old woman who has lived to tell the tale of some of history's harshest moments. The series won the International Critics' Prize at the 1984 Venice Film Festival.
A wealthy New Yorker leaves her cheating husband and bonds with other society women at a resort. A remake of George Cukor's 1939 film "The Women."
Puccini's 'Turandot' performed by the Metropolitan Opera. Artists include: Eve Marton and Placido Domingo. Conducted by James Levine. Directed by Franco Zeffirelli. Sung in Italian
The Care Bears' special loving magic is needed when a little boy unleashes evil onto the world. Travelling through the galaxy to the rescue, the bears also enlist the help of the Care Bear Cousins in this animated fantasy. Carole King provided the music and Mickey Rooney narrates.
A maths teacher approaches a former pupil now a film director with an idea for a film: the Devil declares that the Earth is hell. Upon considering the idea for his next project the director shares his memories with a journalist while filming an ill-fated passage from his past... Based in and around a movie studio this experimental and intriguing film is essentially a film within a film and is notable for being the first Bergman film in which Death a key leitmotif makes an appea
All the glamour and greatness of the world's most exciting drama of speed and spectacle! Nine races. One champion. James Garner Yves Montand Brian Bedford and Antonio Sabato portray Formula 1 drivers competing to be the best in this slam-you-into-the-driver's seat tale of speed spectacle and intertwined personal lives. Eva Marie Saint and Toshiro Mifune also star. John Frankenheimer (who 32 years later would again stomp the pedal to the metal for the car chases of Ronin) directs this winner of 3 Academy Awards crafting split-screen images to capture the overlapping drama and orchestrating you-are-there POV camerawork to intensify the hard-driving thrills. Nearly 30 top drivers take part in the excitement so buckle up movie fans. Race with the best to the head of the pack.
Some of literature's most terrifying characters, including Dr. Frankenstein and his monster, Dorian Gray, and iconic figures from the novel Dracula are lurking in the darkest corners of Victorian London. They are joined by a core of original characters in a complex, frightening new narrative. PENNY DREADFUL is a psychological thriller filled with dark mystery and suspense, where personal demons from the past can be stronger than vampires, evil spirits and immortal beasts.
Long ago when majestic fire-breathers soared through the skies there lived a knight who would come face-to-face and heart-to-heart with the most remarkable creature that ever existed. Dennis Quaid stars with the voice of Academy Award winner Sean Connery in director Rob Cohen's heroic adventure that blazes with fantasy humour and the most amazing special effects since Jurassic Park. Co-starring David Thewlis Pete Postlethwaite Julie Christie and Dina Meyer this epic adventure will move and thrill the entire family.
Funeral in Berlin (1967) is the sequel to 1965's The Ipcress File, again featuring Michael Caine as reluctant spy Harry Palmer. It was clearly the filmmakers' intention to make Palmer a harder-nosed James Bond, and director Guy Hamilton was brought to this project in between Goldfinger and Diamonds Are Forever for that purpose. There's espionage intrigue, easy women (Eva Renzi as Samantha Steel), and gunplay. But without the gadgetry, one-liners, or even the John Barry score of the first movie, the Bond comparison runs dry. Against the backdrop of a bombed-out industrial wasteland that was Berlin in the mid-Sixties, Palmer is sent to facilitate the defection of Col. Stock (Oscar Homolka). Numerous sub-plots weave together involving indifferent chief Ross (Guy Doleman from IPCRESS), mission aide Johnnie Volkon (Paul Hubschmid), and the untrustworthy Kreutzman (Günter Meisner, who was more memorable as Slugworth in Willy Wonka and The Chocolate Factory). It all comes down to revealing who's working for whom and who's really defecting in the set-piece funeral of the title. The main reason the series continued (Ken Russell's OTT Billion Dollar Brain came next) was the commanding presence of Caine. It's fun to hear him try German, and he manages a few subtle comic gems, such as when a waiter asks "Bitte mein heir?" and he replies, "No. Lager please", but the best moment of characterisation recalling the womanising Palmer of Len Deighton's novels is the put down guaranteed to win any woman: "You're useless in the kitchen. Why don't you go back to bed?" --Paul Tonks
That wild and crazy guy Steve Martin makes his acting debut in this wild and crazy comedy hit The Jerk. Steve portrays Navin Johnson adopted son of a poor black sharecropper family whose crazy inventions lead him from rags to riches and right back to rags. Along the way he's smitten with a lady motorcycle racer survives a series of screwball attacks by a deranged killer becomes a millionaire by inventing the ""opti-grab"" handle for eyeglasses - and shows why he's the hottest comic performer in America today.
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