An unstoppable force is about to meet an immovable object as tough LA cop Frank 'Bulletproof' McBain embarks on a dangerous mission to retrieve a top secret attack vehicle. The vehicle code named Thunderblast can withstand the impact of just about any weapon imaginable. Cuban Libayan and Russian terrorists plan to seize the much coveted battle machine at a Mexican village near the Texan border. A convoy led by the beautiful Lt. Devon Shepard is escorting Thunderblast when it is amb
Clouzot's most ambitious movie remains one of his most modern with an elaborate screenplay giving his grand European cast a full chance to shine in this tale of a doctor who takes on a Faustian pact in order to save his failing practice...
Angels In The Outfield: Roger who has lost his mother is living separated from his father. As he and his friend J.P. are two of the biggest fans of the Los Angeles baseball team he has got only two dreams: Living together with a real family and LA winning the championship. As he is praying for these two things to happen some angels show up in order to help him - but he is the only one to see them and believe in them. Fortunately the coach of the baseball team sees his abiliti
KILL ME, PLEASE KILL ME... BEFORE IT S TOO LATE Late one full moonlit night, a woman stands alone on the roadside waiting for her husband to return to their broken-down car. All of a sudden she s pounced upon, dragged into the dark woods and savaged by a barely-glimpsed assailant. But this is only the beginning of the terror in The Beast Within... Seventeen years on, and the devoted parents of teenager Michael are at their wits end. Their son lies in a hospital bed, his body wracked by a mysterious illness. With doctors unable to offer any diagnosis, Michael s desperate parents are forced to seek out the answer themselves by digging up traumatic past events and confronting the true nature of their son s conception. The Beast Within stands apart from other creature features due to its decidedly grim tone the scenes in which the monster violates his victims proved too strong for some critics and standout transformation sequence to rival the likes of An American Werewolf in London and The Howling. Add to that strong lead performances from Paul Clemens and Ronny Cox (Deliverance, RoboCop), alongside a stunning score by the late, great Les Baxter, and you have yourself one absolute beast of a monster movie!
The Red Squirrel sees Jota, an ex-pop star with a penchant for doing nothing very much, standing on a bridge contemplating suicide. Hes pulled back to reality by a dramatic motorcycle accident and goes to help the victim, an attractive young woman apparently physically unscathed but with severe amnesia. At the hospital he is assumed to be her boyfriend, and so the deception begins, as he invents everything from her name (Lisa) through to the details of their imaginary four-year relationship. Though based on a lie, it gradually becomes real but is Lisa really an amnesiac or is she deceiving the deceiver? Who is the mysterious Felix, leaving pleas on a late-night radio programme to his missing, mentally disturbed 25-year-old wife, Sofia? As an array of incidental characters get drawn in, each seems to be practising their own deceit. This is a beautifully wrought, endlessly thought-provoking film, complemented by Alberto Iglesias's fabulous score. The two leads are superb: as Jota, Nancho Nova is both fey and hypnotic while Elisa (Emma Suárez) is wonderfully whimsical. Not surprisingly, it garnered a whole heap of awards, from Best Foreign Film at Cannes to Best Score at the Goya Awards. And the significance of the title? Red squirrels are, apparently, quick and cunning creatures; just like human beings. On the DVD: The Red Squirrel is presented in Dolby Digital original Spanish soundtrack with option of English subtitles and anamorphic widescreen print. The usual stuff is on offer as special features, including trailers for other world cinema films, filmographies of the director and two leading characters, and a concise but considered analysis of the plot.--Harriet Smith
A victim of bullying at a US military academy finds an ancient book of magic in a secret temple beneath the academy chapel. He sets out to get even with his tormentors with the aid of a computer and some black magic with bloody and horrific results.
A documentary examining the last truly 'Golden Age' of Hollywood film production the 1970s in which arthouse successes such as 'The Godfather' and 'French Connection' became bona fide blockbusters at the box office in the days before multimedia conglomerations and pre-release test scores...
Ballykissangel: Series 6
It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic, 101 Dalmatians (and originally Dodie Smith's classic children's story). The one bright notion anyone had was casting Glenn Close as Disney Übervillainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Joely Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a posse of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine, Amazon.com Don't be fooled by the title, there are four reasons to like 102 Dalmatians, the sequel to the successful live-action remake of Disney's 101 Dalmatians. There are the 101 spotted pooches, Glenn Close back in fine form as Cruella DeVil, Oddball--the spotless Dalmatian pup--and Waddlesworth, a parrot who thinks he's a rottweiler (and is voiced by Monty Python's Eric Idle). There are just as many reasons to be disappointed: like most sequels, the story line is virtually a rewrite of t he first; the secondary casting isn't as interesting; the dialogue merely serves to move the plot along; and the third act substitutes mean-spiritedness for comedy. After a period of rehabilitation, Cruella has returned to her old tricks. Once again, she simply must have a spotted coat and will go to any lengths to get hold of the 102 Dalmatians needed to make one with a hood. She sets her sights on the pups owned by her probation officer, Chloe (Alice Evans), and the owner of a local animal shelter, Kevin (Ioan Gruffudd). Her servant Alonso (Tim McInnerny) and flamboyant furrier Monsieur Le Pelt (Gerard Depardieu, in one ridiculous outfit after another) are drafted to aid in her quest. It should come as no surprise that Chloe and Kevin fall in love, Oddball helps to save the day and Cruella is defeated. Children should enjoy the animal high jinks, but adults are less likely to be enamoured by this perfectly competent, but relatively charmless affair. --Kathleen C Fennessy, Amazon.com.
Perhaps most notable for the fact that all but one of the cast perform quite literally under the hypnotic spell of the director himself 'HEart Of Glass' is one of Werner Herzog's most stylised challenging and visionary films. A stunning piece of work in 1977 the film was awarded the German Gold Film Award for Outstanding Individual Achievement in Cinematography. When the owner of the local glass factory passes away without divulging the secret formula for making a magical ruby g
Adapted from the hugely acclaimed best-selling novel by Marc Dugain writer-director Francois Duperyon's The Officer's Ward is an insightful honest and profoundly moving meditation on love loss and the physical and mental scars inflicted by the horror of war. Screened in competition at the 2001 Cannes Film festival The Officer's Ward atmospherically creates the world of Adrien Fournier (Eric Caravaca) a handsome young French officer who returns from the front with hideous facial
Ensemble drama from acclaimed director Robert Altman centered around a group of ballet dancers, with a focus on one young dancer (Neve Campbell) who's poised to become a principal performer.
A second volume of nasties that were at one time banned in the UK. Even more depraved and even more corrupt! Tenebrae (Dir. Dario Argento 1982): Shortly after American mystery-thriller novelist Peter Neal (Anthony Franciosa) arrives in Rome to promote his new book (the Tenebrae of the title) an attractive young woman is murdered by a razor-wielding maniac who stuffs pages of Neal's latest novel into the mouth of his victim before slashing her throat. So begins a biza
Shot in the UFA studios with a big movie star in the lead and all the special effects and production design resources any blockbuster of its time could wish for, FW Murnau's 1926 Faust represents a step up from his better-known Nosferatu. Oddly, Faust is a less familiar film than the vampire quickie and this release affords fans a chance to see what Murnau can do with an equally major fantasy story. Adapted neither from Marlowe's play Dr Faustus nor Goethe's verse drama, the script scrambles various elements of the legend and presents a Faust (Gosta Ekman) driven to summon the Devil by despair as a plague rages through the town, desperate to gain enough learning to help his neighbours. When this deal doesn't quite work out, because he is stoned by townsfolk who notice his sudden fear of the cross, Mephisto (Emil Jannings) offers Faust instead renewed youth and an opportunity to seduce a famously beautiful Italian noblewoman and then to return to his home village and get involved with the pure Gretchen (Camilla Horn). Like most versions of the story, it's episodic and some sections are stronger than others: the great stuff comes in the plague and initial deal sequences, though it picks up again for the tragic climax as Gretchen becomes the central figure and suffers horribly, freezing in the snows and burning at the stake. Jannings' devil, a gruesomely humorous slice of ham, is one of the great silent monster performances, reducing everyone else to a stick figure, and Murnau faces the challenge of topping his Nosferatu imagery by deploying a battalion of effects techniques to depict the many magical journeys, sudden appearances and transformations. On the DVD: Often seen in ragged, incomplete prints projected at the wrong speed, this is a decently restored version, running a full 115 minutes with a complete orchestral score. The original materials show some of the damage to be expected in a film of its vintage, but the transfer is excellent, displaying the imaginative art direction and camerawork to superb advantage. Aside from a nicely eerie menu, the sole extra is a full-length commentary originating in Australia: written by historian Peter Spooner but read by narrator Russell Cawthorne (who mispronounces the odd name). This provides an interesting wealth of background detail, such as Murnau's attempt to cast Hollywood's Lillian Gish as Gretchen, and delivers a balanced assessment of the film itself. --Kim Newman
Robert, a student at an English university, receives word of his father's unexpected death and returns home to Africa. While reading his father's dairies, Robert learns of the obsession that led to his death: $6,000,000 in Nazi gold that remains buried at an oasis in the Sahara desert, protected by the restless, rotting souls who died protecting it. Using his inheritance, Robert bands together with three fellow students to wrest the unclaimed fortune from the dunes of the dead!
From the director of Feast and Piranha 3DD and starring Daryl Hannah (Kill Bill: Vol. 1 and 2) and Anthony Michael Hall (The Dark Knight Edward Scissorhands) comes a zombie movie that doesn't take any prisoners. As darkness falls in small-town California the undead rise from the graves mausoleums and morgues and they're hungry! With an army of zombies thirsty human flesh pounding at their doors and windows can the townspeople survive till sunrise? It's time to lock the front door and get ready for the fright of your life.
Kenny G is a Grammy award winning saxophonist with global album sales in excess of 50 million copies. This new concert Blu-ray was filmed in late 2008 at Humphreys By The Bay in San Diego on the tour in support of his most recent studio album Rhythm & Romance. The show features classic Kenny G tracks alongside cover versions all delivered in his inimitable relaxed and intimate style that make him the true King of Smooth Jazz. Tracklist: 1. Home 2. Silhouette 3. Havana 4. Percussion Solo 5. G-Bop 6. You're Beautiful 7. Forever In Love 8. Introducing The Band 9. Rhythm & Romance 10. Sax-o-loco 11. Besame Mucho 12. What A Wonderful World 13. Pick Up The Pieces 14. Bass Solo 15. Cadenza 16. Songbird Bonus Christmas Tracks: 1. Deck The Halls / 12 Days Of Christmas 2. White Christmas 3. Santa Claus Is Coming To Town
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