The third series of Coupling, first aired in 2002, takes fans of the BBC's comedy of sex, manners and modern relationships into new realms of engaging surrealism, leaving those irritating comparisons with Friends trailing in its wake. The men are constantly in pursuit of a basic grasp of the "emotional things" that make women behave the way they do. The women analyse everything to death. But thanks to Steve Moffat's scripts, tighter and quirkier than ever, these characters are living, breathing human beings rather than cynical ciphers for comedy stereotypes. The performances are as strong as you'd expect from an established team, with actors such as Jack Davenport (the ever-perplexed Steve), Ben Miles (unreconstructed chauvinist Patrick), Sally Alexander (dryly intelligent Susan) and Kate Isitt (neurotic Sally) wearing their roles like second skins. But in the surreal stakes, it's Richard Coyle as Jeff, wondering aloud what happens to jelly after women have finished wrestling in it, and Gina Bellman as Jane, musing on the importance of a first snog in identifying what men like to eat, who really raise the laughter levels. All things considered, this is superior comedy for all thirtysomethings--genuine and putative. --Piers Ford
It is 2006 and there's a new Dr Jekyll with an old problem - Mr Hyde. But they have a deal - a body share - and an impossible life is somehow lived. What Hyde doesn't know is that Jekyll is married. There's a wife and two children he'll do anything to protect from his dark side. With all the resources of modern technology and the best surveillance hardware he's determined to keep his dark side in line. He's done a deal with his own devil. What neither of them knows: an ancient organisation with limitless wealth and power is monitoring their every move and a plan over a century in the making is coming to fruition. The return of Dr Jekyll is no accident...
In Sony Pictures Animation's THE STAR, a small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill. One day he finds the courage to break free, and finally goes on the adventure of his dreams. On his journey, he teams up with Ruth, a lovable sheep who has lost her flock and Dave, a dove with lofty aspirations. Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become accidental heroes in the greatest story ever told the first Christmas.
Can't stop the signal...Beloved television cult director Joss Whedon (Buffy The Vampire Slayer, Angel) makes a spectacular first foray onto the big screen with Serenity, the cinematic adaptation of his wildly popular but short-lived sci-fi series, Firefly. A mix of space western, comedy, and drama, Serenity follows captain Malcolm Mal Reynolds (Nathan Fillion) and his ragtag crew as they trade their way around the edges of civilized society. Of particular interest are two passengers they take on, Simon and River Tam (Sean Maher and Summer Glau), a brother and his telepathic sister on the run from the corrupt governing Alliance. As notorious former members of the anti-Alliance opposition, Mal and his crew make it difficult for Simon and River to stay hidden. Everything goes completely awry when a government assassin is sent to retrieve River. As Mal is forced to choose between his close-knit crew and the brother and sister newcomers, it becomes apparent that River harbors both a dangerous secret and astounding fighting powers, and Mal decides that discovering the truth about what she knows might just be worth his time.Many of the film's action sequences revolve around Summer Glau's martial arts skills in her portrayal of River. Glau prepared for her role with Hong Kong stuntwoman Ming Lu, as well as stunt coordinators Chad Stahelski and Hiro Koda, and as a result performed nearly all the stuntwork herself. In addition to the stellar stunts, realistic graphics, and an often haunting score, the film's actors display a rare chemistry that brings viewers both into their lives and into a possible version of humanity's future.
Witty new legal drama Suits is positively brimming with complex cases, morally bankrupt schemers and banter more cutting than a diamond-lined cheese-wire. In other words, Ally McBeal it ain't.
A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts he and his granddaughter flee.
There are some criminals who always manage to evade justice. Untouchable they know the legal system and they know how to play it exploiting its flaws and capitalizing on its weaknesses. In short they are just too clever to get caught. But they are still the bad guys and they need to be taken off the streets. By Any Means follows a clandestine department living on the edge and playing the criminal elite at their own game existing in the grey area between the letter of the law and true justice. Led by the sharp and elusive Jack Quinn alongside straight-talking Jessica Jones digital whizz-kid Thomas Tomkins and ex-copper Charlie O'Brien they stop at nothing to get the job done. Receiving their target from the mysterious Helen Barlow they weave a web of cunning and deception to deliver their unwary targets into the arms of justice.
Two's Company. Three's a crowd. So what do you do with six? Who do you know who is over thirty sort-of-single and has a satisfying regular sex-life? Anyone? Being single isn't easy. But at least you've got your friends. But what happens when one of your friends falls in love with one of your friends' friends? This funny up-front series about love and lust amongst thirtysomethings centres around Susan and Steve - two lively sexy funny people who get together and start going out. Featuring series 1 to 4 of the hit BBC sitcom!
Coupling Season 4: feel free to insert your own "four-play" joke, or for that matter, your own "insert" joke. Sex is still topic 1 for the intertwined group of "exes and best friends", but in this pivotal season there are momentous "relationship issues" that will upend all their lives (insert your own "upend" joke while you're at it). Susan is pregnant, inspiring in Steve nightmares about his own execution and unflattering comparisons of the birth process to John Hurt's iconic gut-busting scene in Alien. Missing in action is the Kramer-esque Jeff (although he makes something of a return in the season finale). Joining the ensemble is Oliver, who is more in the Chandler mode as a lovable loser with the ladies. These inevitable comparisons to "Sein-Friends" are no doubt heresy to Coupling's most devoted viewers. Indeed, this series does benefit from creator and sole writer Steven Moffat's comic voice and vision. He provides his ever-game cast some witty, funny-cause-it's-true dialogue, as in Oliver's observation that "Tea isn't compatible with porn". This Britcom is also less inhibited in language and sexual situations than its American counterparts. In the cleverly-constructed opening episode, in which the same "9-1/2 Minutes" are witnessed from three different perspectives, Sally and Jane can do what was left to the imagination when Monica and Rachel offered to make out in front of Joey and Chandler. The birth of Susan and Steven's baby ends the six-episode season on a satisfying and surprisingly moving grace note. A bonus disc takes viewers behind the scenes with segments devoted to bloopers and interviews with cast and crew. --Donald Liebenson
Wittgenstein is a bold offbeat biography of the Cambridge thinker who changed the way we think personalised in Jarmans unique style to address the politics and sexuality of the great but troubled man. The result is no dry treatise but a treat for eyes and mind alike.
With Mike (Patrick J. Adams) making his return to Pearson Specter Litt, and Jessica (Gina Torres) departing, Harvey (Gabriel Macht) and Louis (Rick Hoffman) must put personal animosities aside in an effort to keep their struggling firm afloat. As new dynamics unfold, Donna (Sarah Rafferty) and Rachel (Meghan Markle) find themselves making bold moves to challenge the status quo. Special Features Deleted Scenes Gag Reel The People Behind the Suits Suits: A Centennial Moment Mike and Rachel Sendoff Reel
All three seasons of Suits in one box set. The legal drama stars Patrick J. Adams and Gabriel Macht as Mike Ross and Harvey Spector and follows college drop-out Mike who accidentally lands a job with one of New York's best legal closers Harvey Specter. They soon become a winning team with Mike's raw talent and photographic memory and Mike soon reminds Harvey of why he went into the field of law in the first place.
Revenge is the name of the game, as martial arts legend Jean-Claude Van Damme returns to his most famous film franchise! He is joined by Guardians of the Galaxy and Spectre star Dave Bautista in this bone-crunching action spectacular... After witnessing his brother being killed in the ring in a brutal bout in Thailand, young kickboxer Kurt (Alain Moussi) decides to train under the tutelage of his brother s legendary, no-nonsense coach Durand (Van Damme), in order to take-on Tong Po (Bautista), the man responsible for his brother s death. Durand doesn t feel Kurt has what it takes to defeat the awesome strength of Tong Po. But Durand doesn t reckon on Kurt s powerful and unquenchable thirst for vengeance.
When drug dealer Chris (Emile Hirsch) has his stash stolen by his mother, he plans to dispatch of her and cash in on her $50,000 life insurance to repay his debts. He hires Detective Joe Cooper (Matthew McConaughey), a dirty cop who moonlights as a contract killer, who sets his sight on Chris' innocent sister Dottie (Juno Temple) as collateral for the job. But the agreement turns complicated when Dottie forms a bond with Killer Joe and everything begins to unravel. Killer Joe is a controversial and shocking black comedy thriller from director William Friedkin (The Exorcist, The French Connection).
Set in and around the corridors of power, Bodyguard tells the story of David Budd (Richard Madden), a heroic but volatile war veteran now working as a Specialist Protection Officer for the Royalty and Specialist Protection Branch (RaSP) of London's Metropolitan Police Service. When he is assigned to protect the ambitious and powerful Home Secretary Julia Montague (Keeley Hawes), Budd finds himself torn between his duty and his beliefs. Responsible for her safety, could he become her biggest threat?
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker
Much praised and much missed after its premature cancellation, Firefly is the first SF TV series to be conceived by Joss Whedon, creator of Buffy and cocreator of Angel. Set five centuries in the future, it is a show where the mysterious personal pasts of the crew of the tramp spaceship Serenity continually surface. In fact, it's a Western in space where the losers in a Civil War are heading out to a barren frontier. Mal Reynolds is a man embittered by the war, yet whose love of his comrades perpetually dents his cynicism--even in the 14 episodes that exist we see him warm to the bubbly young mechanic Kaylee, the preacher Book, the idealistic doctor Simon, even to the often demented River, Simon's sister, the psychic result of malign experiments. Firefly is also about adult emotional relationships, for example Kaylee's crush on Simon, the happy marriage of Mal's second officer Zoe and the pilot Wash, the disastrous erotic stalemate between Mal and the courtesan Inara. Individual episodes deal with capers going vaguely wrong, or threats narrowly circumvented; character and plot arcs were starting to emerge when the show was cancelled. Fortunately, the spin-off movie Serenity is planned; and in the meantime, what there is of Firefly is a show to marvel at, both for its tight writing and ensemble acting, and the idiocy of the executives who cancelled it. On the DVD: Firefly on DVD is presented in anamorphic 1.78:1 with Dolby Surround Sound. It includes commentaries on six episodes by various writers, directors, designers and cast members as well as featurettes on the conception of the show and the design of the spaceship Serenity, four deleted scenes, a gag reel, and Joss Whedon singing the show's theme tune, more or less. One of the things that emerges from all of this is how committed to the project everyone involved with it was, and is--unusually, you end up caring as much for the cast and crew as for the characters. The discs have subtitles in English and Spanish and the option of listening to the soundtrack dubbed into Spanish or French. --Roz Kaveney
After scoring a hit with the Eddie Murphy-Nick Nolte cop thriller 48 Hours, director Walter Hill returned to the buddy formula with this half-ridiculous, half-invigorating action flick about humourless Russian cop Ivan Danko (Arnold Schwarzenegger). He follows a drug dealer from Moscow to Chicago, where he's matched up with city cop Art Ridzik (James Belushi), whose work ethic is considerably more relaxed. Most of the humour revolves around Danko's grumpy reaction to good ol' American capitalism, while Ridzik urges him to chill out. Red Heat is not bad as action comedies go, but only if you get into the absurd spirit of this predictable fare, in which the unlikely buddies get to wisecrack and act casually while mayhem erupts everywhere they go. Incidentally, Red Heat was the first American film allowed to shoot in Moscow's Red Square. --Jeff Shannon, Amazon.com
Paul Verhoeven's attempt to couple the softcore sex film with the Hollywood musical stars Elizabeth Berkley as a Las Vegas stripper who lap-dances her way to the city's most prestigious chorus line. Vying with the show's established star for the leading role in a new erotic spectacular, Berkley gives the director (Kyle MacLachlan) a close-up demonstration of what she can do. Dave Stewart of Eurythmics provides the music for the steamy dance routines.
A clash between King Solomon and his brother is further complicated when the Queen of Sheba seduces Solomon in an attempt to bring about Israel's downfall... In this glorious biblical epic director King Vidor cinematically explores the evils of the flesh and pagan worship.
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